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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319F35 it is the complementary color #CE60CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319F35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319F35 shade: #369F30, #47B143, #58C356, #69D569 and #7AE77C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319F35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319F35 shade: #319F35, #208D22, #0F7B0F, #006900 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319F35 shade: #319F35, #4A9F31, #689F31, #869F31 and #9F9B31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319F35 shade: #319F35, #319F53, #319F70, #319F8E and #31939F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319F35 shade matches the following richer shades: #319F35, #20B025 and #0FC115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319F35 shade: #319F35, #428F44, #527E54, #636D64 and #745C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319F35 shade: #689F31, #4A9F31, #319F34, #319F52 and #319F6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319F35 shade: #1D6020, #27802A, #319F35, #3ABF3F and #57CB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319F35 shade: #319F35, #31869F and #9F3159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319F35 shade: #319F35, #34319F and #9F3431

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319F35 shade: #319F35, #31869F, #9F319C and #9F4A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319F35 shade: #319F35, #31649F, #9F319C and #9F6C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

Complementary color

CMYK 0 / 53 / 2 / 19

HEX #CE60CA

RGB 206 96 202

HSL 302.18, 0.53%, 0.59%

LAB 57.8, 57.51, -35.55

 

CMYK 66 / 0 / 70 / 38

HEX #369F30

RGB 54 159 48

HSL 116.76, 0.54%, 0.41%

LAB 57.84, -51.4, 47.14

 

CMYK 60 / 0 / 62 / 31

HEX #47B143

RGB 71 177 67

HSL 117.82, 0.45%, 0.48%

LAB 64.31, -52.12, 46.19

 

CMYK 55 / 0 / 56 / 24

HEX #58C356

RGB 88 195 86

HSL 118.9, 0.48%, 0.55%

LAB 70.72, -52.49, 45

 

CMYK 51 / 0 / 51 / 16

HEX #69D569

RGB 105 213 105

HSL 120, 0.56%, 0.62%

LAB 77.05, -52.62, 43.73

 

CMYK 47 / 0 / 46 / 9

HEX #7AE77C

RGB 122 231 124

HSL 121.1, 0.69%, 0.69%

LAB 83.31, -52.61, 42.45

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 77 / 0 / 76 / 45

HEX #208D22

RGB 32 141 34

HSL 121.1, 0.63%, 0.34%

LAB 51.24, -50.59, 45.65

 

CMYK 88 / 0 / 88 / 52

HEX #0F7B0F

RGB 15 123 15

HSL 120, 0.78%, 0.27%

LAB 44.66, -48.3, 45.39

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 53 / 0 / 69 / 38

HEX #4A9F31

RGB 74 159 49

HSL 106.36, 0.53%, 0.41%

LAB 58.48, -46.27, 47.6

 

CMYK 35 / 0 / 69 / 38

HEX #689F31

RGB 104 159 49

HSL 90, 0.53%, 0.41%

LAB 59.85, -36.35, 49.46

 

CMYK 16 / 0 / 69 / 38

HEX #869F31

RGB 134 159 49

HSL 73.64, 0.53%, 0.41%

LAB 61.73, -24.44, 51.99

 

CMYK 0 / 3 / 69 / 38

HEX #9F9B31

RGB 159 155 49

HSL 57.82, 0.53%, 0.41%

LAB 62.54, -11.58, 53.44

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 69 / 0 / 48 / 38

HEX #319F53

RGB 49 159 83

HSL 138.55, 0.53%, 0.41%

LAB 58.11, -47.87, 30.79

 

CMYK 69 / 0 / 30 / 38

HEX #319F70

RGB 49 159 112

HSL 154.36, 0.53%, 0.41%

LAB 58.62, -42.21, 15.74

 

CMYK 69 / 0 / 11 / 38

HEX #319F8E

RGB 49 159 142

HSL 170.73, 0.53%, 0.41%

LAB 59.34, -34.75, -0.1

 

CMYK 69 / 8 / 0 / 38

HEX #31939F

RGB 49 147 159

HSL 186.55, 0.53%, 0.41%

LAB 56.11, -23.91, -14.59

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 82 / 0 / 79 / 31

HEX #20B025

RGB 32 176 37

HSL 122.08, 0.69%, 0.41%

LAB 62.92, -61.5, 56.1

 

CMYK 92 / 0 / 89 / 24

HEX #0FC115

RGB 15 193 21

HSL 122.02, 0.86%, 0.41%

LAB 68.24, -68.69, 64.82

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 54 / 0 / 52 / 44

HEX #428F44

RGB 66 143 68

HSL 121.56, 0.37%, 0.41%

LAB 53.19, -39.88, 32.58

 

