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Color name
HEX #31AFEE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31AFEE it is the complementary color #CE5011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31AFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31AFEE shade: #36AFE9, #47C1FC, #58D3FF, #69E5FF and #7AF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31AFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31AFEE shade: #31AFEE, #209DDB, #0F8BC8, #0079B5 and #0067A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31AFEE shade: #2FAEEE, #2F7BEE, #2F47EE, #4A2FEE and #7E2FEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31AFEE shade: #2FAEEE, #2F7BEE, #2F47EE and #2F2FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31AFEE shade matches the following richer shades: #2FAEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31AFEE shade: #2FAEEE, #41A8DC, #53A2C9, #659CB7 and #7896A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31AFEE shade: #2FEEC8, #2FE1EE, #2FAEEE, #2F7BEE and #2F48EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31AFEE shade: #0F82BB, #129CE2, #2FAEEE, #55BDF1 and #7BCCF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31AFEE shade: #31AFEE, #952FEE and #EEE12F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31AFEE shade: #31AFEE, #EE2FAE and #AEEE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31AFEE shade: #31AFEE, #952FEE, #EE6F2F and #88EE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31AFEE shade: #31AFEE, #CE2FEE, #EE6F2F and #4FEE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

Complementary color

CMYK 0 / 61 / 92 / 19

HEX #CE5011

RGB 206 80 17

HSL 20, 0.85%, 0.44%

LAB 50.57, 47.42, 56.6

 

CMYK 77 / 25 / 0 / 9

HEX #36AFE9

RGB 54 175 233

HSL 199.44, 0.8%, 0.56%

LAB 67.52, -13.78, -38.43

 

CMYK 72 / 23 / 0 / 1

HEX #47C1FC

RGB 71 193 252

HSL 199.56, 0.97%, 0.63%

LAB 73.87, -15.08, -38.8

 

CMYK 65 / 17 / 0 / 0

HEX #58D3FF

RGB 88 211 255

HSL 195.81, 1%, 0.67%

LAB 79.55, -21.08, -31.6

 

CMYK 59 / 10 / 0 / 0

HEX #69E5FF

RGB 105 229 255

HSL 190.4, 1%, 0.71%

LAB 85.13, -27.24, -23.02

 

CMYK 52 / 3 / 0 / 0

HEX #7AF7FF

RGB 122 247 255

HSL 183.61, 1%, 0.74%

LAB 90.72, -32.69, -14.53

 

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

CMYK 85 / 28 / 0 / 14

HEX #209DDB

RGB 32 157 219

HSL 199.89, 0.75%, 0.49%

LAB 61.25, -10.76, -40.55

 

CMYK 93 / 31 / 0 / 22

HEX #0F8BC8

RGB 15 139 200

HSL 199.78, 0.86%, 0.42%

LAB 54.8, -8.5, -40.04

 

CMYK 100 / 33 / 0 / 29

HEX #0079B5

RGB 0 121 181

HSL 199.89, 1%, 0.35%

LAB 48.27, -5.78, -39.47

 

CMYK 100 / 36 / 0 / 36

HEX #0067A2

RGB 0 103 162

HSL 201.85, 1%, 0.32%

LAB 41.7, -2.34, -38.76

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 80 / 48 / 0 / 7

HEX #2F7BEE

RGB 47 123 238

HSL 216.13, 0.85%, 0.56%

LAB 52.89, 17.73, -64.43

 

CMYK 80 / 70 / 0 / 7

HEX #2F47EE

RGB 47 71 238

HSL 232.46, 0.85%, 0.56%

LAB 40.05, 50.01, -85.37

 

CMYK 69 / 80 / 0 / 7

HEX #4A2FEE

RGB 74 47 238

HSL 248.48, 0.85%, 0.56%

LAB 37.23, 64.31, -89.99

 

CMYK 47 / 80 / 0 / 7

HEX #7E2FEE

RGB 126 47 238

HSL 264.82, 0.85%, 0.56%

LAB 42.22, 69.65, -81.59

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 80 / 48 / 0 / 7

HEX #2F7BEE

RGB 47 123 238

HSL 216.13, 0.85%, 0.56%

LAB 52.89, 17.73, -64.43

 

CMYK 80 / 70 / 0 / 7

HEX #2F47EE

RGB 47 71 238

HSL 232.46, 0.85%, 0.56%

LAB 40.05, 50.01, -85.37

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 70 / 24 / 0 / 14

HEX #41A8DC

RGB 65 168 220

HSL 200.13, 0.69%, 0.56%

LAB 65.2, -12.99, -34.89

 

