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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319531 it is the complementary color #CE6ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319531 shade: #36952C, #47A73F, #58B952, #69CB65 and #7ADD78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319531 shade: #319531, #20831E, #0F710B, #005F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319531 shade: #309630, #4C9630, #679630, #829630 and #968E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319531 shade: #309630, #30964C, #309667, #309682 and #308E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319531 shade matches the following richer shades: #309630, #20A620, #10B610 and #00C600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319531 shade: #309630, #408640, #507550, #616561 and #715571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319531 shade: #669630, #4B9630, #309630, #30964B and #309666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319531 shade: #1C571C, #267726, #309630, #3AB53A and #52C652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319531 shade: #319531, #308196 and #963059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319531 shade: #319531, #303096 and #963030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319531 shade: #319531, #308196, #963096 and #964530

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319531 shade: #319531, #306396, #963096 and #966330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

Complementary color

CMYK 0 / 49 / 0 / 19

HEX #CE6ACE

RGB 206 106 206

HSL 300, 0.51%, 0.61%

LAB 59.79, 53.41, -34.73

 

CMYK 64 / 0 / 70 / 42

HEX #36952C

RGB 54 149 44

HSL 114.29, 0.54%, 0.38%

LAB 54.51, -48.16, 45.27

 

CMYK 57 / 0 / 62 / 35

HEX #47A73F

RGB 71 167 63

HSL 115.38, 0.45%, 0.45%

LAB 61.08, -48.79, 44.33

 

CMYK 52 / 0 / 56 / 27

HEX #58B952

RGB 88 185 82

HSL 116.5, 0.42%, 0.52%

LAB 67.56, -49.07, 43.15

 

CMYK 48 / 0 / 50 / 20

HEX #69CB65

RGB 105 203 101

HSL 117.65, 0.5%, 0.6%

LAB 73.97, -49.15, 41.88

 

CMYK 45 / 0 / 46 / 13

HEX #7ADD78

RGB 122 221 120

HSL 118.81, 0.6%, 0.67%

LAB 80.3, -49.09, 40.61

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 76 / 0 / 77 / 49

HEX #20831E

RGB 32 131 30

HSL 118.81, 0.63%, 0.32%

LAB 47.79, -47.53, 43.69

 

CMYK 87 / 0 / 90 / 56

HEX #0F710B

RGB 15 113 11

HSL 117.65, 0.82%, 0.24%

LAB 41.11, -45.31, 43.22

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 49 / 0 / 68 / 41

HEX #4C9630

RGB 76 150 48

HSL 103.53, 0.52%, 0.39%

LAB 55.65, -42.15, 45.03

 

CMYK 31 / 0 / 68 / 41

HEX #679630

RGB 103 150 48

HSL 87.65, 0.52%, 0.39%

LAB 56.99, -32.7, 46.86

 

CMYK 13 / 0 / 68 / 41

HEX #829630

RGB 130 150 48

HSL 71.76, 0.52%, 0.39%

LAB 58.76, -21.69, 49.26

 

CMYK 0 / 5 / 68 / 41

HEX #968E30

RGB 150 142 48

HSL 55.29, 0.52%, 0.39%

LAB 58.08, -8.7, 49.07

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 68 / 0 / 49 / 41

HEX #30964C

RGB 48 150 76

HSL 136.47, 0.52%, 0.39%

LAB 55.03, -45.76, 30.58

 

CMYK 68 / 0 / 31 / 41

HEX #309667

RGB 48 150 103

HSL 152.35, 0.52%, 0.39%

LAB 55.5, -40.59, 16.47

 

CMYK 68 / 0 / 13 / 41

HEX #309682

RGB 48 150 130

HSL 168.24, 0.52%, 0.39%

LAB 56.14, -33.99, 2.06

 

CMYK 68 / 5 / 0 / 41

HEX #308E96

RGB 48 142 150

HSL 184.71, 0.52%, 0.39%

LAB 54.21, -24.3, -12.29

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 81 / 0 / 81 / 35

HEX #20A620

RGB 32 166 32

HSL 120, 0.68%, 0.39%

LAB 59.6, -58.75, 54.47

 

CMYK 91 / 0 / 91 / 29

HEX #10B610

RGB 16 182 16

HSL 120, 0.84%, 0.39%

LAB 64.65, -65.71, 62.61

 

