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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31840A it is the complementary color #CE7BF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31840A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31840A shade: #368405, #479618, #58A82B, #69BA3E and #7ACC51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31840A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31840A shade: #31840A, #207200, #0F6000, #004E00 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31840A shade: #318409, #528409, #738409, #847509 and #845309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31840A shade: #318409, #108409, #098424, #098446 and #098467

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31840A shade matches the following richer shades: #318409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31840A shade: #318409, #357915, #396D21, #3D622C and #415638

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31840A shade: #748409, #538409, #328409, #128409 and #098422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31840A shade: #143804, #235E07, #318409, #3FAB0C and #4DD10F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31840A shade: #31840A, #098474 and #840964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31840A shade: #31840A, #093284 and #840932

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31840A shade: #31840A, #098474, #5B0984 and #84091A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31840A shade: #31840A, #097084, #5B0984 and #841E09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

Complementary color

CMYK 16 / 50 / 0 / 4

HEX #CE7BF5

RGB 206 123 245

HSL 280.82, 0.86%, 0.72%

LAB 64.87, 52.4, -48.51

 

CMYK 59 / 0 / 96 / 48

HEX #368405

RGB 54 132 5

HSL 96.85, 0.93%, 0.27%

LAB 48.63, -44.13, 51.26

 

CMYK 53 / 0 / 84 / 41

HEX #479618

RGB 71 150 24

HSL 97.62, 0.72%, 0.34%

LAB 55.3, -45.35, 53.14

 

CMYK 48 / 0 / 74 / 34

HEX #58A82B

RGB 88 168 43

HSL 98.4, 0.59%, 0.41%

LAB 61.87, -46.09, 53.57

 

CMYK 44 / 0 / 67 / 27

HEX #69BA3E

RGB 105 186 62

HSL 99.19, 0.5%, 0.49%

LAB 68.36, -46.5, 53.15

 

CMYK 40 / 0 / 60 / 20

HEX #7ACC51

RGB 122 204 81

HSL 100, 0.55%, 0.56%

LAB 74.77, -46.7, 52.31

 

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

CMYK 72 / 0 / 100 / 55

HEX #207200

RGB 32 114 0

HSL 103.16, 1%, 0.22%

LAB 41.75, -43.29, 46.51

 

CMYK 84 / 0 / 100 / 62

HEX #0F6000

RGB 15 96 0

HSL 110.63, 1%, 0.19%

LAB 34.94, -40.3, 40.93

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 63 / 0 / 93 / 48

HEX #318409

RGB 49 132 9

HSL 100.49, 0.87%, 0.28%

LAB 48.48, -45.34, 50.3

 

CMYK 38 / 0 / 93 / 48

HEX #528409

RGB 82 132 9

HSL 84.39, 0.87%, 0.28%

LAB 49.88, -34.66, 52.04

 

CMYK 13 / 0 / 93 / 48

HEX #738409

RGB 115 132 9

HSL 68.29, 0.87%, 0.28%

LAB 52.03, -20.8, 54.67

 

CMYK 0 / 11 / 93 / 48

HEX #847509

RGB 132 117 9

HSL 52.68, 0.87%, 0.28%

LAB 49.07, -4.8, 52.97

 

CMYK 0 / 37 / 93 / 48

HEX #845309

RGB 132 83 9

HSL 36.1, 0.87%, 0.28%

LAB 39.77, 14.96, 45.81

 

CMYK 63 / 0 / 93 / 48

HEX #318409

RGB 49 132 9

HSL 100.49, 0.87%, 0.28%

LAB 48.48, -45.34, 50.3

 

CMYK 88 / 0 / 93 / 48

HEX #108409

RGB 16 132 9

HSL 116.59, 0.87%, 0.28%

LAB 47.79, -51.25, 49.45

 

CMYK 93 / 0 / 73 / 48

HEX #098424

RGB 9 132 36

HSL 133.17, 0.87%, 0.28%

LAB 47.86, -50.09, 41.31

 

CMYK 93 / 0 / 47 / 48

HEX #098446

RGB 9 132 70

HSL 149.76, 0.87%, 0.28%

LAB 48.26, -45.21, 25.06

 

CMYK 93 / 0 / 22 / 48

HEX #098467

RGB 9 132 103

HSL 165.85, 0.87%, 0.28%

LAB 48.93, -37.62, 7.19

 

CMYK 63 / 0 / 93 / 48

HEX #318409

RGB 49 132 9

HSL 100.49, 0.87%, 0.28%

LAB 48.48, -45.34, 50.3

 

CMYK 63 / 0 / 93 / 48

HEX #318409

RGB 49 132 9

HSL 100.49, 0.87%, 0.28%

LAB 48.48, -45.34, 50.3

 

CMYK 56 / 0 / 83 / 53

HEX #357915

RGB 53 121 21

HSL 100.8, 0.7%, 0.28%

LAB 44.92, -39.52, 44.23

 

