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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C75C it is the complementary color #CE38A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C75C shade: #36C757, #47D96A, #58EB7D, #69FD90 and #7AFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C75C shade: #31C75C, #20B549, #0FA336, #009123 and #007F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C75C shade: #31C75C, #31C734, #57C731, #80C731 and #A8C731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C75C shade: #31C75C, #31C785, #31C7AD, #31B9C7 and #3191C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C75C shade matches the following richer shades: #31C75C, #1DDC54 and #09F04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C75C shade: #31C75C, #46B365, #5A9F6E, #6E8B76 and #82777F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C75C shade: #57C731, #31C734, #31C75C, #31C784 and #31C7AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C75C shade: #21853E, #29A64D, #31C75C, #4FD375 and #70DB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C75C shade: #31C75C, #317FC7 and #C73143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C75C shade: #31C75C, #5C31C7 and #C75C31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C75C shade: #31C75C, #317FC7, #C7319D and #C77A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C75C shade: #31C75C, #3152C7, #C7319D and #C7A731

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

Complementary color

CMYK 0 / 73 / 21 / 19

HEX #CE38A3

RGB 206 56 163

HSL 317.2, 0.6%, 0.51%

LAB 50.21, 67.73, -24.75

 

CMYK 73 / 0 / 56 / 22

HEX #36C757

RGB 54 199 87

HSL 133.66, 0.57%, 0.5%

LAB 71.09, -60.84, 44.75

 

CMYK 67 / 0 / 51 / 15

HEX #47D96A

RGB 71 217 106

HSL 134.38, 0.66%, 0.56%

LAB 77.28, -61.61, 43.31

 

CMYK 63 / 0 / 47 / 8

HEX #58EB7D

RGB 88 235 125

HSL 135.1, 0.79%, 0.63%

LAB 83.43, -62.06, 41.89

 

CMYK 58 / 0 / 43 / 1

HEX #69FD90

RGB 105 253 144

HSL 135.81, 0.97%, 0.7%

LAB 89.52, -62.3, 40.51

 

CMYK 52 / 0 / 36 / 0

HEX #7AFFA3

RGB 122 255 163

HSL 138.5, 1%, 0.74%

LAB 90.92, -56.16, 33.07

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 82 / 0 / 60 / 29

HEX #20B549

RGB 32 181 73

HSL 136.51, 0.7%, 0.42%

LAB 64.83, -59.58, 43.83

 

CMYK 91 / 0 / 67 / 36

HEX #0FA336

RGB 15 163 54

HSL 135.81, 0.83%, 0.35%

LAB 58.57, -57.6, 45.21

 

CMYK 100 / 0 / 76 / 43

HEX #009123

RGB 0 145 35

HSL 134.48, 1%, 0.28%

LAB 52.26, -54.84, 46.19

 

CMYK 100 / 0 / 87 / 50

HEX #007F10

RGB 0 127 16

HSL 127.56, 1%, 0.25%

LAB 45.93, -50.75, 46.22

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 0 / 74 / 22

HEX #31C734

RGB 49 199 52

HSL 121.2, 0.6%, 0.49%

LAB 70.7, -65.26, 58.85

 

CMYK 56 / 0 / 75 / 22

HEX #57C731

RGB 87 199 49

HSL 104.8, 0.6%, 0.49%

LAB 71.62, -57.7, 61.1

 

CMYK 36 / 0 / 75 / 22

HEX #80C731

RGB 128 199 49

HSL 88.4, 0.6%, 0.49%

LAB 73.32, -45.04, 63.34

 

CMYK 16 / 0 / 75 / 22

HEX #A8C731

RGB 168 199 49

HSL 72.4, 0.6%, 0.49%

LAB 75.7, -29.74, 66.43

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 0 / 33 / 22

HEX #31C785

RGB 49 199 133

HSL 153.6, 0.6%, 0.49%

LAB 71.69, -53.7, 22.27

 

CMYK 75 / 0 / 13 / 22

HEX #31C7AD

RGB 49 199 173

HSL 169.6, 0.6%, 0.49%

LAB 72.57, -44.27, 2.01

 

CMYK 75 / 7 / 0 / 22

HEX #31B9C7

RGB 49 185 199

HSL 185.6, 0.6%, 0.49%

LAB 69.09, -30.47, -17.37

 

CMYK 75 / 27 / 0 / 22

HEX #3191C7

RGB 49 145 199

HSL 201.6, 0.6%, 0.49%

LAB 57.1, -9.5, -35.83

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 87 / 0 / 62 / 14

HEX #1DDC54

RGB 29 220 84

HSL 137.28, 0.77%, 0.49%

LAB 77.33, -70.8, 53.26

 

