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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31AAC3 it is the complementary color #CE553C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31AAC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31AAC3 shade: #36AABE, #47BCD1, #58CEE4, #69E0F7 and #7AF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31AAC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31AAC3 shade: #31AAC3, #2098B0, #0F869D, #00748A and #006277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31AAC3 shade: #30AAC3, #3083C3, #305BC3, #3033C3 and #5530C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31AAC3 shade: #30AAC3, #3083C3, #305BC3, #3033C3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31AAC3 shade matches the following richer shades: #30AAC3, #1DB7D7 and #09C4EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31AAC3 shade: #30AAC3, #449DB0, #58909C, #6C8388 and #807674

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31AAC3 shade: #30C38D, #30C3B5, #30ABC3, #3084C3 and #305DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31AAC3 shade: #207181, #288DA2, #30AAC3, #4BBBD2 and #6CC7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31AAC3 shade: #31AAC3, #6630C3 and #C3A130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31AAC3 shade: #31AAC3, #C330AB and #ABC330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31AAC3 shade: #31AAC3, #6630C3, #C34930 and #8DC330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31AAC3 shade: #31AAC3, #9230C3, #C34930 and #61C330

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

Complementary color

CMYK 0 / 59 / 71 / 19

HEX #CE553C

RGB 206 85 60

HSL 10.27, 0.6%, 0.52%

LAB 51.78, 46.46, 38.41

 

CMYK 72 / 11 / 0 / 25

HEX #36AABE

RGB 54 170 190

HSL 188.82, 0.56%, 0.48%

LAB 64.36, -25.23, -19.56

 

CMYK 66 / 10 / 0 / 18

HEX #47BCD1

RGB 71 188 209

HSL 189.13, 0.6%, 0.55%

LAB 70.81, -26.01, -20.2

 

CMYK 61 / 10 / 0 / 11

HEX #58CEE4

RGB 88 206 228

HSL 189.43, 0.72%, 0.62%

LAB 77.17, -26.6, -20.79

 

CMYK 57 / 9 / 0 / 3

HEX #69E0F7

RGB 105 224 247

HSL 189.72, 0.9%, 0.69%

LAB 83.46, -27.05, -21.34

 

CMYK 52 / 5 / 0 / 0

HEX #7AF2FF

RGB 122 242 255

HSL 185.86, 1%, 0.74%

LAB 89.33, -30.32, -16.62

 

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

CMYK 82 / 14 / 0 / 31

HEX #2098B0

RGB 32 152 176

HSL 190, 0.69%, 0.41%

LAB 57.94, -23.01, -21.53

 

CMYK 90 / 15 / 0 / 38

HEX #0F869D

RGB 15 134 157

HSL 189.72, 0.83%, 0.34%

LAB 51.37, -21.33, -20.72

 

CMYK 100 / 16 / 0 / 46

HEX #00748A

RGB 0 116 138

HSL 189.57, 1%, 0.27%

LAB 44.7, -19.2, -19.81

 

CMYK 100 / 18 / 0 / 53

HEX #006277

RGB 0 98 119

HSL 190.59, 1%, 0.23%

LAB 37.96, -16.27, -18.7

 

CMYK 75 / 13 / 0 / 24

HEX #30AAC3

RGB 48 170 195

HSL 190.2, 0.6%, 0.48%

LAB 64.42, -24.38, -22.27

 

CMYK 75 / 33 / 0 / 24

HEX #3083C3

RGB 48 131 195

HSL 206.12, 0.6%, 0.48%

LAB 52.73, -2.95, -40.42

 

CMYK 75 / 53 / 0 / 24

HEX #305BC3

RGB 48 91 195

HSL 222.45, 0.6%, 0.48%

LAB 41.3, 22.09, -58.71

 

CMYK 75 / 74 / 0 / 24

HEX #3033C3

RGB 48 51 195

HSL 238.78, 0.6%, 0.48%

LAB 31.66, 47.15, -74.48

 

CMYK 56 / 75 / 0 / 24

HEX #5530C3

RGB 85 48 195

HSL 255.1, 0.6%, 0.48%

LAB 33.95, 52.79, -70.6

 

CMYK 75 / 13 / 0 / 24

HEX #30AAC3

RGB 48 170 195

HSL 190.2, 0.6%, 0.48%

LAB 64.42, -24.38, -22.27

 

CMYK 75 / 33 / 0 / 24

HEX #3083C3

RGB 48 131 195

HSL 206.12, 0.6%, 0.48%

LAB 52.73, -2.95, -40.42

 

CMYK 75 / 53 / 0 / 24

HEX #305BC3

RGB 48 91 195

HSL 222.45, 0.6%, 0.48%

LAB 41.3, 22.09, -58.71

 

CMYK 75 / 74 / 0 / 24

HEX #3033C3

RGB 48 51 195

HSL 238.78, 0.6%, 0.48%

LAB 31.66, 47.15, -74.48

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 75 / 13 / 0 / 24

HEX #30AAC3

RGB 48 170 195

HSL 190.2, 0.6%, 0.48%

LAB 64.42, -24.38, -22.27

 

CMYK 87 / 15 / 0 / 16

HEX #1DB7D7

RGB 29 183 215

HSL 190.32, 0.76%, 0.48%

LAB 68.78, -26.1, -26.66

 

