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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31AF63 it is the complementary color #CE509C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31AF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31AF63 shade: #36AF5E, #47C171, #58D384, #69E597 and #7AF7AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31AF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31AF63 shade: #31AF63, #209D50, #0F8B3D, #00792A and #006717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31AF63 shade: #31AF63, #31AF41, #43AF31, #65AF31 and #87AF31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31AF63 shade: #31AF63, #31AF85, #31AFA7, #3195AF and #3173AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31AF63 shade matches the following richer shades: #31AF63, #1FC15F and #0DD35B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31AF63 shade: #31AF63, #439C66, #558A6A, #67786E and #796672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31AF63 shade: #44AF31, #31AF40, #31AF61, #31AF83 and #31AFA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31AF63 shade: #1F6E3E, #288E50, #31AF63, #40C976 and #60D28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31AF63 shade: #31AF63, #3165AF and #AF3133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31AF63 shade: #31AF63, #6131AF and #AF6131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31AF63 shade: #31AF63, #3165AF, #AF317E and #AF7A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31AF63 shade: #31AF63, #3140AF, #AF317E and #AFA031

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

Complementary color

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 69 / 0 / 46 / 31

HEX #36AF5E

RGB 54 175 94

HSL 139.83, 0.53%, 0.45%

LAB 63.55, -51.2, 32.01

 

CMYK 63 / 0 / 41 / 24

HEX #47C171

RGB 71 193 113

HSL 140.66, 0.5%, 0.52%

LAB 69.95, -51.6, 30.51

 

CMYK 58 / 0 / 37 / 17

HEX #58D384

RGB 88 211 132

HSL 141.46, 0.58%, 0.59%

LAB 76.27, -51.76, 29.11

 

CMYK 54 / 0 / 34 / 10

HEX #69E597

RGB 105 229 151

HSL 142.26, 0.7%, 0.65%

LAB 82.53, -51.78, 27.8

 

CMYK 51 / 0 / 31 / 3

HEX #7AF7AA

RGB 122 247 170

HSL 143.04, 0.89%, 0.72%

LAB 88.71, -51.69, 26.58

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 80 / 0 / 49 / 38

HEX #209D50

RGB 32 157 80

HSL 143.04, 0.66%, 0.37%

LAB 57.08, -50.29, 30.99

 

CMYK 89 / 0 / 56 / 45

HEX #0F8B3D

RGB 15 139 61

HSL 142.26, 0.81%, 0.3%

LAB 50.57, -48.8, 32.72

 

CMYK 100 / 0 / 65 / 53

HEX #00792A

RGB 0 121 42

HSL 140.83, 1%, 0.24%

LAB 44.01, -46.54, 34.41

 

CMYK 100 / 0 / 78 / 60

HEX #006717

RGB 0 103 23

HSL 133.4, 1%, 0.2%

LAB 37.41, -42.82, 35.77

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 0 / 63 / 31

HEX #31AF41

RGB 49 175 65

HSL 127.62, 0.56%, 0.44%

LAB 63.09, -56.18, 45.55

 

CMYK 62 / 0 / 72 / 31

HEX #43AF31

RGB 67 175 49

HSL 111.43, 0.56%, 0.44%

LAB 63.4, -54.08, 52.66

 

CMYK 42 / 0 / 72 / 31

HEX #65AF31

RGB 101 175 49

HSL 95.24, 0.56%, 0.44%

LAB 64.68, -44.3, 54.37

 

CMYK 23 / 0 / 72 / 31

HEX #87AF31

RGB 135 175 49

HSL 79.05, 0.56%, 0.44%

LAB 66.54, -31.74, 56.85

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 0 / 24 / 31

HEX #31AF85

RGB 49 175 133

HSL 160, 0.56%, 0.44%

LAB 64.17, -44.09, 11.85

 

CMYK 72 / 0 / 5 / 31

HEX #31AFA7

RGB 49 175 167

HSL 176.19, 0.56%, 0.44%

LAB 65.04, -35.19, -5.74

 

CMYK 72 / 15 / 0 / 31

HEX #3195AF

RGB 49 149 175

HSL 192.38, 0.56%, 0.44%

LAB 57.31, -19.84, -21.9

 

CMYK 72 / 34 / 0 / 31

HEX #3173AF

RGB 49 115 175

HSL 208.57, 0.56%, 0.44%

LAB 46.99, -0.49, -37.97

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 84 / 0 / 51 / 24

HEX #1FC15F

RGB 31 193 95

HSL 143.7, 0.72%, 0.44%

LAB 68.94, -60.51, 38.2

 

