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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31B0FB it is the complementary color #CE4F04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31B0FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31B0FB shade: #36B0F6, #47C2FF, #58D4FF, #69E6FF and #7AF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31B0FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31B0FB shade: #31B0FB, #209EE8, #0F8CD5, #007AC2 and #0068AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31B0FB shade: #32B0FA, #327AFA, #3244FA, #5632FA and #8C32FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31B0FB shade: #32B0FA, #327AFA, #3244FA and #3232FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31B0FB shade matches the following richer shades: #32B0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31B0FB shade: #32B0FA, #42ABE9, #53A7D8, #64A3C8 and #759EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31B0FB shade: #32FAD9, #32E6FA, #32B1FA, #327BFA and #3246FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31B0FB shade: #0488D6, #09A0F9, #32B0FA, #5ABFFB and #82CFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31B0FB shade: #31B0FB, #A332FA and #FAF432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31B0FB shade: #31B0FB, #FA32B1 and #B1FA32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31B0FB shade: #31B0FB, #A332FA, #FA7B32 and #89FA32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31B0FB shade: #31B0FB, #E032FA, #FA7B32 and #4CFA32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

Complementary color

CMYK 0 / 62 / 98 / 19

HEX #CE4F04

RGB 206 79 4

HSL 22.28, 0.96%, 0.41%

LAB 50.36, 47.73, 59.63

 

CMYK 78 / 28 / 0 / 4

HEX #36B0F6

RGB 54 176 246

HSL 201.88, 0.91%, 0.59%

LAB 68.38, -9.88, -44.17

 

CMYK 72 / 24 / 0 / 0

HEX #47C2FF

RGB 71 194 255

HSL 199.89, 1%, 0.64%

LAB 74.28, -14.64, -39.78

 

CMYK 65 / 17 / 0 / 0

HEX #58D4FF

RGB 88 212 255

HSL 195.45, 1%, 0.67%

LAB 79.83, -21.59, -31.16

 

CMYK 59 / 10 / 0 / 0

HEX #69E6FF

RGB 105 230 255

HSL 190, 1%, 0.71%

LAB 85.41, -27.73, -22.59

 

CMYK 52 / 3 / 0 / 0

HEX #7AF8FF

RGB 122 248 255

HSL 183.16, 1%, 0.74%

LAB 91, -33.16, -14.11

 

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

CMYK 86 / 32 / 0 / 9

HEX #209EE8

RGB 32 158 232

HSL 202.2, 0.81%, 0.52%

LAB 62.16, -6.63, -46.32

 

CMYK 93 / 34 / 0 / 16

HEX #0F8CD5

RGB 15 140 213

HSL 202.12, 0.87%, 0.45%

LAB 55.75, -4.2, -45.88

 

CMYK 100 / 37 / 0 / 24

HEX #007AC2

RGB 0 122 194

HSL 202.27, 1%, 0.38%

LAB 49.27, -1.31, -45.38

 

CMYK 100 / 41 / 0 / 31

HEX #0068AF

RGB 0 104 175

HSL 204.34, 1%, 0.34%

LAB 42.76, 2.28, -44.74

 

CMYK 80 / 30 / 0 / 2

HEX #32B0FA

RGB 50 176 250

HSL 202.2, 0.95%, 0.59%

LAB 68.48, -8.88, -46.19

 

CMYK 80 / 51 / 0 / 2

HEX #327AFA

RGB 50 122 250

HSL 218.4, 0.95%, 0.59%

LAB 53.49, 23.08, -70.11

 

CMYK 80 / 73 / 0 / 2

HEX #3244FA

RGB 50 68 250

HSL 234.6, 0.95%, 0.59%

LAB 40.76, 55.87, -90.95

 

CMYK 66 / 80 / 0 / 2

HEX #5632FA

RGB 86 50 250

HSL 250.8, 0.95%, 0.59%

LAB 39.85, 67.34, -92.39

 

CMYK 44 / 80 / 0 / 2

HEX #8C32FA

RGB 140 50 250

HSL 267, 0.95%, 0.59%

LAB 45.3, 73.19, -83.21

 

CMYK 80 / 30 / 0 / 2

HEX #32B0FA

RGB 50 176 250

HSL 202.2, 0.95%, 0.59%

LAB 68.48, -8.88, -46.19

 

CMYK 80 / 51 / 0 / 2

HEX #327AFA

RGB 50 122 250

HSL 218.4, 0.95%, 0.59%

LAB 53.49, 23.08, -70.11

 

CMYK 80 / 73 / 0 / 2

HEX #3244FA

RGB 50 68 250

HSL 234.6, 0.95%, 0.59%

LAB 40.76, 55.87, -90.95

 

CMYK 80 / 80 / 0 / 2

HEX #3232FA

RGB 50 50 250

HSL 240, 0.95%, 0.59%

LAB 37.59, 64.95, -96.2

 

CMYK 80 / 30 / 0 / 2

HEX #32B0FA

RGB 50 176 250

HSL 202.2, 0.95%, 0.59%

LAB 68.48, -8.88, -46.19

 

CMYK 80 / 30 / 0 / 2

HEX #32B0FA

RGB 50 176 250

HSL 202.2, 0.95%, 0.59%

LAB 68.48, -8.88, -46.19

 

