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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31AC7E it is the complementary color #CE5381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31AC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31AC7E shade: #36AC79, #47BE8C, #58D09F, #69E2B2 and #7AF4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31AC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31AC7E shade: #31AC7E, #209A6B, #0F8858, #007645 and #006432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31AC7E shade: #30AB7D, #30AB5C, #30AB3A, #46AB30 and #67AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31AC7E shade: #30AB7D, #30AB9E, #3096AB, #3075AB and #3054AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31AC7E shade matches the following richer shades: #30AB7D, #1EBC81 and #0CCE86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31AC7E shade: #30AB7D, #419978, #538774, #65756F and #77646B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31AC7E shade: #30AB3A, #30AB5B, #30AB7B, #30AB9C and #3098AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31AC7E shade: #1E6A4E, #278A65, #30AB7D, #3CC893 and #5CD1A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31AC7E shade: #31AC7E, #3046AB and #AB4A30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31AC7E shade: #31AC7E, #7B30AB and #AB7B30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31AC7E shade: #31AC7E, #3046AB, #AB305F and #AB9430

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31AC7E shade: #31AC7E, #3E30AB, #AB305F and #9CAB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

Complementary color

CMYK 0 / 60 / 37 / 19

HEX #CE5381

RGB 206 83 129

HSL 337.56, 0.56%, 0.57%

LAB 52.83, 52.98, -0.59

 

CMYK 69 / 0 / 30 / 33

HEX #36AC79

RGB 54 172 121

HSL 154.07, 0.52%, 0.44%

LAB 63.07, -44.79, 16.93

 

CMYK 63 / 0 / 26 / 25

HEX #47BE8C

RGB 71 190 140

HSL 154.79, 0.48%, 0.51%

LAB 69.51, -45.07, 15.6

 

CMYK 58 / 0 / 24 / 18

HEX #58D09F

RGB 88 208 159

HSL 155.5, 0.56%, 0.58%

LAB 75.88, -45.18, 14.39

 

CMYK 54 / 0 / 21 / 11

HEX #69E2B2

RGB 105 226 178

HSL 156.2, 0.68%, 0.65%

LAB 82.17, -45.17, 13.27

 

CMYK 50 / 0 / 19 / 4

HEX #7AF4C5

RGB 122 244 197

HSL 156.89, 0.85%, 0.72%

LAB 88.39, -45.09, 12.24

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 79 / 0 / 31 / 40

HEX #209A6B

RGB 32 154 107

HSL 156.89, 0.66%, 0.36%

LAB 56.57, -43.75, 15.64

 

CMYK 89 / 0 / 35 / 47

HEX #0F8858

RGB 15 136 88

HSL 156.2, 0.8%, 0.3%

LAB 49.99, -42.56, 17.31

 

CMYK 100 / 0 / 42 / 54

HEX #007645

RGB 0 118 69

HSL 155.08, 1%, 0.23%

LAB 43.34, -40.82, 19.19

 

CMYK 100 / 0 / 50 / 61

HEX #006432

RGB 0 100 50

HSL 150, 1%, 0.2%

LAB 36.64, -37.9, 21.35

 

CMYK 72 / 0 / 27 / 33

HEX #30AB7D

RGB 48 171 125

HSL 157.56, 0.56%, 0.43%

LAB 62.71, -44.43, 14.21

 

CMYK 72 / 0 / 46 / 33

HEX #30AB5C

RGB 48 171 92

HSL 141.46, 0.56%, 0.43%

LAB 62.11, -51.06, 31.18

 

CMYK 72 / 0 / 66 / 33

HEX #30AB3A

RGB 48 171 58

HSL 124.88, 0.56%, 0.43%

LAB 61.71, -55.76, 47.07

 

CMYK 59 / 0 / 72 / 33

HEX #46AB30

RGB 70 171 48

HSL 109.27, 0.56%, 0.43%

LAB 62.2, -51.98, 51.84

 

CMYK 40 / 0 / 72 / 33

HEX #67AB30

RGB 103 171 48

HSL 93.17, 0.56%, 0.43%

LAB 63.53, -42.01, 53.61

 

CMYK 72 / 0 / 27 / 33

HEX #30AB7D

RGB 48 171 125

HSL 157.56, 0.56%, 0.43%

LAB 62.71, -44.43, 14.21

 

CMYK 72 / 0 / 8 / 33

HEX #30AB9E

RGB 48 171 158

HSL 173.66, 0.56%, 0.43%

LAB 63.53, -36.01, -2.96

 

CMYK 72 / 12 / 0 / 33

HEX #3096AB

RGB 48 150 171

HSL 190.24, 0.56%, 0.43%

LAB 57.45, -21.8, -19.42

 

CMYK 72 / 32 / 0 / 33

HEX #3075AB

RGB 48 117 171

HSL 206.34, 0.56%, 0.43%

LAB 47.35, -3.29, -35.06

 

CMYK 72 / 51 / 0 / 33

HEX #3054AB

RGB 48 84 171

HSL 222.44, 0.56%, 0.43%

LAB 37.68, 17.63, -50.48

 

CMYK 72 / 0 / 27 / 33

HEX #30AB7D

RGB 48 171 125

HSL 157.56, 0.56%, 0.43%

LAB 62.71, -44.43, 14.21

 