CMYK 100 / 0 / 100 / 22

HEX #00C600

RGB 0 198 0

HSL 120, 1%, 0.39%

LAB 69.75, -71.24, 68.75

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 52 / 0 / 52 / 47

HEX #408640

RGB 64 134 64

HSL 120, 0.35%, 0.39%

LAB 50.11, -37.19, 30.87

 

CMYK 32 / 0 / 32 / 54

HEX #507550

RGB 80 117 80

HSL 120, 0.19%, 0.39%

LAB 45.64, -21.18, 16.35

 

CMYK 4 / 0 / 4 / 60

HEX #616561

RGB 97 101 97

HSL 120, 0.02%, 0.39%

LAB 42.33, -2.39, 1.72

 

CMYK 0 / 25 / 0 / 56

HEX #715571

RGB 113 85 113

HSL 300, 0.14%, 0.39%

LAB 39.92, 16.86, -11.49

 

CMYK 32 / 0 / 68 / 41

HEX #669630

RGB 102 150 48

HSL 88.24, 0.52%, 0.39%

LAB 56.93, -33.09, 46.78

 

CMYK 50 / 0 / 68 / 41

HEX #4B9630

RGB 75 150 48

HSL 104.12, 0.52%, 0.39%

LAB 55.61, -42.46, 44.97

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 68 / 0 / 50 / 41

HEX #30964B

RGB 48 150 75

HSL 135.88, 0.52%, 0.39%

LAB 55.02, -45.92, 31.08

 

CMYK 68 / 0 / 32 / 41

HEX #309666

RGB 48 150 102

HSL 151.76, 0.52%, 0.39%

LAB 55.48, -40.8, 17

 

CMYK 68 / 0 / 68 / 66

HEX #1C571C

RGB 28 87 28

HSL 120, 0.51%, 0.23%

LAB 32.14, -32.19, 28.02

 

CMYK 68 / 0 / 68 / 53

HEX #267726

RGB 38 119 38

HSL 120, 0.52%, 0.31%

LAB 43.87, -41.26, 36.3

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 68 / 0 / 68 / 29

HEX #3AB53A

RGB 58 181 58

HSL 120, 0.51%, 0.47%

LAB 65.16, -57.32, 50.88

 

CMYK 59 / 0 / 59 / 22

HEX #52C652

RGB 82 198 82

HSL 120, 0.5%, 0.55%

LAB 71.41, -55.58, 47.62

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 68 / 14 / 0 / 41

HEX #308196

RGB 48 129 150

HSL 192.35, 0.52%, 0.39%

LAB 50.13, -17.44, -18.48

 

CMYK 0 / 68 / 41 / 41

HEX #963059

RGB 150 48 89

HSL 335.88, 0.52%, 0.39%

LAB 36.59, 46.12, -0.85

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 68 / 68 / 0 / 41

HEX #303096

RGB 48 48 150

HSL 240, 0.52%, 0.39%

LAB 26.58, 33.59, -55.86

 

CMYK 0 / 68 / 68 / 41

HEX #963030

RGB 150 48 48

HSL 0, 0.52%, 0.39%

LAB 35.62, 42.62, 23.92

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 68 / 14 / 0 / 41

HEX #308196

RGB 48 129 150

HSL 192.35, 0.52%, 0.39%

LAB 50.13, -17.44, -18.48

 

CMYK 0 / 68 / 0 / 41

HEX #963096

RGB 150 48 150

HSL 300, 0.52%, 0.39%

LAB 39.24, 54.96, -34.8

 

CMYK 0 / 54 / 68 / 41

HEX #964530

RGB 150 69 48

HSL 12.35, 0.52%, 0.39%

LAB 39.5, 32.4, 28.62

 

CMYK 67 / 0 / 67 / 42

HEX #319531

RGB 49 149 49

HSL 120, 0.51%, 0.39%

LAB 54.42, -48.79, 43

 

CMYK 68 / 34 / 0 / 41

HEX #306396

RGB 48 99 150

HSL 210, 0.52%, 0.39%

LAB 40.82, 0.1, -32.94

 

CMYK 0 / 68 / 0 / 41

HEX #963096

RGB 150 48 150

HSL 300, 0.52%, 0.39%

LAB 39.24, 54.96, -34.8

 

CMYK 0 / 34 / 68 / 41

HEX #966330

RGB 150 99 48

HSL 30, 0.52%, 0.39%

LAB 46.47, 15.56, 36.64

 

Description

Color code: HEX #319531 | qconv.com Color code: HEX #319531 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 149 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 149 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 67 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 67% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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