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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319548 it is the complementary color #CE6AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319548 shade: #369543, #47A756, #58B969, #69CB7C and #7ADD8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319548 shade: #319548, #208335, #0F7122, #005F0F and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319548 shade: #309648, #349630, #509630, #6B9630 and #869630

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319548 shade: #309648, #309663, #30967E, #309296 and #307696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319548 shade matches the following richer shades: #309648, #20A63F, #10B636 and #00C62D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319548 shade: #309648, #408650, #507559, #616562 and #71556A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319548 shade: #509630, #359630, #309646, #309661 and #30967C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319548 shade: #1C572A, #267739, #309648, #3AB557 and #52C66D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319548 shade: #319548, #306B96 and #963043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319548 shade: #319548, #463096 and #964630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319548 shade: #319548, #306B96, #963080 and #965A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319548 shade: #319548, #304D96, #963080 and #967930

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

Complementary color

CMYK 0 / 49 / 11 / 19

HEX #CE6AB7

RGB 206 106 183

HSL 313.8, 0.51%, 0.61%

LAB 58.83, 49.48, -23.1

 

CMYK 64 / 0 / 55 / 42

HEX #369543

RGB 54 149 67

HSL 128.21, 0.47%, 0.4%

LAB 54.75, -45.47, 34.89

 

CMYK 57 / 0 / 49 / 35

HEX #47A756

RGB 71 167 86

HSL 129.38, 0.4%, 0.47%

LAB 61.35, -45.76, 33.45

 

CMYK 52 / 0 / 43 / 27

HEX #58B969

RGB 88 185 105

HSL 130.52, 0.41%, 0.54%

LAB 67.87, -45.81, 32.06

 

CMYK 48 / 0 / 39 / 20

HEX #69CB7C

RGB 105 203 124

HSL 131.63, 0.49%, 0.6%

LAB 74.3, -45.71, 30.74

 

CMYK 45 / 0 / 35 / 13

HEX #7ADD8F

RGB 122 221 143

HSL 132.73, 0.59%, 0.67%

LAB 80.65, -45.54, 29.49

 

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

CMYK 76 / 0 / 60 / 49

HEX #208335

RGB 32 131 53

HSL 132.73, 0.61%, 0.32%

LAB 48, -45.02, 33.75

 

CMYK 87 / 0 / 70 / 56

HEX #0F7122

RGB 15 113 34

HSL 131.63, 0.77%, 0.25%

LAB 41.26, -43.49, 35.14

 

CMYK 100 / 0 / 84 / 63

HEX #005F0F

RGB 0 95 15

HSL 129.47, 1%, 0.19%

LAB 34.43, -40.92, 35.84

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 65 / 0 / 68 / 41

HEX #349630

RGB 52 150 48

HSL 117.65, 0.52%, 0.39%

LAB 54.82, -48.6, 43.89

 

CMYK 47 / 0 / 68 / 41

HEX #509630

RGB 80 150 48

HSL 101.18, 0.52%, 0.39%

LAB 55.82, -40.88, 45.26

 

CMYK 29 / 0 / 68 / 41

HEX #6B9630

RGB 107 150 48

HSL 85.29, 0.52%, 0.39%

LAB 57.22, -31.15, 47.18

 

CMYK 11 / 0 / 68 / 41

HEX #869630

RGB 134 150 48

HSL 69.41, 0.52%, 0.39%

LAB 59.06, -19.97, 49.66

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 68 / 0 / 34 / 41

HEX #309663

RGB 48 150 99

HSL 150, 0.52%, 0.39%

LAB 55.42, -41.45, 18.6

 

CMYK 68 / 0 / 16 / 41

HEX #30967E

RGB 48 150 126

HSL 165.88, 0.52%, 0.39%

LAB 56.04, -35.05, 4.19

 

CMYK 68 / 3 / 0 / 41

HEX #309296

RGB 48 146 150

HSL 182.35, 0.52%, 0.39%

LAB 55.47, -26.33, -10.4

 

CMYK 68 / 21 / 0 / 41

HEX #307696

RGB 48 118 150

HSL 198.82, 0.52%, 0.39%

LAB 46.69, -11.29, -23.77

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 81 / 0 / 62 / 35

HEX #20A63F

RGB 32 166 63

HSL 133.88, 0.68%, 0.39%

LAB 59.83, -55.89, 42.67

 

CMYK 91 / 0 / 70 / 29

HEX #10B636

RGB 16 182 54

HSL 133.73, 0.84%, 0.39%

LAB 64.83, -63.37, 51.94

 

CMYK 100 / 0 / 77 / 22

HEX #00C62D

RGB 0 198 45

HSL 133.64, 1%, 0.39%

LAB 69.88, -69.5, 60.22

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 52 / 0 / 40 / 47

HEX #408650

RGB 64 134 80

HSL 133.71, 0.35%, 0.39%

LAB 50.36, -34.58, 22.5

 