CMYK 84 / 0 / 31 / 26

HEX #1EBC81

RGB 30 188 129

HSL 157.59, 0.72%, 0.43%

LAB 67.89, -52.39, 19.17

 

CMYK 94 / 0 / 35 / 19

HEX #0CCE86

RGB 12 206 134

HSL 157.73, 0.89%, 0.43%

LAB 73.51, -59.06, 24.15

 

CMYK 72 / 0 / 27 / 33

HEX #30AB7D

RGB 48 171 125

HSL 157.56, 0.56%, 0.43%

LAB 62.71, -44.43, 14.21

 

CMYK 58 / 0 / 22 / 40

HEX #419978

RGB 65 153 120

HSL 157.5, 0.4%, 0.43%

LAB 57.33, -34.58, 9.52

 

CMYK 39 / 0 / 14 / 47

HEX #538774

RGB 83 135 116

HSL 158.08, 0.24%, 0.43%

LAB 52.32, -21.99, 4.76

 

CMYK 14 / 0 / 5 / 54

HEX #65756F

RGB 101 117 111

HSL 157.5, 0.07%, 0.43%

LAB 47.8, -7.24, 1.3

 

CMYK 0 / 16 / 10 / 53

HEX #77646B

RGB 119 100 107

HSL 337.89, 0.09%, 0.43%

LAB 44.37, 8.88, -1.12

 

CMYK 72 / 0 / 66 / 33

HEX #30AB3A

RGB 48 171 58

HSL 124.88, 0.56%, 0.43%

LAB 61.71, -55.76, 47.07

 

CMYK 72 / 0 / 47 / 33

HEX #30AB5B

RGB 48 171 91

HSL 140.98, 0.56%, 0.43%

LAB 62.09, -51.23, 31.68

 

CMYK 72 / 0 / 28 / 33

HEX #30AB7B

RGB 48 171 123

HSL 156.59, 0.56%, 0.43%

LAB 62.66, -44.89, 15.25

 

CMYK 72 / 0 / 9 / 33

HEX #30AB9C

RGB 48 171 156

HSL 172.68, 0.56%, 0.43%

LAB 63.47, -36.56, -1.93

 

CMYK 72 / 11 / 0 / 33

HEX #3098AB

RGB 48 152 171

HSL 189.27, 0.56%, 0.43%

LAB 58.06, -22.84, -18.48

 

CMYK 72 / 0 / 26 / 58

HEX #1E6A4E

RGB 30 106 78

HSL 157.89, 0.56%, 0.27%

LAB 39.81, -30.31, 9.15

 

CMYK 72 / 0 / 27 / 46

HEX #278A65

RGB 39 138 101

HSL 157.58, 0.56%, 0.35%

LAB 51.32, -37.45, 11.78

 

CMYK 72 / 0 / 27 / 33

HEX #30AB7D

RGB 48 171 125

HSL 157.56, 0.56%, 0.43%

LAB 62.71, -44.43, 14.21

 

CMYK 70 / 0 / 27 / 22

HEX #3CC893

RGB 60 200 147

HSL 157.29, 0.56%, 0.51%

LAB 72.48, -49.54, 15.93

 

CMYK 56 / 0 / 21 / 18

HEX #5CD1A5

RGB 92 209 165

HSL 157.44, 0.56%, 0.59%

LAB 76.43, -43.46, 11.98

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 72 / 59 / 0 / 33

HEX #3046AB

RGB 48 70 171

HSL 229.27, 0.56%, 0.43%

LAB 33.88, 26.89, -56.64

 

CMYK 0 / 57 / 72 / 33

HEX #AB4A30

RGB 171 74 48

HSL 12.68, 0.56%, 0.43%

LAB 43.9, 38.1, 34.58

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 28 / 72 / 0 / 33

HEX #7B30AB

RGB 123 48 171

HSL 276.59, 0.56%, 0.43%

LAB 36.49, 53.1, -52.07

 

CMYK 0 / 28 / 72 / 33

HEX #AB7B30

RGB 171 123 48

HSL 36.59, 0.56%, 0.43%

LAB 55.11, 11.31, 46.68

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 72 / 59 / 0 / 33

HEX #3046AB

RGB 48 70 171

HSL 229.27, 0.56%, 0.43%

LAB 33.88, 26.89, -56.64

 

CMYK 0 / 72 / 44 / 33

HEX #AB305F

RGB 171 48 95

HSL 337.07, 0.56%, 0.43%

LAB 40.57, 53.15, 1.6

 

CMYK 0 / 13 / 72 / 33

HEX #AB9430

RGB 171 148 48

HSL 48.78, 0.56%, 0.43%

LAB 61.7, -2.54, 53.37

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 64 / 72 / 0 / 33

HEX #3E30AB

RGB 62 48 171

HSL 246.83, 0.56%, 0.43%

LAB 29.61, 42.51, -63.59

 

CMYK 0 / 72 / 44 / 33

HEX #AB305F

RGB 171 48 95

HSL 337.07, 0.56%, 0.43%

LAB 40.57, 53.15, 1.6

 

CMYK 9 / 0 / 72 / 33

HEX #9CAB30

RGB 156 171 48

HSL 67.32, 0.56%, 0.43%

LAB 66.83, -21.17, 57.99

 

Description

Color code: HEX #31AC7E | qconv.com Color code: HEX #31AC7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 172 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 172 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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