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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319678 it is the complementary color #CE6987. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319678. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319678 shade: #369673, #47A886, #58BA99, #69CCAC and #7ADEBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319678. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319678 shade: #319678, #208465, #0F7252, #00603F and #004E2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319678 shade: #309678, #30965C, #309641, #3B9630 and #569630

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319678 shade: #309678, #309693, #307D96, #306296 and #304696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319678 shade matches the following richer shades: #309678, #20A67E, #10B685 and #00C68B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319678 shade: #309678, #408671, #50756A, #616564 and #71555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319678 shade: #309641, #30965C, #309677, #309692 and #307E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319678 shade: #1C5746, #26775F, #309678, #3AB590 and #52C6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319678 shade: #319678, #303A96 and #964F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319678 shade: #319678, #773096 and #967730

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319678 shade: #319678, #303A96, #96304F and #968C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319678 shade: #319678, #453096, #96304F and #819630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

Complementary color

CMYK 0 / 49 / 34 / 19

HEX #CE6987

RGB 206 105 135

HSL 342.18, 0.51%, 0.61%

LAB 57.05, 43.09, 2.02

 

CMYK 64 / 0 / 23 / 41

HEX #369673

RGB 54 150 115

HSL 158.13, 0.47%, 0.4%

LAB 55.92, -36.71, 10.31

 

CMYK 58 / 0 / 20 / 34

HEX #47A886

RGB 71 168 134

HSL 158.97, 0.41%, 0.47%

LAB 62.56, -36.82, 9.11

 

CMYK 53 / 0 / 18 / 27

HEX #58BA99

RGB 88 186 153

HSL 159.8, 0.42%, 0.54%

LAB 69.11, -36.81, 8.03

 

CMYK 49 / 0 / 16 / 20

HEX #69CCAC

RGB 105 204 172

HSL 160.61, 0.49%, 0.61%

LAB 75.56, -36.71, 7.05

 

CMYK 45 / 0 / 14 / 13

HEX #7ADEBF

RGB 122 222 191

HSL 161.4, 0.6%, 0.67%

LAB 81.92, -36.58, 6.13

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 76 / 0 / 23 / 48

HEX #208465

RGB 32 132 101

HSL 161.4, 0.61%, 0.32%

LAB 49.19, -35.89, 8.77

 

CMYK 87 / 0 / 28 / 55

HEX #0F7252

RGB 15 114 82

HSL 160.61, 0.77%, 0.25%

LAB 42.38, -34.93, 10.31

 

CMYK 100 / 0 / 34 / 62

HEX #00603F

RGB 0 96 63

HSL 159.38, 1%, 0.19%

LAB 35.45, -33.42, 12.1

 

CMYK 100 / 0 / 44 / 69

HEX #004E2C

RGB 0 78 44

HSL 153.85, 1%, 0.15%

LAB 28.46, -30.54, 14.29

 

CMYK 68 / 0 / 20 / 41

HEX #309678

RGB 48 150 120

HSL 162.35, 0.52%, 0.39%

LAB 55.88, -36.58, 7.39

 

CMYK 68 / 0 / 39 / 41

HEX #30965C

RGB 48 150 92

HSL 145.88, 0.52%, 0.39%

LAB 55.29, -42.88, 22.3

 

CMYK 68 / 0 / 57 / 41

HEX #309641

RGB 48 150 65

HSL 130, 0.52%, 0.39%

LAB 54.89, -47.42, 36.02

 

CMYK 61 / 0 / 68 / 41

HEX #3B9630

RGB 59 150 48

HSL 113.53, 0.52%, 0.39%

LAB 55.03, -46.94, 44.18

 

CMYK 43 / 0 / 68 / 41

HEX #569630

RGB 86 150 48

HSL 97.65, 0.52%, 0.39%

LAB 56.09, -38.88, 45.64

 

CMYK 68 / 0 / 20 / 41

HEX #309678

RGB 48 150 120

HSL 162.35, 0.52%, 0.39%

LAB 55.88, -36.58, 7.39

 

CMYK 68 / 0 / 2 / 41

HEX #309693

RGB 48 150 147

HSL 178.24, 0.52%, 0.39%

LAB 56.63, -29.21, -6.94

 

CMYK 68 / 17 / 0 / 41

HEX #307D96

RGB 48 125 150

HSL 194.71, 0.52%, 0.39%

LAB 48.88, -15.24, -20.4

 

CMYK 68 / 35 / 0 / 41

HEX #306296

RGB 48 98 150

HSL 210.59, 0.52%, 0.39%

LAB 40.52, 0.73, -33.42

 

CMYK 68 / 53 / 0 / 41

HEX #304696

RGB 48 70 150

HSL 227.06, 0.52%, 0.39%

LAB 32.28, 19.06, -46.57

 

CMYK 68 / 0 / 20 / 41

HEX #309678

RGB 48 150 120

HSL 162.35, 0.52%, 0.39%

LAB 55.88, -36.58, 7.39

 

CMYK 81 / 0 / 24 / 35

HEX #20A67E

RGB 32 166 126

HSL 162.09, 0.68%, 0.39%

LAB 60.86, -44.16, 11.03

 

