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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317B59 it is the complementary color #CE84A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317B59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317B59 shade: #367B54, #478D67, #589F7A, #69B18D and #7AC3A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317B59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317B59 shade: #317B59, #206946, #0F5733, #004520 and #00330D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317B59 shade: #317B59, #317B45, #317B31, #457B31 and #597B31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317B59 shade: #317B59, #317B6D, #31767B, #31617B and #314D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317B59 shade matches the following richer shades: #317B59, #238A5A, #15985B and #07A65D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317B59 shade: #317B59, #3F6D58, #4D5F57, #5B5156 and #694355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317B59 shade: #317B31, #317B45, #317B59, #317B6D and #31777B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317B59 shade: #19402F, #255E44, #317B59, #3D996F and #49B684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317B59 shade: #317B59, #31457B and #7B3B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317B59 shade: #317B59, #59317B and #7B5931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317B59 shade: #317B59, #31457B, #7B3154 and #7B6831

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317B59 shade: #317B59, #33317B, #7B3154 and #797B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

Complementary color

CMYK 0 / 36 / 19 / 19

HEX #CE84A6

RGB 206 132 166

HSL 332.43, 0.43%, 0.66%

LAB 63.65, 33.19, -6.13

 

CMYK 56 / 0 / 32 / 52

HEX #367B54

RGB 54 123 84

HSL 146.09, 0.39%, 0.35%

LAB 46.43, -31.46, 14.89

 

CMYK 50 / 0 / 27 / 45

HEX #478D67

RGB 71 141 103

HSL 147.43, 0.33%, 0.42%

LAB 53.35, -31.32, 13.62

 

CMYK 45 / 0 / 23 / 38

HEX #589F7A

RGB 88 159 122

HSL 148.73, 0.29%, 0.48%

LAB 60.14, -31.1, 12.47

 

CMYK 41 / 0 / 20 / 31

HEX #69B18D

RGB 105 177 141

HSL 150, 0.32%, 0.55%

LAB 66.8, -30.86, 11.43

 

CMYK 37 / 0 / 18 / 24

HEX #7AC3A0

RGB 122 195 160

HSL 151.23, 0.38%, 0.62%

LAB 73.35, -30.61, 10.47

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 70 / 0 / 33 / 59

HEX #206946

RGB 32 105 70

HSL 151.23, 0.53%, 0.27%

LAB 39.33, -31.41, 13.29

 

CMYK 83 / 0 / 41 / 66

HEX #0F5733

RGB 15 87 51

HSL 150, 0.71%, 0.2%

LAB 32.16, -30.79, 14.97

 

CMYK 100 / 0 / 54 / 73

HEX #004520

RGB 0 69 32

HSL 147.83, 1%, 0.14%

LAB 24.83, -29.53, 16.91

 

CMYK 100 / 0 / 75 / 80

HEX #00330D

RGB 0 51 13

HSL 135.29, 1%, 0.1%

LAB 17.44, -25.93, 18.96

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 0 / 44 / 52

HEX #317B45

RGB 49 123 69

HSL 136.22, 0.43%, 0.34%

LAB 45.97, -35.71, 22.82

 

CMYK 60 / 0 / 60 / 52

HEX #317B31

RGB 49 123 49

HSL 120, 0.43%, 0.34%

LAB 45.69, -38.82, 33.16

 

CMYK 44 / 0 / 60 / 52

HEX #457B31

RGB 69 123 49

HSL 103.78, 0.43%, 0.34%

LAB 46.52, -32.7, 34.33

 

CMYK 28 / 0 / 60 / 52

HEX #597B31

RGB 89 123 49

HSL 87.57, 0.43%, 0.34%

LAB 47.64, -25.17, 35.91

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 0 / 11 / 52

HEX #317B6D

RGB 49 123 109

HSL 168.65, 0.43%, 0.34%

LAB 46.87, -26.53, 0.8

 

CMYK 60 / 4 / 0 / 52

HEX #31767B

RGB 49 118 123

HSL 184.05, 0.43%, 0.34%

LAB 45.69, -19.9, -9.28

 

CMYK 60 / 21 / 0 / 52

HEX #31617B

RGB 49 97 123

HSL 201.08, 0.43%, 0.34%

LAB 38.95, -8, -19.53

 

CMYK 60 / 37 / 0 / 52

HEX #314D7B

RGB 49 77 123

HSL 217.3, 0.43%, 0.34%

LAB 32.68, 4.59, -29.32

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 75 / 0 / 35 / 46

HEX #238A5A

RGB 35 138 90

HSL 152.04, 0.6%, 0.34%

LAB 51, -40.61, 17.6

 

CMYK 86 / 0 / 40 / 40

HEX #15985B

RGB 21 152 91

HSL 152.06, 0.76%, 0.34%

LAB 55.45, -47.59, 22.97

 

