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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #316D95 it is the complementary color #CE926A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #316D95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #316D95 shade: #366D90, #477FA3, #5891B6, #69A3C9 and #7AB5DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #316D95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #316D95 shade: #316D95, #205B82, #0F496F, #00375C and #002549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #316D95 shade: #306D96, #305296, #303696, #453096 and #613096

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #316D95 shade: #306D96, #305296, #303696 and #303096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #316D95 shade matches the following richer shades: #306D96, #2070A6, #1074B6 and #0077C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #316D95 shade: #306D96, #406A86, #506775, #616365 and #716055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #316D95 shade: #309688, #308896, #306D96, #305296 and #303796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #316D95 shade: #1C4057, #265677, #306D96, #3A84B5 and #5298C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #316D95 shade: #316D95, #6D3096 and #969630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #316D95 shade: #316D95, #96306D and #6D9630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #316D95 shade: #316D95, #6D3096, #965930 and #599630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #316D95 shade: #316D95, #8C3096, #965930 and #3A9630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

Complementary color

CMYK 0 / 29 / 49 / 19

HEX #CE926A

RGB 206 146 106

HSL 24, 0.51%, 0.61%

LAB 65.53, 18, 30.16

 

CMYK 63 / 24 / 0 / 44

HEX #366D90

RGB 54 109 144

HSL 203.33, 0.45%, 0.39%

LAB 43.85, -6.98, -24.6

 

CMYK 56 / 22 / 0 / 36

HEX #477FA3

RGB 71 127 163

HSL 203.48, 0.39%, 0.46%

LAB 50.88, -7.67, -24.84

 

CMYK 52 / 20 / 0 / 29

HEX #5891B6

RGB 88 145 182

HSL 203.62, 0.39%, 0.53%

LAB 57.75, -8.17, -25.08

 

CMYK 48 / 19 / 0 / 21

HEX #69A3C9

RGB 105 163 201

HSL 203.75, 0.47%, 0.6%

LAB 64.5, -8.56, -25.32

 

CMYK 45 / 18 / 0 / 14

HEX #7AB5DC

RGB 122 181 220

HSL 203.88, 0.58%, 0.67%

LAB 71.11, -8.87, -25.57

 

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

CMYK 75 / 30 / 0 / 49

HEX #205B82

RGB 32 91 130

HSL 203.88, 0.6%, 0.32%

LAB 36.75, -4.93, -27.29

 

CMYK 86 / 34 / 0 / 56

HEX #0F496F

RGB 15 73 111

HSL 203.75, 0.76%, 0.25%

LAB 29.45, -3.11, -26.99

 

CMYK 100 / 40 / 0 / 64

HEX #00375C

RGB 0 55 92

HSL 204.13, 1%, 0.18%

LAB 21.96, -0.55, -26.63

 

CMYK 100 / 49 / 0 / 71

HEX #002549

RGB 0 37 73

HSL 209.59, 1%, 0.14%

LAB 14.42, 3.7, -25.92

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 68 / 45 / 0 / 41

HEX #305296

RGB 48 82 150

HSL 220, 0.52%, 0.39%

LAB 35.72, 11.04, -41.04

 

CMYK 68 / 64 / 0 / 41

HEX #303696

RGB 48 54 150

HSL 236.47, 0.52%, 0.39%

LAB 28.03, 29.73, -53.48

 

CMYK 54 / 68 / 0 / 41

HEX #453096

RGB 69 48 150

HSL 252.35, 0.52%, 0.39%

LAB 28.33, 36.96, -52.92

 

CMYK 35 / 68 / 0 / 41

HEX #613096

RGB 97 48 150

HSL 268.82, 0.52%, 0.39%

LAB 31.48, 42.59, -47.66

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 68 / 45 / 0 / 41

HEX #305296

RGB 48 82 150

HSL 220, 0.52%, 0.39%

LAB 35.72, 11.04, -41.04

 

CMYK 68 / 64 / 0 / 41

HEX #303696

RGB 48 54 150

HSL 236.47, 0.52%, 0.39%

LAB 28.03, 29.73, -53.48

 

CMYK 68 / 68 / 0 / 41

HEX #303096

RGB 48 48 150

HSL 240, 0.52%, 0.39%

LAB 26.58, 33.59, -55.86

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 81 / 33 / 0 / 35

HEX #2070A6

RGB 32 112 166

HSL 204.18, 0.68%, 0.39%

LAB 45.15, -4.17, -35.63

 

CMYK 91 / 36 / 0 / 29

HEX #1074B6

RGB 16 116 182

HSL 203.86, 0.84%, 0.39%

LAB 46.95, -1.7, -42.14

 