CMYK 91 / 0 / 27 / 29

HEX #10B685

RGB 16 182 133

HSL 162.29, 0.84%, 0.39%

LAB 65.95, -50.12, 14.29

 

CMYK 100 / 0 / 30 / 22

HEX #00C68B

RGB 0 198 139

HSL 162.12, 1%, 0.39%

LAB 71.04, -55.46, 18.12

 

CMYK 68 / 0 / 20 / 41

HEX #309678

RGB 48 150 120

HSL 162.35, 0.52%, 0.39%

LAB 55.88, -36.58, 7.39

 

CMYK 52 / 0 / 16 / 47

HEX #408671

RGB 64 134 113

HSL 162, 0.35%, 0.39%

LAB 51.07, -27.46, 4.6

 

CMYK 32 / 0 / 9 / 54

HEX #50756A

RGB 80 117 106

HSL 162.16, 0.19%, 0.39%

LAB 46.27, -15.7, 1.88

 

CMYK 4 / 0 / 1 / 60

HEX #616564

RGB 97 101 100

HSL 165, 0.02%, 0.39%

LAB 42.41, -1.76, 0.02

HEX #616564

CMYK 0 / 25 / 18 / 56

HEX #71555D

RGB 113 85 93

HSL 342.86, 0.14%, 0.39%

LAB 39.24, 12.98, -0.13

HEX #71555D

CMYK 68 / 0 / 57 / 41

HEX #309641

RGB 48 150 65

HSL 130, 0.52%, 0.39%

LAB 54.89, -47.42, 36.02

 

CMYK 68 / 0 / 39 / 41

HEX #30965C

RGB 48 150 92

HSL 145.88, 0.52%, 0.39%

LAB 55.29, -42.88, 22.3

 

CMYK 68 / 0 / 21 / 41

HEX #309677

RGB 48 150 119

HSL 161.76, 0.52%, 0.39%

LAB 55.86, -36.83, 7.93

 

CMYK 68 / 0 / 3 / 41

HEX #309692

RGB 48 150 146

HSL 177.65, 0.52%, 0.39%

LAB 56.6, -29.5, -6.42

 

CMYK 68 / 16 / 0 / 41

HEX #307E96

RGB 48 126 150

HSL 194.12, 0.52%, 0.39%

LAB 49.19, -15.79, -19.92

 

CMYK 68 / 0 / 20 / 66

HEX #1C5746

RGB 28 87 70

HSL 162.71, 0.51%, 0.23%

LAB 32.93, -23.65, 4.32

 

CMYK 68 / 0 / 20 / 53

HEX #26775F

RGB 38 119 95

HSL 162.22, 0.52%, 0.31%

LAB 44.85, -30.54, 6.14

 

CMYK 68 / 0 / 20 / 41

HEX #309678

RGB 48 150 120

HSL 162.35, 0.52%, 0.39%

LAB 55.88, -36.58, 7.39

 

CMYK 68 / 0 / 20 / 29

HEX #3AB590

RGB 58 181 144

HSL 161.95, 0.51%, 0.47%

LAB 66.49, -42.62, 9.12

 

CMYK 59 / 0 / 17 / 22

HEX #52C6A4

RGB 82 198 164

HSL 162.41, 0.5%, 0.55%

LAB 72.8, -40.92, 7.31

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 68 / 61 / 0 / 41

HEX #303A96

RGB 48 58 150

HSL 234.12, 0.52%, 0.39%

LAB 29.05, 27.1, -51.82

 

CMYK 0 / 47 / 68 / 41

HEX #964F30

RGB 150 79 48

HSL 18.24, 0.52%, 0.39%

LAB 41.67, 26.95, 31.17

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 21 / 68 / 0 / 41

HEX #773096

RGB 119 48 150

HSL 281.76, 0.52%, 0.39%

LAB 34.47, 47.56, -42.68

 

CMYK 0 / 21 / 68 / 41

HEX #967730

RGB 150 119 48

HSL 41.76, 0.52%, 0.39%

LAB 51.71, 4.07, 42.38

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 68 / 61 / 0 / 41

HEX #303A96

RGB 48 58 150

HSL 234.12, 0.52%, 0.39%

LAB 29.05, 27.1, -51.82

 

CMYK 0 / 68 / 47 / 41

HEX #96304F

RGB 150 48 79

HSL 341.76, 0.52%, 0.39%

LAB 36.3, 45.07, 5.12

 

CMYK 0 / 7 / 68 / 41

HEX #968C30

RGB 150 140 48

HSL 54.12, 0.52%, 0.39%

LAB 57.51, -7.62, 48.49

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 54 / 68 / 0 / 41

HEX #453096

RGB 69 48 150

HSL 252.35, 0.52%, 0.39%

LAB 28.33, 36.96, -52.92

 

CMYK 0 / 68 / 47 / 41

HEX #96304F

RGB 150 48 79

HSL 341.76, 0.52%, 0.39%

LAB 36.3, 45.07, 5.12

 

CMYK 14 / 0 / 68 / 41

HEX #819630

RGB 129 150 48

HSL 72.35, 0.52%, 0.39%

LAB 58.69, -22.12, 49.16

 

Description

Color code: HEX #319678 | qconv.com Color code: HEX #319678 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 150 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 150 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 20 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 20% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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