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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #318B95 it is the complementary color #CE746A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #318B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #318B95 shade: #368B90, #479DA3, #58AFB6, #69C1C9 and #7AD3DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #318B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #318B95 shade: #318B95, #207982, #0F676F, #00555C and #004349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #318B95 shade: #308C96, #307096, #305596, #303996 and #423096

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #318B95 shade: #308C96, #307096, #305596, #303996 and #303096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #318B95 shade matches the following richer shades: #308C96, #2098A6, #10A5B6 and #00B2C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #318B95 shade: #308C96, #407F86, #507275, #616565 and #715855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #318B95 shade: #30966A, #309685, #308C96, #307096 and #305596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #318B95 shade: #1C5157, #266E77, #308C96, #3AA9B5 and #52BBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #318B95 shade: #318B95, #4F3096 and #967730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #318B95 shade: #318B95, #96308C and #8C9630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #318B95 shade: #318B95, #4F3096, #963A30 and #779630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #318B95 shade: #318B95, #6D3096, #963A30 and #599630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

Complementary color

CMYK 0 / 44 / 49 / 19

HEX #CE746A

RGB 206 116 106

HSL 6, 0.51%, 0.61%

LAB 58.65, 34.2, 21.07

 

CMYK 63 / 3 / 0 / 44

HEX #368B90

RGB 54 139 144

HSL 183.33, 0.45%, 0.39%

LAB 53.24, -23.58, -10.27

 

CMYK 56 / 4 / 0 / 36

HEX #479DA3

RGB 71 157 163

HSL 183.91, 0.39%, 0.46%

LAB 59.98, -23.94, -10.98

 

CMYK 52 / 4 / 0 / 29

HEX #58AFB6

RGB 88 175 182

HSL 184.47, 0.39%, 0.53%

LAB 66.61, -24.17, -11.63

 

CMYK 48 / 4 / 0 / 21

HEX #69C1C9

RGB 105 193 201

HSL 185, 0.47%, 0.6%

LAB 73.13, -24.3, -12.23

 

CMYK 45 / 4 / 0 / 14

HEX #7AD3DC

RGB 122 211 220

HSL 185.51, 0.58%, 0.67%

LAB 79.55, -24.38, -12.79

 

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

CMYK 75 / 7 / 0 / 49

HEX #207982

RGB 32 121 130

HSL 185.51, 0.6%, 0.32%

LAB 46.44, -22.09, -12.36

 

CMYK 86 / 7 / 0 / 56

HEX #0F676F

RGB 15 103 111

HSL 185, 0.76%, 0.25%

LAB 39.5, -20.85, -11.45

 

CMYK 100 / 8 / 0 / 64

HEX #00555C

RGB 0 85 92

HSL 184.57, 1%, 0.18%

LAB 32.41, -19.11, -10.39

 

CMYK 100 / 8 / 0 / 71

HEX #004349

RGB 0 67 73

HSL 184.93, 1%, 0.14%

LAB 25.25, -16.17, -9.01

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 68 / 25 / 0 / 41

HEX #307096

RGB 48 112 150

HSL 202.35, 0.52%, 0.39%

LAB 44.83, -7.8, -26.67

 

CMYK 68 / 43 / 0 / 41

HEX #305596

RGB 48 85 150

HSL 218.24, 0.52%, 0.39%

LAB 36.61, 9.07, -39.63

 

CMYK 68 / 62 / 0 / 41

HEX #303996

RGB 48 57 150

HSL 234.71, 0.52%, 0.39%

LAB 28.79, 27.76, -52.24

 

CMYK 56 / 68 / 0 / 41

HEX #423096

RGB 66 48 150

HSL 250.59, 0.52%, 0.39%

LAB 28.05, 36.42, -53.4

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 68 / 25 / 0 / 41

HEX #307096

RGB 48 112 150

HSL 202.35, 0.52%, 0.39%

LAB 44.83, -7.8, -26.67

 

CMYK 68 / 43 / 0 / 41

HEX #305596

RGB 48 85 150

HSL 218.24, 0.52%, 0.39%

LAB 36.61, 9.07, -39.63

 

CMYK 68 / 62 / 0 / 41

HEX #303996

RGB 48 57 150

HSL 234.71, 0.52%, 0.39%

LAB 28.79, 27.76, -52.24

 

CMYK 68 / 68 / 0 / 41

HEX #303096

RGB 48 48 150

HSL 240, 0.52%, 0.39%

LAB 26.58, 33.59, -55.86

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 81 / 8 / 0 / 35

HEX #2098A6

RGB 32 152 166

HSL 186.27, 0.68%, 0.39%

LAB 57.58, -26.29, -16.4

 

CMYK 91 / 9 / 0 / 29

HEX #10A5B6

RGB 16 165 182

HSL 186.14, 0.84%, 0.39%

LAB 62, -28.67, -18.74

 

