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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319957 it is the complementary color #CE66A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319957 shade: #369952, #47AB65, #58BD78, #69CF8B and #7AE19E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319957 shade: #319957, #208744, #0F7531, #00631E and #00510B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319957 shade: #319A57, #319A3B, #449A31, #609A31 and #7C9A31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319957 shade: #319A57, #319A74, #319A90, #31879A and #316B9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319957 shade matches the following richer shades: #319A57, #21AA53, #10BB4F and #00CB4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319957 shade: #319A57, #42895C, #527960, #636865 and #735869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319957 shade: #459A31, #319A3A, #319A56, #319A72 and #319A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319957 shade: #1D5B34, #277A46, #319A57, #3CB969 and #56C87F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319957 shade: #319957, #31609A and #9A3137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319957 shade: #319957, #56319A and #9A5631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319957 shade: #319957, #31609A, #9A3175 and #9A6B31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319957 shade: #319957, #31419A, #9A3175 and #9A8A31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

Complementary color

CMYK 0 / 50 / 18 / 19

HEX #CE66A8

RGB 206 102 168

HSL 321.92, 0.51%, 0.6%

LAB 57.51, 49.11, -16.49

 

CMYK 65 / 0 / 46 / 40

HEX #369952

RGB 54 153 82

HSL 136.97, 0.48%, 0.41%

LAB 56.26, -44.71, 29

 

CMYK 58 / 0 / 41 / 33

HEX #47AB65

RGB 71 171 101

HSL 138, 0.41%, 0.47%

LAB 62.85, -44.91, 27.53

 

CMYK 53 / 0 / 37 / 26

HEX #58BD78

RGB 88 189 120

HSL 139.01, 0.43%, 0.54%

LAB 69.35, -44.91, 26.16

 

CMYK 49 / 0 / 33 / 19

HEX #69CF8B

RGB 105 207 139

HSL 140, 0.52%, 0.61%

LAB 75.76, -44.8, 24.88

 

CMYK 46 / 0 / 30 / 12

HEX #7AE19E

RGB 122 225 158

HSL 140.97, 0.63%, 0.68%

LAB 82.09, -44.62, 23.7

 

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

CMYK 76 / 0 / 50 / 47

HEX #208744

RGB 32 135 68

HSL 140.97, 0.62%, 0.33%

LAB 49.56, -44.18, 27.86

 

CMYK 87 / 0 / 58 / 54

HEX #0F7531

RGB 15 117 49

HSL 140, 0.77%, 0.26%

LAB 42.83, -42.89, 29.58

 

CMYK 100 / 0 / 70 / 61

HEX #00631E

RGB 0 99 30

HSL 138.18, 1%, 0.19%

LAB 36.02, -40.74, 31.21

 

CMYK 100 / 0 / 86 / 68

HEX #00510B

RGB 0 81 11

HSL 128.15, 1%, 0.16%

LAB 29.18, -36.68, 32.2

 

CMYK 68 / 0 / 44 / 40

HEX #319A57

RGB 49 154 87

HSL 141.71, 0.52%, 0.4%

LAB 56.54, -45.24, 26.66

 

CMYK 68 / 0 / 62 / 40

HEX #319A3B

RGB 49 154 59

HSL 125.71, 0.52%, 0.4%

LAB 56.17, -49.47, 40.42

 

CMYK 56 / 0 / 68 / 40

HEX #449A31

RGB 68 154 49

HSL 109.14, 0.52%, 0.4%

LAB 56.65, -46, 45.58

 

CMYK 38 / 0 / 68 / 40

HEX #609A31

RGB 96 154 49

HSL 93.14, 0.52%, 0.4%

LAB 57.87, -37.04, 47.25

 

CMYK 19 / 0 / 68 / 40

HEX #7C9A31

RGB 124 154 49

HSL 77.14, 0.52%, 0.4%

LAB 59.54, -26.14, 49.52

 

CMYK 68 / 0 / 44 / 40

HEX #319A57

RGB 49 154 87

HSL 141.71, 0.52%, 0.4%

LAB 56.54, -45.24, 26.66

 

CMYK 68 / 0 / 25 / 40

HEX #319A74

RGB 49 154 116

HSL 158.29, 0.52%, 0.4%

LAB 57.1, -39.15, 11.38

 

CMYK 68 / 0 / 6 / 40

HEX #319A90

RGB 49 154 144

HSL 174.29, 0.52%, 0.4%

LAB 57.83, -31.85, -3.46

 

CMYK 68 / 12 / 0 / 40

HEX #31879A

RGB 49 135 154

HSL 190.86, 0.52%, 0.4%

LAB 52.19, -19.21, -17.67

 

CMYK 68 / 31 / 0 / 40

HEX #316B9A

RGB 49 107 154

HSL 206.86, 0.52%, 0.4%

LAB 43.51, -3.21, -31.1

 

CMYK 68 / 0 / 44 / 40

HEX #319A57

RGB 49 154 87

HSL 141.71, 0.52%, 0.4%

LAB 56.54, -45.24, 26.66

 

CMYK 81 / 0 / 51 / 33

HEX #21AA53

RGB 33 170 83

HSL 141.9, 0.67%, 0.4%

LAB 61.39, -54.31, 34.84

 

CMYK 91 / 0 / 58 / 27

HEX #10BB4F

RGB 16 187 79

HSL 142.11, 0.84%, 0.4%

LAB 66.68, -62.03, 43.16

 