CMYK 48 / 0 / 70 / 57

HEX #396D21

RGB 57 109 33

HSL 101.05, 0.54%, 0.28%

LAB 41.08, -32.26, 35.77

 

CMYK 38 / 0 / 55 / 62

HEX #3D622C

RGB 61 98 44

HSL 101.11, 0.38%, 0.28%

LAB 37.68, -24.35, 26.4

 

CMYK 24 / 0 / 35 / 66

HEX #415638

RGB 65 86 56

HSL 102, 0.21%, 0.28%

LAB 34.12, -14.52, 14.93

 

CMYK 12 / 0 / 93 / 48

HEX #748409

RGB 116 132 9

HSL 67.8, 0.87%, 0.28%

LAB 52.1, -20.36, 54.77

 

CMYK 37 / 0 / 93 / 48

HEX #538409

RGB 83 132 9

HSL 83.9, 0.87%, 0.28%

LAB 49.93, -34.28, 52.1

 

CMYK 62 / 0 / 93 / 48

HEX #328409

RGB 50 132 9

HSL 100, 0.87%, 0.28%

LAB 48.51, -45.09, 50.34

 

CMYK 86 / 0 / 93 / 48

HEX #128409

RGB 18 132 9

HSL 115.61, 0.87%, 0.28%

LAB 47.82, -51.04, 49.48

 

CMYK 93 / 0 / 74 / 48

HEX #098422

RGB 9 132 34

HSL 132.2, 0.87%, 0.28%

LAB 47.85, -50.29, 42.1

 

CMYK 64 / 0 / 93 / 78

HEX #143804

RGB 20 56 4

HSL 101.54, 0.87%, 0.12%

LAB 19.99, -23.73, 25.87

 

CMYK 63 / 0 / 93 / 63

HEX #235E07

RGB 35 94 7

HSL 100.69, 0.86%, 0.2%

LAB 34.76, -34.82, 38.85

 

CMYK 63 / 0 / 93 / 48

HEX #318409

RGB 49 132 9

HSL 100.49, 0.87%, 0.28%

LAB 48.48, -45.34, 50.3

 

CMYK 63 / 0 / 93 / 33

HEX #3FAB0C

RGB 63 171 12

HSL 100.75, 0.87%, 0.36%

LAB 61.83, -55.56, 61.17

 

CMYK 63 / 0 / 93 / 18

HEX #4DD10F

RGB 77 209 15

HSL 100.82, 0.87%, 0.44%

LAB 74.33, -64.98, 71.28

 

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

CMYK 93 / 0 / 12 / 48

HEX #098474

RGB 9 132 116

HSL 172.2, 0.87%, 0.28%

LAB 49.28, -33.96, 0.09

 

CMYK 0 / 93 / 24 / 48

HEX #840964

RGB 132 9 100

HSL 315.61, 0.87%, 0.28%

LAB 29.47, 54.26, -19.05

 

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

CMYK 93 / 62 / 0 / 48

HEX #093284

RGB 9 50 132

HSL 220, 0.87%, 0.28%

LAB 23.69, 21.36, -49.49

 

CMYK 0 / 93 / 62 / 48

HEX #840932

RGB 132 9 50

HSL 340, 0.87%, 0.28%

LAB 27.66, 49.34, 11.62

 

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

CMYK 93 / 0 / 12 / 48

HEX #098474

RGB 9 132 116

HSL 172.2, 0.87%, 0.28%

LAB 49.28, -33.96, 0.09

 

CMYK 31 / 93 / 0 / 48

HEX #5B0984

RGB 91 9 132

HSL 280, 0.87%, 0.28%

LAB 23.95, 52.06, -48.77

 

CMYK 0 / 93 / 80 / 48

HEX #84091A

RGB 132 9 26

HSL 351.71, 0.87%, 0.28%

LAB 27.23, 48.13, 27.02

 

CMYK 63 / 0 / 92 / 48

HEX #31840A

RGB 49 132 10

HSL 100.82, 0.86%, 0.28%

LAB 48.48, -45.31, 50.12

 

CMYK 93 / 15 / 0 / 48

HEX #097084

RGB 9 112 132

HSL 189.76, 0.87%, 0.28%

LAB 43.23, -18.7, -18.47

 

CMYK 31 / 93 / 0 / 48

HEX #5B0984

RGB 91 9 132

HSL 280, 0.87%, 0.28%

LAB 23.95, 52.06, -48.77

 

CMYK 0 / 77 / 93 / 48

HEX #841E09

RGB 132 30 9

HSL 10.24, 0.87%, 0.28%

LAB 29.04, 42.13, 37.77

 

Description

Color code: HEX #31840A | qconv.com Color code: HEX #31840A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 132 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 132 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 92 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 92% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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