CMYK 59 / 19 / 0 / 21

HEX #53A2C9

RGB 83 162 201

HSL 199.83, 0.52%, 0.56%

LAB 63.26, -12.82, -27.31

 

CMYK 45 / 15 / 0 / 28

HEX #659CB7

RGB 101 156 183

HSL 199.76, 0.36%, 0.56%

LAB 61.62, -10.83, -19.67

 

CMYK 27 / 9 / 0 / 35

HEX #7896A5

RGB 120 150 165

HSL 200, 0.2%, 0.56%

LAB 60.36, -6.89, -11.3

 

CMYK 80 / 0 / 16 / 7

HEX #2FEEC8

RGB 47 238 200

HSL 168.06, 0.85%, 0.56%

LAB 84.96, -53.8, 5.54

 

CMYK 80 / 5 / 0 / 7

HEX #2FE1EE

RGB 47 225 238

HSL 184.08, 0.85%, 0.56%

LAB 82.18, -37.77, -18.63

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 80 / 48 / 0 / 7

HEX #2F7BEE

RGB 47 123 238

HSL 216.13, 0.85%, 0.56%

LAB 52.89, 17.73, -64.43

 

CMYK 80 / 70 / 0 / 7

HEX #2F48EE

RGB 47 72 238

HSL 232.15, 0.85%, 0.56%

LAB 40.27, 49.43, -85.02

 

CMYK 92 / 30 / 0 / 27

HEX #0F82BB

RGB 15 130 187

HSL 199.88, 0.85%, 0.4%

LAB 51.44, -8.17, -37.92

 

CMYK 92 / 31 / 0 / 11

HEX #129CE2

RGB 18 156 226

HSL 200.19, 0.85%, 0.48%

LAB 61.13, -8.44, -44.63

 

CMYK 80 / 27 / 0 / 7

HEX #2FAEEE

RGB 47 174 238

HSL 200.1, 0.85%, 0.56%

LAB 67.31, -12.22, -41.49

 

CMYK 65 / 22 / 0 / 5

HEX #55BDF1

RGB 85 189 241

HSL 200, 0.85%, 0.64%

LAB 72.68, -14.47, -34.7

 

CMYK 50 / 16 / 0 / 4

HEX #7BCCF4

RGB 123 204 244

HSL 199.83, 0.85%, 0.72%

LAB 78.42, -14.16, -27.35

 

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

CMYK 37 / 80 / 0 / 7

HEX #952FEE

RGB 149 47 238

HSL 272.04, 0.85%, 0.56%

LAB 45.08, 72.75, -76.8

 

CMYK 0 / 5 / 80 / 7

HEX #EEE12F

RGB 238 225 47

HSL 55.92, 0.85%, 0.56%

LAB 88.08, -13.37, 80.15

 

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

CMYK 0 / 80 / 27 / 7

HEX #EE2FAE

RGB 238 47 174

HSL 320.1, 0.85%, 0.56%

LAB 55.35, 79.02, -22.83

 

CMYK 27 / 0 / 80 / 7

HEX #AEEE2F

RGB 174 238 47

HSL 80.1, 0.85%, 0.56%

LAB 87.17, -45.03, 77.63

 

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

CMYK 37 / 80 / 0 / 7

HEX #952FEE

RGB 149 47 238

HSL 272.04, 0.85%, 0.56%

LAB 45.08, 72.75, -76.8

 

CMYK 0 / 53 / 80 / 7

HEX #EE6F2F

RGB 238 111 47

HSL 20.1, 0.85%, 0.56%

LAB 61.44, 45.4, 56.38

 

CMYK 43 / 0 / 80 / 7

HEX #88EE2F

RGB 136 238 47

HSL 92.04, 0.85%, 0.56%

LAB 85.3, -58.09, 75.24

 

CMYK 79 / 26 / 0 / 7

HEX #31AFEE

RGB 49 175 238

HSL 200, 0.85%, 0.56%

LAB 67.64, -12.58, -40.98

 

CMYK 13 / 80 / 0 / 7

HEX #CE2FEE

RGB 206 47 238

HSL 289.95, 0.85%, 0.56%

LAB 53.31, 81.81, -63.06

 

CMYK 0 / 53 / 80 / 7

HEX #EE6F2F

RGB 238 111 47

HSL 20.1, 0.85%, 0.56%

LAB 61.44, 45.4, 56.38

 

CMYK 67 / 0 / 80 / 7

HEX #4FEE2F

RGB 79 238 47

HSL 109.95, 0.85%, 0.56%

LAB 83.45, -72.65, 72.87

 

Description

Color code: HEX #31AFEE | qconv.com Color code: HEX #31AFEE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 175 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 175 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 26 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 26% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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