CMYK 35 / 0 / 33 / 51

HEX #527E54

RGB 82 126 84

HSL 122.73, 0.21%, 0.41%

LAB 48.71, -24.36, 18.2

 

CMYK 9 / 0 / 8 / 57

HEX #636D64

RGB 99 109 100

HSL 126, 0.05%, 0.41%

LAB 44.96, -5.69, 3.73

 

CMYK 0 / 21 / 1 / 55

HEX #745C73

RGB 116 92 115

HSL 302.5, 0.12%, 0.41%

LAB 42.16, 14.14, -9.3

 

CMYK 35 / 0 / 69 / 38

HEX #689F31

RGB 104 159 49

HSL 90, 0.53%, 0.41%

LAB 59.85, -36.35, 49.46

 

CMYK 53 / 0 / 69 / 38

HEX #4A9F31

RGB 74 159 49

HSL 106.36, 0.53%, 0.41%

LAB 58.48, -46.27, 47.6

 

CMYK 69 / 0 / 67 / 38

HEX #319F34

RGB 49 159 52

HSL 121.64, 0.53%, 0.41%

LAB 57.75, -52.05, 45.33

 

CMYK 69 / 0 / 48 / 38

HEX #319F52

RGB 49 159 82

HSL 138, 0.53%, 0.41%

LAB 58.09, -48.04, 31.3

 

CMYK 69 / 0 / 30 / 38

HEX #319F6F

RGB 49 159 111

HSL 153.82, 0.53%, 0.41%

LAB 58.6, -42.43, 16.27

 

CMYK 70 / 0 / 67 / 62

HEX #1D6020

RGB 29 96 32

HSL 122.69, 0.54%, 0.25%

LAB 35.46, -35.09, 29.76

 

CMYK 70 / 0 / 67 / 50

HEX #27802A

RGB 39 128 42

HSL 122.02, 0.53%, 0.33%

LAB 47.02, -43.97, 37.94

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 70 / 0 / 67 / 25

HEX #3ABF3F

RGB 58 191 63

HSL 122.26, 0.53%, 0.49%

LAB 68.4, -60.23, 52.33

 

CMYK 57 / 0 / 55 / 20

HEX #57CB5C

RGB 87 203 92

HSL 122.59, 0.53%, 0.57%

LAB 73.23, -55.03, 45.15

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 69 / 16 / 0 / 38

HEX #31869F

RGB 49 134 159

HSL 193.64, 0.53%, 0.41%

LAB 52.07, -17.04, -20.75

 

CMYK 0 / 69 / 44 / 38

HEX #9F3159

RGB 159 49 89

HSL 338.18, 0.53%, 0.41%

LAB 38.36, 48.52, 1.91

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 67 / 69 / 0 / 38

HEX #34319F

RGB 52 49 159

HSL 241.64, 0.53%, 0.41%

LAB 27.93, 36.62, -59.13

 

CMYK 0 / 67 / 69 / 38

HEX #9F3431

RGB 159 52 49

HSL 1.64, 0.53%, 0.41%

LAB 37.93, 44.08, 26.51

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 69 / 16 / 0 / 38

HEX #31869F

RGB 49 134 159

HSL 193.64, 0.53%, 0.41%

LAB 52.07, -17.04, -20.75

 

CMYK 0 / 69 / 2 / 38

HEX #9F319C

RGB 159 49 156

HSL 301.64, 0.53%, 0.41%

LAB 41.16, 57.76, -35.29

 

CMYK 0 / 53 / 69 / 38

HEX #9F4A31

RGB 159 74 49

HSL 13.64, 0.53%, 0.41%

LAB 41.98, 33.43, 31.32

 

CMYK 69 / 0 / 67 / 38

HEX #319F35

RGB 49 159 53

HSL 122.18, 0.53%, 0.41%

LAB 57.76, -51.94, 44.91

 

CMYK 69 / 37 / 0 / 38

HEX #31649F

RGB 49 100 159

HSL 212.18, 0.53%, 0.41%

LAB 41.64, 2.94, -37.01

 

CMYK 0 / 69 / 2 / 38

HEX #9F319C

RGB 159 49 156

HSL 301.64, 0.53%, 0.41%

LAB 41.16, 57.76, -35.29

 

CMYK 0 / 32 / 69 / 38

HEX #9F6C31

RGB 159 108 49

HSL 32.18, 0.53%, 0.41%

LAB 49.88, 14.49, 40.21

 

Description

Color code: HEX #319F35 | qconv.com Color code: HEX #319F35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 159 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 159 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 67 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 67% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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