CMYK 100 / 0 / 64 / 20

HEX #00CB4A

RGB 0 203 74

HSL 141.87, 1%, 0.4%

LAB 71.69, -68.27, 51.16

 

CMYK 68 / 0 / 44 / 40

HEX #319A57

RGB 49 154 87

HSL 141.71, 0.52%, 0.4%

LAB 56.54, -45.24, 26.66

 

CMYK 52 / 0 / 33 / 46

HEX #42895C

RGB 66 137 92

HSL 141.97, 0.35%, 0.4%

LAB 51.64, -33.1, 17.48

 

CMYK 32 / 0 / 21 / 53

HEX #527960

RGB 82 121 96

HSL 141.54, 0.19%, 0.4%

LAB 47.38, -19.42, 9.4

 

CMYK 5 / 0 / 3 / 59

HEX #636865

RGB 99 104 101

HSL 144, 0.02%, 0.4%

LAB 43.5, -2.56, 1.01

 

CMYK 0 / 23 / 9 / 55

HEX #735869

RGB 115 88 105

HSL 322.22, 0.13%, 0.4%

LAB 40.64, 14.18, -5.45

 

CMYK 55 / 0 / 68 / 40

HEX #459A31

RGB 69 154 49

HSL 108.57, 0.52%, 0.4%

LAB 56.68, -45.72, 45.63

 

CMYK 68 / 0 / 62 / 40

HEX #319A3A

RGB 49 154 58

HSL 125.14, 0.52%, 0.4%

LAB 56.16, -49.59, 40.88

 

CMYK 68 / 0 / 44 / 40

HEX #319A56

RGB 49 154 86

HSL 141.14, 0.52%, 0.4%

LAB 56.52, -45.42, 27.17

 

CMYK 68 / 0 / 26 / 40

HEX #319A72

RGB 49 154 114

HSL 157.14, 0.52%, 0.4%

LAB 57.06, -39.63, 12.45

 

CMYK 68 / 0 / 8 / 40

HEX #319A8D

RGB 49 154 141

HSL 172.57, 0.52%, 0.4%

LAB 57.74, -32.69, -1.88

 

CMYK 68 / 0 / 43 / 64

HEX #1D5B34

RGB 29 91 52

HSL 142.26, 0.52%, 0.24%

LAB 33.96, -29.69, 16.82

 

CMYK 68 / 0 / 43 / 52

HEX #277A46

RGB 39 122 70

HSL 142.41, 0.52%, 0.32%

LAB 45.35, -37.37, 21.38

 

CMYK 68 / 0 / 44 / 40

HEX #319A57

RGB 49 154 87

HSL 141.71, 0.52%, 0.4%

LAB 56.54, -45.24, 26.66

 

CMYK 68 / 0 / 43 / 27

HEX #3CB969

RGB 60 185 105

HSL 141.6, 0.51%, 0.48%

LAB 67.04, -52.02, 30.82

 

CMYK 57 / 0 / 37 / 22

HEX #56C87F

RGB 86 200 127

HSL 141.58, 0.51%, 0.56%

LAB 72.77, -48.67, 27.04

 

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

CMYK 68 / 38 / 0 / 40

HEX #31609A

RGB 49 96 154

HSL 213.14, 0.52%, 0.4%

LAB 40.17, 3.63, -36.37

 

CMYK 0 / 68 / 64 / 40

HEX #9A3137

RGB 154 49 55

HSL 356.57, 0.52%, 0.4%

LAB 36.64, 44.01, 20.99

 

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

CMYK 44 / 68 / 0 / 40

HEX #56319A

RGB 86 49 154

HSL 261.14, 0.52%, 0.4%

LAB 30.66, 40.82, -51.49

 

CMYK 0 / 44 / 68 / 40

HEX #9A5631

RGB 154 86 49

HSL 21.14, 0.52%, 0.4%

LAB 43.87, 24.81, 33.3

 

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

CMYK 68 / 38 / 0 / 40

HEX #31609A

RGB 49 96 154

HSL 213.14, 0.52%, 0.4%

LAB 40.17, 3.63, -36.37

 

CMYK 0 / 68 / 24 / 40

HEX #9A3175

RGB 154 49 117

HSL 321.14, 0.52%, 0.4%

LAB 38.47, 50.42, -15.65

 

CMYK 0 / 31 / 68 / 40

HEX #9A6B31

RGB 154 107 49

HSL 33.14, 0.52%, 0.4%

LAB 49.02, 12.82, 39.09

 

CMYK 68 / 0 / 43 / 40

HEX #319957

RGB 49 153 87

HSL 141.92, 0.51%, 0.4%

LAB 56.21, -44.84, 26.23

 

CMYK 68 / 58 / 0 / 40

HEX #31419A

RGB 49 65 154

HSL 230.86, 0.52%, 0.4%

LAB 31.27, 24.06, -50.64

 

CMYK 0 / 68 / 24 / 40

HEX #9A3175

RGB 154 49 117

HSL 321.14, 0.52%, 0.4%

LAB 38.47, 50.42, -15.65

 

CMYK 0 / 10 / 68 / 40

HEX #9A8A31

RGB 154 138 49

HSL 50.86, 0.52%, 0.4%

LAB 57.34, -4.67, 47.99

 

Description

Color code: HEX #319957 | qconv.com Color code: HEX #319957 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 153 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 153 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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