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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31768A it is the complementary color #CE8975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31768A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31768A shade: #367685, #478898, #589AAB, #69ACBE and #7ABED1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31768A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31768A shade: #31768A, #206477, #0F5264, #004051 and #002E3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31768A shade: #31778B, #315E8B, #31468B, #34318B and #4C318B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31768A shade: #31778B, #315E8B, #31468B and #31318B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31768A shade matches the following richer shades: #31778B, #217F9A, #1288AA and #0390B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31768A shade: #31778B, #406E7C, #4F666D, #5E5E5D and #6E554E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31768A shade: #318B6E, #318B87, #31788B, #315F8B and #31478B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31768A shade: #1B434E, #265D6D, #31778B, #3B91AA and #4EA7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31768A shade: #31768A, #56318B and #8B7B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31768A shade: #31768A, #8B3178 and #788B31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31768A shade: #31768A, #56318B, #8B4431 and #658B31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31768A shade: #31768A, #71318B, #8B4431 and #4A8B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

Complementary color

CMYK 0 / 33 / 43 / 19

HEX #CE8975

RGB 206 137 117

HSL 13.48, 0.48%, 0.63%

LAB 63.59, 24.03, 21.52

 

CMYK 59 / 11 / 0 / 48

HEX #367685

RGB 54 118 133

HSL 191.39, 0.42%, 0.37%

LAB 46.22, -15.76, -14.4

 

CMYK 53 / 11 / 0 / 40

HEX #478898

RGB 71 136 152

HSL 191.85, 0.36%, 0.44%

LAB 53.18, -16.11, -14.93

 

CMYK 49 / 10 / 0 / 33

HEX #589AAB

RGB 88 154 171

HSL 192.29, 0.33%, 0.51%

LAB 60, -16.33, -15.41

 

CMYK 45 / 9 / 0 / 25

HEX #69ACBE

RGB 105 172 190

HSL 192.71, 0.4%, 0.58%

LAB 66.69, -16.48, -15.87

 

CMYK 42 / 9 / 0 / 18

HEX #7ABED1

RGB 122 190 209

HSL 193.1, 0.49%, 0.65%

LAB 73.26, -16.59, -16.31

 

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

CMYK 73 / 16 / 0 / 53

HEX #206477

RGB 32 100 119

HSL 193.1, 0.58%, 0.3%

LAB 39.16, -14.32, -16.81

 

CMYK 85 / 18 / 0 / 61

HEX #0F5264

RGB 15 82 100

HSL 192.71, 0.74%, 0.23%

LAB 31.93, -13.05, -16.16

 

CMYK 100 / 21 / 0 / 68

HEX #004051

RGB 0 64 81

HSL 192.59, 1%, 0.16%

LAB 24.52, -11.22, -15.39

 

CMYK 100 / 26 / 0 / 76

HEX #002E3E

RGB 0 46 62

HSL 195.48, 1%, 0.12%

LAB 17, -7.82, -14.27

 

CMYK 65 / 14 / 0 / 45

HEX #31778B

RGB 49 119 139

HSL 193.33, 0.48%, 0.37%

LAB 46.59, -15.37, -17.42

 

CMYK 65 / 32 / 0 / 45

HEX #315E8B

RGB 49 94 139

HSL 210, 0.48%, 0.37%

LAB 38.76, -0.57, -29.55

 

CMYK 65 / 50 / 0 / 45

HEX #31468B

RGB 49 70 139

HSL 226, 0.48%, 0.37%

LAB 31.57, 15.13, -40.98

 

CMYK 63 / 65 / 0 / 45

HEX #34318B

RGB 52 49 139

HSL 242, 0.48%, 0.37%

LAB 26.13, 29.72, -49.79

 

CMYK 45 / 65 / 0 / 45

HEX #4C318B

RGB 76 49 139

HSL 258, 0.48%, 0.37%

LAB 28.37, 34.41, -46.04

 

CMYK 65 / 14 / 0 / 45

HEX #31778B

RGB 49 119 139

HSL 193.33, 0.48%, 0.37%

LAB 46.59, -15.37, -17.42

 

CMYK 65 / 32 / 0 / 45

HEX #315E8B

RGB 49 94 139

HSL 210, 0.48%, 0.37%

LAB 38.76, -0.57, -29.55

 

CMYK 65 / 50 / 0 / 45

HEX #31468B

RGB 49 70 139

HSL 226, 0.48%, 0.37%

LAB 31.57, 15.13, -40.98

 

CMYK 65 / 65 / 0 / 45

HEX #31318B

RGB 49 49 139

HSL 240, 0.48%, 0.37%

LAB 25.9, 29.22, -50.17

 

CMYK 65 / 14 / 0 / 45

HEX #31778B

RGB 49 119 139

HSL 193.33, 0.48%, 0.37%

LAB 46.59, -15.37, -17.42

 

CMYK 79 / 18 / 0 / 40

HEX #217F9A

RGB 33 127 154

HSL 193.39, 0.65%, 0.37%

LAB 49.3, -17.08, -22.13

 

CMYK 89 / 20 / 0 / 33

HEX #1288AA

RGB 18 136 170

HSL 193.42, 0.81%, 0.37%

LAB 52.55, -17.64, -26.41

 