CMYK 100 / 40 / 0 / 22

HEX #0077C6

RGB 0 119 198

HSL 203.94, 1%, 0.39%

LAB 48.6, 2.1, -48.74

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 52 / 21 / 0 / 47

HEX #406A86

RGB 64 106 134

HSL 204, 0.35%, 0.39%

LAB 42.94, -6.25, -19.98

 

CMYK 32 / 12 / 0 / 54

HEX #506775

RGB 80 103 117

HSL 202.7, 0.19%, 0.39%

LAB 42.29, -4.9, -10.63

 

CMYK 4 / 2 / 0 / 60

HEX #616365

RGB 97 99 101

HSL 210, 0.02%, 0.39%

LAB 41.85, -0.35, -1.41

 

CMYK 0 / 15 / 25 / 56

HEX #716055

RGB 113 96 85

HSL 23.57, 0.14%, 0.39%

LAB 42.05, 4.95, 8.82

 

CMYK 68 / 0 / 9 / 41

HEX #309688

RGB 48 150 136

HSL 171.76, 0.52%, 0.39%

LAB 56.31, -32.35, -1.13

 

CMYK 68 / 9 / 0 / 41

HEX #308896

RGB 48 136 150

HSL 188.24, 0.52%, 0.39%

LAB 52.33, -21.19, -15.14

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 68 / 45 / 0 / 41

HEX #305296

RGB 48 82 150

HSL 220, 0.52%, 0.39%

LAB 35.72, 11.04, -41.04

 

CMYK 68 / 63 / 0 / 41

HEX #303796

RGB 48 55 150

HSL 235.88, 0.52%, 0.39%

LAB 28.28, 29.07, -53.07

 

CMYK 68 / 26 / 0 / 66

HEX #1C4057

RGB 28 64 87

HSL 203.39, 0.51%, 0.23%

LAB 25.57, -4.79, -17.63

 

CMYK 68 / 28 / 0 / 53

HEX #265677

RGB 38 86 119

HSL 204.44, 0.52%, 0.31%

LAB 34.8, -4.92, -23.54

 

CMYK 68 / 27 / 0 / 41

HEX #306D96

RGB 48 109 150

HSL 204.12, 0.52%, 0.39%

LAB 43.9, -6.01, -28.11

 

CMYK 68 / 27 / 0 / 29

HEX #3A84B5

RGB 58 132 181

HSL 203.9, 0.51%, 0.47%

LAB 52.66, -7.05, -32.5

 

CMYK 59 / 23 / 0 / 22

HEX #5298C6

RGB 82 152 198

HSL 203.79, 0.5%, 0.55%

LAB 60.18, -8.44, -30.38

 

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

CMYK 27 / 68 / 0 / 41

HEX #6D3096

RGB 109 48 150

HSL 275.88, 0.52%, 0.39%

LAB 33.06, 45.26, -45.02

 

CMYK 0 / 0 / 68 / 41

HEX #969630

RGB 150 150 48

HSL 60, 0.52%, 0.39%

LAB 60.35, -12.97, 51.38

 

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

CMYK 0 / 68 / 27 / 41

HEX #96306D

RGB 150 48 109

HSL 324.12, 0.52%, 0.39%

LAB 37.3, 48.58, -12.48

 

CMYK 27 / 0 / 68 / 41

HEX #6D9630

RGB 109 150 48

HSL 84.12, 0.52%, 0.39%

LAB 57.34, -30.36, 47.34

 

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

CMYK 27 / 68 / 0 / 41

HEX #6D3096

RGB 109 48 150

HSL 275.88, 0.52%, 0.39%

LAB 33.06, 45.26, -45.02

 

CMYK 0 / 41 / 68 / 41

HEX #965930

RGB 150 89 48

HSL 24.12, 0.52%, 0.39%

LAB 44.01, 21.31, 33.86

 

CMYK 41 / 0 / 68 / 41

HEX #599630

RGB 89 150 48

HSL 95.88, 0.52%, 0.39%

LAB 56.24, -37.85, 45.83

 

CMYK 67 / 27 / 0 / 42

HEX #316D95

RGB 49 109 149

HSL 204, 0.51%, 0.39%

LAB 43.89, -6.19, -27.53

 

CMYK 7 / 68 / 0 / 41

HEX #8C3096

RGB 140 48 150

HSL 294.12, 0.52%, 0.39%

LAB 37.65, 52.55, -37.43

 

CMYK 0 / 41 / 68 / 41

HEX #965930

RGB 150 89 48

HSL 24.12, 0.52%, 0.39%

LAB 44.01, 21.31, 33.86

 

CMYK 61 / 0 / 68 / 41

HEX #3A9630

RGB 58 150 48

HSL 114.12, 0.52%, 0.39%

LAB 55, -47.19, 44.13

 

Description

Color code: HEX #316D95 | qconv.com Color code: HEX #316D95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 109 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 109 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 27 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 27% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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