CMYK 72 / 27 / 0 / 9

HEX #42ABE9

RGB 66 171 233

HSL 202.28, 0.79%, 0.59%

LAB 66.65, -10.16, -39.77

 

CMYK 62 / 23 / 0 / 15

HEX #53A7D8

RGB 83 167 216

HSL 202.11, 0.63%, 0.59%

LAB 65.31, -10.86, -32.47

 

CMYK 50 / 19 / 0 / 22

HEX #64A3C8

RGB 100 163 200

HSL 202.2, 0.48%, 0.59%

LAB 64.22, -10.03, -25.21

 

CMYK 36 / 14 / 0 / 28

HEX #759EB7

RGB 117 158 183

HSL 202.73, 0.31%, 0.59%

LAB 63.06, -7.63, -17.41

 

CMYK 80 / 0 / 13 / 2

HEX #32FAD9

RGB 50 250 217

HSL 170.1, 0.95%, 0.59%

LAB 88.95, -54.13, 2.45

 

CMYK 80 / 8 / 0 / 2

HEX #32E6FA

RGB 50 230 250

HSL 186, 0.95%, 0.59%

LAB 84.06, -36.26, -22.13

 

CMYK 80 / 29 / 0 / 2

HEX #32B1FA

RGB 50 177 250

HSL 201.9, 0.95%, 0.59%

LAB 68.77, -9.43, -45.74

 

CMYK 80 / 51 / 0 / 2

HEX #327BFA

RGB 50 123 250

HSL 218.1, 0.95%, 0.59%

LAB 53.76, 22.45, -69.69

 

CMYK 80 / 72 / 0 / 2

HEX #3246FA

RGB 50 70 250

HSL 234, 0.95%, 0.59%

LAB 41.15, 54.77, -90.3

 

CMYK 98 / 36 / 0 / 16

HEX #0488D6

RGB 4 136 214

HSL 202.29, 0.96%, 0.43%

LAB 54.54, -1.83, -48.36

 

CMYK 96 / 36 / 0 / 2

HEX #09A0F9

RGB 9 160 249

HSL 202.25, 0.95%, 0.51%

LAB 63.38, -2.53, -53.74

 

CMYK 80 / 30 / 0 / 2

HEX #32B0FA

RGB 50 176 250

HSL 202.2, 0.95%, 0.59%

LAB 68.48, -8.88, -46.19

 

CMYK 64 / 24 / 0 / 2

HEX #5ABFFB

RGB 90 191 251

HSL 202.36, 0.95%, 0.67%

LAB 73.8, -11.58, -38.33

 

CMYK 48 / 18 / 0 / 1

HEX #82CFFC

RGB 130 207 252

HSL 202.13, 0.95%, 0.75%

LAB 79.84, -11.94, -29.42

 

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

CMYK 35 / 80 / 0 / 2

HEX #A332FA

RGB 163 50 250

HSL 273.9, 0.95%, 0.59%

LAB 48.22, 76.37, -78.32

 

CMYK 0 / 2 / 80 / 2

HEX #FAF432

RGB 250 244 50

HSL 58.2, 0.95%, 0.59%

LAB 93.99, -17.58, 84.86

 

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

CMYK 0 / 80 / 29 / 2

HEX #FA32B1

RGB 250 50 177

HSL 321.9, 0.95%, 0.59%

LAB 57.83, 81.33, -20.59

 

CMYK 29 / 0 / 80 / 2

HEX #B1FA32

RGB 177 250 50

HSL 81.9, 0.95%, 0.59%

LAB 90.76, -48.89, 80.14

 

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

CMYK 35 / 80 / 0 / 2

HEX #A332FA

RGB 163 50 250

HSL 273.9, 0.95%, 0.59%

LAB 48.22, 76.37, -78.32

 

CMYK 0 / 51 / 80 / 2

HEX #FA7B32

RGB 250 123 50

HSL 21.9, 0.95%, 0.59%

LAB 65.53, 44.2, 59.55

 

CMYK 45 / 0 / 80 / 2

HEX #89FA32

RGB 137 250 50

HSL 93.9, 0.95%, 0.59%

LAB 88.88, -62.17, 77.75

 

CMYK 80 / 30 / 0 / 2

HEX #31B0FB

RGB 49 176 251

HSL 202.28, 0.96%, 0.59%

LAB 68.51, -8.62, -46.69

 

CMYK 10 / 80 / 0 / 2

HEX #E032FA

RGB 224 50 250

HSL 292.2, 0.95%, 0.59%

LAB 57.11, 86.18, -63.5

 

CMYK 0 / 51 / 80 / 2

HEX #FA7B32

RGB 250 123 50

HSL 21.9, 0.95%, 0.59%

LAB 65.53, 44.2, 59.55

 

CMYK 70 / 0 / 80 / 2

HEX #4CFA32

RGB 76 250 50

HSL 112.2, 0.95%, 0.59%

LAB 87.06, -76.74, 75.41

 

Description

Color code: HEX #31B0FB | qconv.com Color code: HEX #31B0FB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 176 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 176 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 30 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 30% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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