CMYK 32 / 0 / 24 / 54

HEX #507559

RGB 80 117 89

HSL 134.59, 0.19%, 0.39%

LAB 45.84, -19.44, 11.34

 

CMYK 4 / 0 / 3 / 60

HEX #616562

RGB 97 101 98

HSL 135, 0.02%, 0.39%

LAB 42.35, -2.18, 1.15

 

CMYK 0 / 25 / 6 / 56

HEX #71556A

RGB 113 85 106

HSL 315, 0.14%, 0.39%

LAB 39.66, 15.43, -7.56

 

CMYK 47 / 0 / 68 / 41

HEX #509630

RGB 80 150 48

HSL 101.18, 0.52%, 0.39%

LAB 55.82, -40.88, 45.26

 

CMYK 65 / 0 / 68 / 41

HEX #359630

RGB 53 150 48

HSL 117.06, 0.52%, 0.39%

LAB 54.85, -48.37, 43.93

 

CMYK 68 / 0 / 53 / 41

HEX #309646

RGB 48 150 70

HSL 132.94, 0.52%, 0.39%

LAB 54.95, -46.7, 33.58

 

CMYK 68 / 0 / 35 / 41

HEX #309661

RGB 48 150 97

HSL 148.82, 0.52%, 0.39%

LAB 55.38, -41.87, 19.66

 

CMYK 68 / 0 / 17 / 41

HEX #30967C

RGB 48 150 124

HSL 164.71, 0.52%, 0.39%

LAB 55.98, -35.57, 5.26

 

CMYK 68 / 0 / 52 / 66

HEX #1C572A

RGB 28 87 42

HSL 134.24, 0.51%, 0.23%

LAB 32.33, -30.07, 20.59

 

CMYK 68 / 0 / 52 / 53

HEX #267739

RGB 38 119 57

HSL 134.07, 0.52%, 0.31%

LAB 44.09, -38.67, 26.97

 

CMYK 68 / 0 / 52 / 41

HEX #309648

RGB 48 150 72

HSL 134.12, 0.52%, 0.39%

LAB 54.98, -46.39, 32.59

 

CMYK 68 / 0 / 52 / 29

HEX #3AB557

RGB 58 181 87

HSL 134.15, 0.51%, 0.47%

LAB 65.46, -53.8, 37.97

 

CMYK 59 / 0 / 45 / 22

HEX #52C66D

RGB 82 198 109

HSL 133.97, 0.5%, 0.55%

LAB 71.75, -51.86, 34.95

 

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

CMYK 68 / 29 / 0 / 41

HEX #306B96

RGB 48 107 150

HSL 205.29, 0.52%, 0.39%

LAB 43.28, -4.81, -29.08

 

CMYK 0 / 68 / 55 / 41

HEX #963043

RGB 150 48 67

HSL 348.82, 0.52%, 0.39%

LAB 35.99, 43.97, 12.38

 

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

CMYK 53 / 68 / 0 / 41

HEX #463096

RGB 70 48 150

HSL 252.94, 0.52%, 0.39%

LAB 28.43, 37.14, -52.76

 

CMYK 0 / 53 / 68 / 41

HEX #964630

RGB 150 70 48

HSL 12.94, 0.52%, 0.39%

LAB 39.71, 31.86, 28.87

 

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

CMYK 68 / 29 / 0 / 41

HEX #306B96

RGB 48 107 150

HSL 205.29, 0.52%, 0.39%

LAB 43.28, -4.81, -29.08

 

CMYK 0 / 68 / 15 / 41

HEX #963080

RGB 150 48 128

HSL 312.94, 0.52%, 0.39%

LAB 38.12, 51.33, -23.08

 

CMYK 0 / 40 / 68 / 41

HEX #965A30

RGB 150 90 48

HSL 24.71, 0.52%, 0.39%

LAB 44.25, 20.74, 34.13

 

CMYK 67 / 0 / 52 / 42

HEX #319548

RGB 49 149 72

HSL 133.8, 0.51%, 0.39%

LAB 54.67, -45.81, 32.22

 

CMYK 68 / 49 / 0 / 41

HEX #304D96

RGB 48 77 150

HSL 222.94, 0.52%, 0.39%

LAB 34.27, 14.37, -43.37

 

CMYK 0 / 68 / 15 / 41

HEX #963080

RGB 150 48 128

HSL 312.94, 0.52%, 0.39%

LAB 38.12, 51.33, -23.08

 

CMYK 0 / 19 / 68 / 41

HEX #967930

RGB 150 121 48

HSL 42.94, 0.52%, 0.39%

LAB 52.26, 2.94, 42.96

 

Description

Color code: HEX #319548 | qconv.com Color code: HEX #319548 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 149 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 149 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 52 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 52% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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