CMYK 100 / 10 / 0 / 22

HEX #00B2C6

RGB 0 178 198

HSL 186.06, 1%, 0.39%

LAB 66.46, -30.37, -20.87

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 52 / 5 / 0 / 47

HEX #407F86

RGB 64 127 134

HSL 186, 0.35%, 0.39%

LAB 49.48, -18.16, -10.03

 

CMYK 32 / 3 / 0 / 54

HEX #507275

RGB 80 114 117

HSL 184.86, 0.19%, 0.39%

LAB 45.67, -11.29, -5.57

 

CMYK 4 / 0 / 0 / 60

HEX #616565

RGB 97 101 101

HSL 180, 0.02%, 0.39%

LAB 42.44, -1.55, -0.54

 

CMYK 0 / 22 / 25 / 56

HEX #715855

RGB 113 88 85

HSL 6.43, 0.14%, 0.39%

LAB 39.83, 9.78, 5.67

 

CMYK 68 / 0 / 29 / 41

HEX #30966A

RGB 48 150 106

HSL 154.12, 0.52%, 0.39%

LAB 55.57, -39.92, 14.87

 

CMYK 68 / 0 / 11 / 41

HEX #309685

RGB 48 150 133

HSL 170, 0.52%, 0.39%

LAB 56.22, -33.18, 0.46

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 68 / 25 / 0 / 41

HEX #307096

RGB 48 112 150

HSL 202.35, 0.52%, 0.39%

LAB 44.83, -7.8, -26.67

 

CMYK 68 / 43 / 0 / 41

HEX #305596

RGB 48 85 150

HSL 218.24, 0.52%, 0.39%

LAB 36.61, 9.07, -39.63

 

CMYK 68 / 7 / 0 / 66

HEX #1C5157

RGB 28 81 87

HSL 186.1, 0.51%, 0.23%

LAB 31.39, -15.18, -8.71

 

CMYK 68 / 8 / 0 / 53

HEX #266E77

RGB 38 110 119

HSL 186.67, 0.52%, 0.31%

LAB 42.61, -18.91, -11.56

 

CMYK 68 / 7 / 0 / 41

HEX #308C96

RGB 48 140 150

HSL 185.88, 0.52%, 0.39%

LAB 53.59, -23.27, -13.23

 

CMYK 68 / 7 / 0 / 29

HEX #3AA9B5

RGB 58 169 181

HSL 185.85, 0.51%, 0.47%

LAB 63.85, -26.94, -15.32

 

CMYK 59 / 6 / 0 / 22

HEX #52BBC6

RGB 82 187 198

HSL 185.69, 0.5%, 0.55%

LAB 70.46, -26.88, -14.68

 

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

CMYK 47 / 68 / 0 / 41

HEX #4F3096

RGB 79 48 150

HSL 258.24, 0.52%, 0.39%

LAB 29.36, 38.84, -51.2

 

CMYK 0 / 21 / 68 / 41

HEX #967730

RGB 150 119 48

HSL 41.76, 0.52%, 0.39%

LAB 51.71, 4.07, 42.38

 

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

CMYK 0 / 68 / 7 / 41

HEX #96308C

RGB 150 48 140

HSL 305.88, 0.52%, 0.39%

LAB 38.71, 53.26, -29.54

 

CMYK 7 / 0 / 68 / 41

HEX #8C9630

RGB 140 150 48

HSL 65.88, 0.52%, 0.39%

LAB 59.53, -17.37, 50.29

 

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

CMYK 47 / 68 / 0 / 41

HEX #4F3096

RGB 79 48 150

HSL 258.24, 0.52%, 0.39%

LAB 29.36, 38.84, -51.2

 

CMYK 0 / 61 / 68 / 41

HEX #963A30

RGB 150 58 48

HSL 5.88, 0.52%, 0.39%

LAB 37.34, 38.01, 26.03

 

CMYK 21 / 0 / 68 / 41

HEX #779630

RGB 119 150 48

HSL 78.24, 0.52%, 0.39%

LAB 57.99, -26.31, 48.21

 

CMYK 67 / 7 / 0 / 42

HEX #318B95

RGB 49 139 149

HSL 186, 0.51%, 0.39%

LAB 53.26, -22.91, -13.14

 

CMYK 27 / 68 / 0 / 41

HEX #6D3096

RGB 109 48 150

HSL 275.88, 0.52%, 0.39%

LAB 33.06, 45.26, -45.02

 

CMYK 0 / 61 / 68 / 41

HEX #963A30

RGB 150 58 48

HSL 5.88, 0.52%, 0.39%

LAB 37.34, 38.01, 26.03

 

CMYK 41 / 0 / 68 / 41

HEX #599630

RGB 89 150 48

HSL 95.88, 0.52%, 0.39%

LAB 56.24, -37.85, 45.83

 

Description

Color code: HEX #318B95 | qconv.com Color code: HEX #318B95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 139 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 139 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 7 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 7% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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