CMYK 94 / 0 / 57 / 17

HEX #0DD35B

RGB 13 211 91

HSL 143.64, 0.88%, 0.44%

LAB 74.46, -68.09, 46.79

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 57 / 0 / 35 / 39

HEX #439C66

RGB 67 156 102

HSL 143.6, 0.4%, 0.44%

LAB 57.97, -39.34, 20.48

 

CMYK 38 / 0 / 23 / 46

HEX #558A6A

RGB 85 138 106

HSL 143.77, 0.24%, 0.44%

LAB 53.11, -25.1, 11.67

 

CMYK 14 / 0 / 8 / 53

HEX #67786E

RGB 103 120 110

HSL 144.71, 0.08%, 0.44%

LAB 48.81, -8.42, 3.38

 

CMYK 0 / 16 / 6 / 53

HEX #796672

RGB 121 102 114

HSL 322.11, 0.09%, 0.44%

LAB 45.33, 9.81, -3.91

 

CMYK 61 / 0 / 72 / 31

HEX #44AF31

RGB 68 175 49

HSL 110.95, 0.56%, 0.44%

LAB 63.43, -53.84, 52.7

 

CMYK 72 / 0 / 63 / 31

HEX #31AF40

RGB 49 175 64

HSL 127.14, 0.56%, 0.44%

LAB 63.08, -56.3, 45.98

 

CMYK 72 / 0 / 45 / 31

HEX #31AF61

RGB 49 175 97

HSL 142.86, 0.56%, 0.44%

LAB 63.49, -51.53, 30.35

 

CMYK 72 / 0 / 25 / 31

HEX #31AF83

RGB 49 175 131

HSL 159.05, 0.56%, 0.44%

LAB 64.12, -44.56, 12.89

 

CMYK 72 / 0 / 6 / 31

HEX #31AFA4

RGB 49 175 164

HSL 174.76, 0.56%, 0.44%

LAB 64.96, -36.04, -4.2

 

CMYK 72 / 0 / 44 / 57

HEX #1F6E3E

RGB 31 110 62

HSL 143.54, 0.56%, 0.28%

LAB 40.88, -35.49, 20.05

 

CMYK 72 / 0 / 44 / 44

HEX #288E50

RGB 40 142 80

HSL 143.53, 0.56%, 0.36%

LAB 52.26, -43.42, 24.85

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 68 / 0 / 41 / 21

HEX #40C976

RGB 64 201 118

HSL 143.65, 0.56%, 0.52%

LAB 72.34, -55.09, 31.03

 

CMYK 54 / 0 / 33 / 18

HEX #60D28D

RGB 96 210 141

HSL 143.68, 0.56%, 0.6%

LAB 76.38, -47.9, 24.62

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 42 / 0 / 31

HEX #3165AF

RGB 49 101 175

HSL 215.24, 0.56%, 0.44%

LAB 42.85, 8.24, -44.54

 

CMYK 0 / 72 / 71 / 31

HEX #AF3133

RGB 175 49 51

HSL 359.05, 0.56%, 0.44%

LAB 40.49, 50.77, 29.08

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 45 / 72 / 0 / 31

HEX #6131AF

RGB 97 49 175

HSL 262.86, 0.56%, 0.44%

LAB 33.63, 48.64, -59.25

 

CMYK 0 / 45 / 72 / 31

HEX #AF6131

RGB 175 97 49

HSL 22.86, 0.56%, 0.44%

LAB 49.36, 27.63, 40.25

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 42 / 0 / 31

HEX #3165AF

RGB 49 101 175

HSL 215.24, 0.56%, 0.44%

LAB 42.85, 8.24, -44.54

 

CMYK 0 / 72 / 28 / 31

HEX #AF317E

RGB 175 49 126

HSL 323.33, 0.56%, 0.44%

LAB 42.49, 57.41, -14.76

 

CMYK 0 / 30 / 72 / 31

HEX #AF7A31

RGB 175 122 49

HSL 34.76, 0.56%, 0.44%

LAB 55.33, 13.71, 46.6

 

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 72 / 63 / 0 / 31

HEX #3140AF

RGB 49 64 175

HSL 232.86, 0.56%, 0.44%

LAB 32.73, 32.4, -60.89

 

CMYK 0 / 72 / 28 / 31

HEX #AF317E

RGB 175 49 126

HSL 323.33, 0.56%, 0.44%

LAB 42.49, 57.41, -14.76

 

CMYK 0 / 9 / 72 / 31

HEX #AFA031

RGB 175 160 49

HSL 52.86, 0.56%, 0.44%

LAB 65.34, -7.15, 56.69

 

Description

Color code: HEX #31AF63 | qconv.com Color code: HEX #31AF63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 175 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 175 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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