CMYK 96 / 17 / 0 / 8

HEX #09C4EB

RGB 9 196 235

HSL 190.35, 0.93%, 0.48%

LAB 73.24, -26.81, -30.68

 

CMYK 75 / 13 / 0 / 24

HEX #30AAC3

RGB 48 170 195

HSL 190.2, 0.6%, 0.48%

LAB 64.42, -24.38, -22.27

 

CMYK 61 / 11 / 0 / 31

HEX #449DB0

RGB 68 157 176

HSL 190.56, 0.44%, 0.48%

LAB 60.32, -20.68, -17.83

 

CMYK 44 / 8 / 0 / 39

HEX #58909C

RGB 88 144 156

HSL 190.59, 0.28%, 0.48%

LAB 56.51, -15.14, -12.14

 

CMYK 21 / 4 / 0 / 47

HEX #6C8388

RGB 108 131 136

HSL 190.71, 0.11%, 0.48%

LAB 53.17, -7.09, -5.46

 

CMYK 0 / 8 / 9 / 50

HEX #807674

RGB 128 118 116

HSL 10, 0.05%, 0.48%

LAB 50.46, 3.47, 2.48

 

CMYK 75 / 0 / 28 / 24

HEX #30C38D

RGB 48 195 141

HSL 157.96, 0.6%, 0.48%

LAB 70.58, -50.54, 16.47

 

CMYK 75 / 0 / 7 / 24

HEX #30C3B5

RGB 48 195 181

HSL 174.29, 0.6%, 0.48%

LAB 71.55, -40.48, -3.84

 

CMYK 75 / 12 / 0 / 24

HEX #30ABC3

RGB 48 171 195

HSL 189.8, 0.6%, 0.48%

LAB 64.72, -24.89, -21.81

 

CMYK 75 / 32 / 0 / 24

HEX #3084C3

RGB 48 132 195

HSL 205.71, 0.6%, 0.48%

LAB 53.03, -3.54, -39.96

 

CMYK 75 / 52 / 0 / 24

HEX #305DC3

RGB 48 93 195

HSL 221.63, 0.6%, 0.48%

LAB 41.84, 20.79, -57.83

 

CMYK 75 / 12 / 0 / 49

HEX #207181

RGB 32 113 129

HSL 189.9, 0.6%, 0.32%

LAB 43.8, -18.14, -15.76

 

CMYK 75 / 13 / 0 / 36

HEX #288DA2

RGB 40 141 162

HSL 190.33, 0.6%, 0.4%

LAB 54.14, -21.06, -19.33

 

CMYK 75 / 13 / 0 / 24

HEX #30AAC3

RGB 48 170 195

HSL 190.2, 0.6%, 0.48%

LAB 64.42, -24.38, -22.27

 

CMYK 64 / 11 / 0 / 18

HEX #4BBBD2

RGB 75 187 210

HSL 190.22, 0.6%, 0.56%

LAB 70.66, -24.58, -20.97

 

CMYK 50 / 9 / 0 / 15

HEX #6CC7DA

RGB 108 199 218

HSL 190.36, 0.6%, 0.64%

LAB 75.51, -22.07, -17.85

 

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

CMYK 48 / 75 / 0 / 24

HEX #6630C3

RGB 102 48 195

HSL 262.04, 0.6%, 0.48%

LAB 35.75, 55.22, -67.59

 

CMYK 0 / 17 / 75 / 24

HEX #C3A130

RGB 195 161 48

HSL 46.12, 0.6%, 0.48%

LAB 67.51, 1.1, 59.82

 

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

CMYK 0 / 75 / 12 / 24

HEX #C330AB

RGB 195 48 171

HSL 309.8, 0.6%, 0.48%

LAB 47.82, 68.75, -33.33

 

CMYK 12 / 0 / 75 / 24

HEX #ABC330

RGB 171 195 48

HSL 69.8, 0.6%, 0.48%

LAB 74.76, -26.65, 65.95

 

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

CMYK 48 / 75 / 0 / 24

HEX #6630C3

RGB 102 48 195

HSL 262.04, 0.6%, 0.48%

LAB 35.75, 55.22, -67.59

 

CMYK 0 / 63 / 75 / 24

HEX #C34930

RGB 195 73 48

HSL 10.2, 0.6%, 0.48%

LAB 47.73, 47.46, 39.93

 

CMYK 28 / 0 / 75 / 24

HEX #8DC330

RGB 141 195 48

HSL 82.04, 0.6%, 0.48%

LAB 72.83, -38.59, 63.44

 

CMYK 75 / 13 / 0 / 24

HEX #31AAC3

RGB 49 170 195

HSL 190.27, 0.6%, 0.48%

LAB 64.44, -24.27, -22.24

 

CMYK 25 / 75 / 0 / 24

HEX #9230C3

RGB 146 48 195

HSL 280, 0.6%, 0.48%

LAB 41.48, 62.75, -58.01

 

CMYK 0 / 63 / 75 / 24

HEX #C34930

RGB 195 73 48

HSL 10.2, 0.6%, 0.48%

LAB 47.73, 47.46, 39.93

 

CMYK 50 / 0 / 75 / 24

HEX #61C330

RGB 97 195 48

HSL 100, 0.6%, 0.48%

LAB 70.72, -53.54, 60.68

 

Description

Color code: HEX #31AAC3 | qconv.com Color code: HEX #31AAC3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 170 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 170 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 13 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 13% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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