CMYK 98 / 22 / 0 / 27

HEX #0390B9

RGB 3 144 185

HSL 193.52, 0.97%, 0.37%

LAB 55.55, -17.26, -30.36

 

CMYK 65 / 14 / 0 / 45

HEX #31778B

RGB 49 119 139

HSL 193.33, 0.48%, 0.37%

LAB 46.59, -15.37, -17.42

 

CMYK 48 / 11 / 0 / 51

HEX #406E7C

RGB 64 110 124

HSL 194, 0.32%, 0.37%

LAB 43.8, -11.68, -12.67

 

CMYK 28 / 6 / 0 / 57

HEX #4F666D

RGB 79 102 109

HSL 194, 0.16%, 0.37%

LAB 41.64, -6.75, -6.75

 

CMYK 0 / 0 / 1 / 63

HEX #5E5E5D

RGB 94 94 93

HSL 60, 0.01%, 0.37%

LAB 39.87, -0.21, 0.57

 

CMYK 0 / 23 / 29 / 57

HEX #6E554E

RGB 110 85 78

HSL 13.13, 0.17%, 0.37%

LAB 38.48, 9.21, 8.04

 

CMYK 65 / 0 / 21 / 45

HEX #318B6E

RGB 49 139 110

HSL 160.67, 0.48%, 0.37%

LAB 52.11, -33.91, 7.75

 

CMYK 65 / 0 / 3 / 45

HEX #318B87

RGB 49 139 135

HSL 177.33, 0.48%, 0.37%

LAB 52.8, -27.14, -5.71

 

CMYK 65 / 14 / 0 / 45

HEX #31788B

RGB 49 120 139

HSL 192.67, 0.48%, 0.37%

LAB 46.91, -15.92, -16.94

 

CMYK 65 / 32 / 0 / 45

HEX #315F8B

RGB 49 95 139

HSL 209.33, 0.48%, 0.37%

LAB 39.07, -1.19, -29.07

 

CMYK 65 / 49 / 0 / 45

HEX #31478B

RGB 49 71 139

HSL 225.33, 0.48%, 0.37%

LAB 31.86, 14.46, -40.52

 

CMYK 65 / 14 / 0 / 69

HEX #1B434E

RGB 27 67 78

HSL 192.94, 0.49%, 0.21%

LAB 26.15, -10.2, -10.86

 

CMYK 65 / 15 / 0 / 57

HEX #265D6D

RGB 38 93 109

HSL 193.52, 0.48%, 0.29%

LAB 36.64, -12.69, -14.51

 

CMYK 65 / 14 / 0 / 45

HEX #31778B

RGB 49 119 139

HSL 193.33, 0.48%, 0.37%

LAB 46.59, -15.37, -17.42

 

CMYK 65 / 15 / 0 / 33

HEX #3B91AA

RGB 59 145 170

HSL 193.51, 0.48%, 0.45%

LAB 56.17, -17.78, -20.77

 

CMYK 59 / 13 / 0 / 25

HEX #4EA7C0

RGB 78 167 192

HSL 193.16, 0.48%, 0.53%

LAB 64.21, -19.2, -20.85

 

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

CMYK 38 / 65 / 0 / 45

HEX #56318B

RGB 86 49 139

HSL 264.67, 0.48%, 0.37%

LAB 29.51, 36.65, -44.14

 

CMYK 0 / 12 / 65 / 45

HEX #8B7B31

RGB 139 123 49

HSL 49.33, 0.48%, 0.37%

LAB 51.7, -3.16, 41.56

 

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

CMYK 0 / 65 / 14 / 45

HEX #8B3178

RGB 139 49 120

HSL 312.67, 0.48%, 0.37%

LAB 36.06, 46.6, -21.44

 

CMYK 14 / 0 / 65 / 45

HEX #788B31

RGB 120 139 49

HSL 72.67, 0.48%, 0.37%

LAB 54.74, -20.29, 44.37

 

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

CMYK 38 / 65 / 0 / 45

HEX #56318B

RGB 86 49 139

HSL 264.67, 0.48%, 0.37%

LAB 29.51, 36.65, -44.14

 

CMYK 0 / 51 / 65 / 45

HEX #8B4431

RGB 139 68 49

HSL 12.67, 0.48%, 0.37%

LAB 37.56, 28.51, 25.28

 

CMYK 27 / 0 / 65 / 45

HEX #658B31

RGB 101 139 49

HSL 85.33, 0.48%, 0.37%

LAB 53.44, -28.2, 42.59

 

CMYK 64 / 14 / 0 / 46

HEX #31768A

RGB 49 118 138

HSL 193.48, 0.48%, 0.37%

LAB 46.24, -15.14, -17.37

 

CMYK 19 / 65 / 0 / 45

HEX #71318B

RGB 113 49 139

HSL 282.67, 0.48%, 0.37%

LAB 33.07, 43.21, -38.22

 

CMYK 0 / 51 / 65 / 45

HEX #8B4431

RGB 139 68 49

HSL 12.67, 0.48%, 0.37%

LAB 37.56, 28.51, 25.28

 

CMYK 47 / 0 / 65 / 45

HEX #4A8B31

RGB 74 139 49

HSL 103.33, 0.48%, 0.37%

LAB 52, -38.08, 40.59

 

Description

Color code: HEX #31768A | qconv.com Color code: HEX #31768A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 118 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 118 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 14 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 14% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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