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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #317B9A it is the complementary color #CE8465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #317B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #317B9A shade: #367B95, #478DA8, #589FBB, #69B1CE and #7AC3E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #317B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #317B9A shade: #317B9A, #206987, #0F5774, #004561 and #00334E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #317B9A shade: #307B9B, #305F9B, #30429B, #3C309B and #58309B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #317B9A shade: #307B9B, #305F9B, #30429B and #30309B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #317B9A shade matches the following richer shades: #307B9B, #2082AB and #0F89BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #317B9A shade: #307B9B, #41748A, #516E7A, #626769 and #726059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #317B9A shade: #309B80, #30999B, #307C9B, #30609B and #30449B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #317B9A shade: #1D495C, #27627B, #307B9B, #3A94BA and #55A7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #317B9A shade: #317B9A, #64309B and #9B8E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #317B9A shade: #317B9A, #9B307C and #7C9B30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #317B9A shade: #317B9A, #64309B, #9B4F30 and #679B30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #317B9A shade: #317B9A, #84309B, #9B4F30 and #479B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

Complementary color

CMYK 0 / 36 / 51 / 19

HEX #CE8465

RGB 206 132 101

HSL 17.71, 0.52%, 0.6%

LAB 62.14, 25.14, 28.5

 

CMYK 64 / 17 / 0 / 42

HEX #367B95

RGB 54 123 149

HSL 196.42, 0.47%, 0.4%

LAB 48.41, -13.39, -20.52

 

CMYK 58 / 16 / 0 / 34

HEX #478DA8

RGB 71 141 168

HSL 196.7, 0.41%, 0.47%

LAB 55.29, -13.97, -20.93

 

CMYK 53 / 15 / 0 / 27

HEX #589FBB

RGB 88 159 187

HSL 196.97, 0.42%, 0.54%

LAB 62.05, -14.39, -21.32

 

CMYK 49 / 14 / 0 / 19

HEX #69B1CE

RGB 105 177 206

HSL 197.23, 0.51%, 0.61%

LAB 68.68, -14.69, -21.69

 

CMYK 46 / 13 / 0 / 12

HEX #7AC3E1

RGB 122 195 225

HSL 197.48, 0.63%, 0.68%

LAB 75.2, -14.93, -22.05

 

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

CMYK 76 / 22 / 0 / 47

HEX #206987

RGB 32 105 135

HSL 197.48, 0.62%, 0.33%

LAB 41.47, -11.51, -22.96

 

CMYK 87 / 25 / 0 / 55

HEX #0F5774

RGB 15 87 116

HSL 197.23, 0.77%, 0.26%

LAB 34.35, -9.9, -22.43

 

CMYK 100 / 29 / 0 / 62

HEX #004561

RGB 0 69 97

HSL 197.32, 1%, 0.19%

LAB 27.07, -7.69, -21.82

 

CMYK 100 / 35 / 0 / 69

HEX #00334E

RGB 0 51 78

HSL 200.77, 1%, 0.15%

LAB 19.71, -4.07, -20.91

 

CMYK 69 / 21 / 0 / 39

HEX #307B9B

RGB 48 123 155

HSL 197.94, 0.53%, 0.4%

LAB 48.46, -12.43, -23.97

 

CMYK 69 / 39 / 0 / 39

HEX #305F9B

RGB 48 95 155

HSL 213.64, 0.53%, 0.4%

LAB 39.88, 4.46, -37.42

 

CMYK 69 / 57 / 0 / 39

HEX #30429B

RGB 48 66 155

HSL 229.91, 0.53%, 0.4%

LAB 31.56, 23.61, -50.78

 

CMYK 61 / 69 / 0 / 39

HEX #3C309B

RGB 60 48 155

HSL 246.73, 0.53%, 0.4%

LAB 27.96, 37.04, -56.62

 

CMYK 43 / 69 / 0 / 39

HEX #58309B

RGB 88 48 155

HSL 262.43, 0.53%, 0.4%

LAB 30.77, 42.04, -51.91

 

CMYK 69 / 21 / 0 / 39

HEX #307B9B

RGB 48 123 155

HSL 197.94, 0.53%, 0.4%

LAB 48.46, -12.43, -23.97

 

CMYK 69 / 39 / 0 / 39

HEX #305F9B

RGB 48 95 155

HSL 213.64, 0.53%, 0.4%

LAB 39.88, 4.46, -37.42

 

CMYK 69 / 57 / 0 / 39

HEX #30429B

RGB 48 66 155

HSL 229.91, 0.53%, 0.4%

LAB 31.56, 23.61, -50.78

 

CMYK 69 / 69 / 0 / 39

HEX #30309B

RGB 48 48 155

HSL 240, 0.53%, 0.4%

LAB 27.04, 35.34, -58.15

 

CMYK 69 / 21 / 0 / 39

HEX #307B9B

RGB 48 123 155

HSL 197.94, 0.53%, 0.4%

LAB 48.46, -12.43, -23.97

 

CMYK 81 / 24 / 0 / 33

HEX #2082AB

RGB 32 130 171

HSL 197.7, 0.68%, 0.4%

LAB 50.94, -12.84, -29.48

 

CMYK 92 / 27 / 0 / 26

HEX #0F89BC

RGB 15 137 188

HSL 197.69, 0.85%, 0.4%

LAB 53.63, -11.81, -35.07

 