CMYK 96 / 0 / 44 / 35

HEX #07A65D

RGB 7 166 93

HSL 152.45, 0.92%, 0.34%

LAB 59.99, -53.19, 27.82

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 42 / 0 / 19 / 57

HEX #3F6D58

RGB 63 109 88

HSL 152.61, 0.27%, 0.34%

LAB 42.31, -21.08, 6.83

 

CMYK 19 / 0 / 8 / 63

HEX #4D5F57

RGB 77 95 87

HSL 153.33, 0.1%, 0.34%

LAB 38.64, -8.69, 2.3

 

CMYK 0 / 11 / 5 / 64

HEX #5B5156

RGB 91 81 86

HSL 330, 0.06%, 0.34%

LAB 35.56, 5.12, -1.42

 

CMYK 0 / 36 / 19 / 59

HEX #694355

RGB 105 67 85

HSL 331.58, 0.22%, 0.34%

LAB 33.29, 19.35, -3.95

 

CMYK 60 / 0 / 60 / 52

HEX #317B31

RGB 49 123 49

HSL 120, 0.43%, 0.34%

LAB 45.69, -38.82, 33.16

 

CMYK 60 / 0 / 44 / 52

HEX #317B45

RGB 49 123 69

HSL 136.22, 0.43%, 0.34%

LAB 45.97, -35.71, 22.82

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 0 / 11 / 52

HEX #317B6D

RGB 49 123 109

HSL 168.65, 0.43%, 0.34%

LAB 46.87, -26.53, 0.8

 

CMYK 60 / 3 / 0 / 52

HEX #31777B

RGB 49 119 123

HSL 183.24, 0.43%, 0.34%

LAB 46.01, -20.43, -8.79

 

CMYK 61 / 0 / 27 / 75

HEX #19402F

RGB 25 64 47

HSL 153.85, 0.44%, 0.17%

LAB 23.93, -18.66, 6.29

 

CMYK 61 / 0 / 28 / 63

HEX #255E44

RGB 37 94 68

HSL 152.63, 0.44%, 0.26%

LAB 35.63, -25.58, 9.41

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 0 / 27 / 40

HEX #3D996F

RGB 61 153 111

HSL 152.61, 0.43%, 0.42%

LAB 57, -37.52, 14.11

 

CMYK 60 / 0 / 27 / 29

HEX #49B684

RGB 73 182 132

HSL 152.48, 0.43%, 0.5%

LAB 66.93, -43.01, 16.35

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 44 / 0 / 52

HEX #31457B

RGB 49 69 123

HSL 223.78, 0.43%, 0.34%

LAB 30.25, 9.92, -33.17

 

CMYK 0 / 52 / 60 / 52

HEX #7B3B31

RGB 123 59 49

HSL 8.11, 0.43%, 0.34%

LAB 33.05, 26.85, 19.08

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 28 / 60 / 0 / 52

HEX #59317B

RGB 89 49 123

HSL 272.43, 0.43%, 0.34%

LAB 28.77, 33.15, -35.32

 

CMYK 0 / 28 / 60 / 52

HEX #7B5931

RGB 123 89 49

HSL 32.43, 0.43%, 0.34%

LAB 40.54, 9.18, 28.37

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 60 / 44 / 0 / 52

HEX #31457B

RGB 49 69 123

HSL 223.78, 0.43%, 0.34%

LAB 30.25, 9.92, -33.17

 

CMYK 0 / 60 / 32 / 52

HEX #7B3154

RGB 123 49 84

HSL 331.62, 0.43%, 0.34%

LAB 31.92, 36.14, -5.07

 

CMYK 0 / 15 / 60 / 52

HEX #7B6831

RGB 123 104 49

HSL 44.59, 0.43%, 0.34%

LAB 44.71, 0.32, 33.28

 

CMYK 60 / 0 / 28 / 52

HEX #317B59

RGB 49 123 89

HSL 152.43, 0.43%, 0.34%

LAB 46.37, -31.58, 11.86

 

CMYK 59 / 60 / 0 / 52

HEX #33317B

RGB 51 49 123

HSL 241.62, 0.43%, 0.34%

LAB 24.74, 23.93, -42.03

 

CMYK 0 / 60 / 32 / 52

HEX #7B3154

RGB 123 49 84

HSL 331.62, 0.43%, 0.34%

LAB 31.92, 36.14, -5.07

 

CMYK 2 / 0 / 60 / 52

HEX #797B31

RGB 121 123 49

HSL 61.62, 0.43%, 0.34%

LAB 50.04, -11.35, 39.27

 

Description

Color code: HEX #317B59 | qconv.com Color code: HEX #317B59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 123 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 123 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 28 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 28% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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