CMYK 96 / 0 / 69 / 6

HEX #09F04B

RGB 9 240 75

HSL 137.14, 0.93%, 0.49%

LAB 83.38, -78.58, 63.49

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 61 / 0 / 44 / 30

HEX #46B365

RGB 70 179 101

HSL 137.06, 0.44%, 0.49%

LAB 65.34, -48.37, 30.76

 

CMYK 43 / 0 / 31 / 38

HEX #5A9F6E

RGB 90 159 110

HSL 137.39, 0.28%, 0.49%

LAB 59.98, -32.94, 18.93

 

CMYK 21 / 0 / 15 / 45

HEX #6E8B76

RGB 110 139 118

HSL 136.55, 0.12%, 0.49%

LAB 55.16, -14.73, 7.88

 

CMYK 0 / 8 / 2 / 49

HEX #82777F

RGB 130 119 127

HSL 316.36, 0.04%, 0.49%

LAB 51.23, 5.76, -2.85

 

CMYK 56 / 0 / 75 / 22

HEX #57C731

RGB 87 199 49

HSL 104.8, 0.6%, 0.49%

LAB 71.62, -57.7, 61.1

 

CMYK 75 / 0 / 74 / 22

HEX #31C734

RGB 49 199 52

HSL 121.2, 0.6%, 0.49%

LAB 70.7, -65.26, 58.85

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 0 / 34 / 22

HEX #31C784

RGB 49 199 132

HSL 153.2, 0.6%, 0.49%

LAB 71.67, -53.91, 22.77

 

CMYK 75 / 0 / 14 / 22

HEX #31C7AC

RGB 49 199 172

HSL 169.2, 0.6%, 0.49%

LAB 72.55, -44.53, 2.51

 

CMYK 75 / 0 / 53 / 48

HEX #21853E

RGB 33 133 62

HSL 137.4, 0.6%, 0.33%

LAB 48.82, -44.26, 30.12

 

CMYK 75 / 0 / 54 / 35

HEX #29A64D

RGB 41 166 77

HSL 137.28, 0.6%, 0.41%

LAB 60.14, -52.75, 36.35

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 63 / 0 / 45 / 17

HEX #4FD375

RGB 79 211 117

HSL 137.27, 0.6%, 0.57%

LAB 75.78, -56.21, 36.07

 

CMYK 49 / 0 / 35 / 14

HEX #70DB8F

RGB 112 219 143

HSL 137.38, 0.6%, 0.65%

LAB 79.67, -47.36, 28.11

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 36 / 0 / 22

HEX #317FC7

RGB 49 127 199

HSL 208.8, 0.6%, 0.49%

LAB 51.79, 1.01, -44.2

 

CMYK 0 / 75 / 66 / 22

HEX #C73143

RGB 199 49 67

HSL 352.8, 0.6%, 0.49%

LAB 45.28, 59.03, 26.29

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 54 / 75 / 0 / 22

HEX #5C31C7

RGB 92 49 199

HSL 257.2, 0.6%, 0.49%

LAB 35.19, 54.38, -70.88

 

CMYK 0 / 54 / 75 / 22

HEX #C75C31

RGB 199 92 49

HSL 17.2, 0.6%, 0.49%

LAB 51.86, 39.94, 43.98

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 36 / 0 / 22

HEX #317FC7

RGB 49 127 199

HSL 208.8, 0.6%, 0.49%

LAB 51.79, 1.01, -44.2

 

CMYK 0 / 75 / 21 / 22

HEX #C7319D

RGB 199 49 157

HSL 316.8, 0.6%, 0.49%

LAB 47.97, 67.45, -24.74

 

CMYK 0 / 39 / 75 / 22

HEX #C77A31

RGB 199 122 49

HSL 29.2, 0.6%, 0.49%

LAB 58.3, 24.14, 50.59

 

CMYK 75 / 0 / 54 / 22

HEX #31C75C

RGB 49 199 92

HSL 137.2, 0.6%, 0.49%

LAB 71.06, -60.89, 42.32

 

CMYK 75 / 59 / 0 / 22

HEX #3152C7

RGB 49 82 199

HSL 226.8, 0.6%, 0.49%

LAB 39.26, 29.54, -64.34

 

CMYK 0 / 75 / 21 / 22

HEX #C7319D

RGB 199 49 157

HSL 316.8, 0.6%, 0.49%

LAB 47.97, 67.45, -24.74

 

CMYK 0 / 16 / 75 / 22

HEX #C7A731

RGB 199 167 49

HSL 47.2, 0.6%, 0.49%

LAB 69.47, -0.3, 61.46

 

Description

Color code: HEX #31C75C | qconv.com Color code: HEX #31C75C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 199 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 199 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 54 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 54% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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