CMYK 69 / 21 / 0 / 39

HEX #307B9B

RGB 48 123 155

HSL 197.94, 0.53%, 0.4%

LAB 48.46, -12.43, -23.97

 

CMYK 53 / 16 / 0 / 46

HEX #41748A

RGB 65 116 138

HSL 198.08, 0.36%, 0.4%

LAB 46.24, -10.59, -17.3

 

CMYK 34 / 10 / 0 / 52

HEX #516E7A

RGB 81 110 122

HSL 197.56, 0.2%, 0.4%

LAB 44.67, -7.36, -10.06

 

CMYK 7 / 2 / 0 / 59

HEX #626769

RGB 98 103 105

HSL 197.14, 0.03%, 0.4%

LAB 43.24, -1.49, -1.8

 

CMYK 0 / 16 / 22 / 55

HEX #726059

RGB 114 96 89

HSL 16.8, 0.12%, 0.4%

LAB 42.25, 6.03, 6.69

 

CMYK 69 / 0 / 17 / 39

HEX #309B80

RGB 48 155 128

HSL 164.86, 0.53%, 0.4%

LAB 57.68, -36.8, 5.43

 

CMYK 69 / 1 / 0 / 39

HEX #30999B

RGB 48 153 155

HSL 181.12, 0.53%, 0.4%

LAB 57.83, -28.31, -9.73

 

CMYK 69 / 20 / 0 / 39

HEX #307C9B

RGB 48 124 155

HSL 197.38, 0.53%, 0.4%

LAB 48.77, -13, -23.49

 

CMYK 69 / 38 / 0 / 39

HEX #30609B

RGB 48 96 155

HSL 213.08, 0.53%, 0.4%

LAB 40.18, 3.83, -36.94

 

CMYK 69 / 56 / 0 / 39

HEX #30449B

RGB 48 68 155

HSL 228.79, 0.53%, 0.4%

LAB 32.1, 22.27, -49.91

 

CMYK 68 / 21 / 0 / 64

HEX #1D495C

RGB 29 73 92

HSL 198.1, 0.52%, 0.24%

LAB 28.9, -8.45, -15.71

 

CMYK 68 / 20 / 0 / 52

HEX #27627B

RGB 39 98 123

HSL 197.86, 0.52%, 0.32%

LAB 38.89, -10.59, -19.65

 

CMYK 69 / 21 / 0 / 39

HEX #307B9B

RGB 48 123 155

HSL 197.94, 0.53%, 0.4%

LAB 48.46, -12.43, -23.97

 

CMYK 69 / 20 / 0 / 27

HEX #3A94BA

RGB 58 148 186

HSL 197.81, 0.52%, 0.48%

LAB 57.68, -14.36, -27.56

 

CMYK 58 / 17 / 0 / 21

HEX #55A7C9

RGB 85 167 201

HSL 197.59, 0.52%, 0.56%

LAB 64.79, -15.12, -24.94

 

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

CMYK 35 / 69 / 0 / 39

HEX #64309B

RGB 100 48 155

HSL 269.16, 0.53%, 0.4%

LAB 32.24, 44.51, -49.47

 

CMYK 0 / 8 / 69 / 39

HEX #9B8E30

RGB 155 142 48

HSL 52.71, 0.53%, 0.4%

LAB 58.53, -6.46, 49.68

 

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

CMYK 0 / 69 / 20 / 39

HEX #9B307C

RGB 155 48 124

HSL 317.38, 0.53%, 0.4%

LAB 38.79, 52.09, -19.49

 

CMYK 20 / 0 / 69 / 39

HEX #7C9B30

RGB 124 155 48

HSL 77.38, 0.53%, 0.4%

LAB 59.84, -26.7, 50.23

 

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

CMYK 35 / 69 / 0 / 39

HEX #64309B

RGB 100 48 155

HSL 269.16, 0.53%, 0.4%

LAB 32.24, 44.51, -49.47

 

CMYK 0 / 49 / 69 / 39

HEX #9B4F30

RGB 155 79 48

HSL 17.38, 0.53%, 0.4%

LAB 42.42, 29.05, 32.23

 

CMYK 34 / 0 / 69 / 39

HEX #679B30

RGB 103 155 48

HSL 89.16, 0.53%, 0.4%

LAB 58.55, -34.99, 48.49

 

CMYK 68 / 20 / 0 / 40

HEX #317B9A

RGB 49 123 154

HSL 197.71, 0.52%, 0.4%

LAB 48.45, -12.61, -23.4

 

CMYK 15 / 69 / 0 / 39

HEX #84309B

RGB 132 48 155

HSL 287.1, 0.53%, 0.4%

LAB 36.72, 51.63, -42.02

 

CMYK 0 / 49 / 69 / 39

HEX #9B4F30

RGB 155 79 48

HSL 17.38, 0.53%, 0.4%

LAB 42.42, 29.05, 32.23

 

CMYK 54 / 0 / 69 / 39

HEX #479B30

RGB 71 155 48

HSL 107.1, 0.53%, 0.4%

LAB 57.07, -45.64, 46.49

 

Description

Color code: HEX #317B9A | qconv.com Color code: HEX #317B9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 123 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 123 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 20 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 20% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Dollar Academy - Lea...
Link: http://www.dollaracademy.org.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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