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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C8F6 it is the complementary color #CE3709. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C8F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C8F6 shade: #36C8F1, #47DAFF, #58ECFF, #69FEFF and #7AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C8F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C8F6 shade: #31C8F6, #20B6E3, #0FA4D0, #0092BD and #0080AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C8F6 shade: #31C8F6, #3193F6, #315EF6, #3931F6 and #6E31F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C8F6 shade: #31C8F6, #3193F6, #315EF6 and #3131F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C8F6 shade matches the following richer shades: #31C8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C8F6 shade: #31C8F6, #42BFE5, #54B5D3, #65ACC2 and #76A3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C8F6 shade: #31F6BB, #31F6EF, #31C8F6, #3193F6 and #315FF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C8F6 shade: #089ECC, #0ABDF4, #31C8F6, #58D2F8 and #80DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C8F6 shade: #31C8F6, #8631F6 and #F6D531

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C8F6 shade: #31C8F6, #F631C8 and #C8F631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C8F6 shade: #31C8F6, #8631F6, #F65F31 and #A1F631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C8F6 shade: #31C8F6, #C131F6, #F65F31 and #65F631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

Complementary color

CMYK 0 / 73 / 96 / 19

HEX #CE3709

RGB 206 55 9

HSL 14.01, 0.92%, 0.42%

LAB 46.81, 57.43, 56.36

 

CMYK 78 / 17 / 0 / 5

HEX #36C8F1

RGB 54 200 241

HSL 193.16, 0.87%, 0.58%

LAB 75.1, -24.18, -31.01

 

CMYK 72 / 15 / 0 / 0

HEX #47DAFF

RGB 71 218 255

HSL 192.07, 1%, 0.64%

LAB 81.13, -26.89, -29.2

 

CMYK 65 / 7 / 0 / 0

HEX #58ECFF

RGB 88 236 255

HSL 186.83, 1%, 0.67%

LAB 86.65, -33.31, -20.77

 

CMYK 59 / 0 / 0 / 0

HEX #69FEFF

RGB 105 254 255

HSL 180.4, 1%, 0.71%

LAB 92.18, -39, -12.41

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 86 / 20 / 0 / 11

HEX #20B6E3

RGB 32 182 227

HSL 193.85, 0.78%, 0.51%

LAB 68.97, -21.4, -32.92

 

CMYK 93 / 21 / 0 / 18

HEX #0FA4D0

RGB 15 164 208

HSL 193.68, 0.87%, 0.44%

LAB 62.68, -19.39, -32.21

 

CMYK 100 / 23 / 0 / 26

HEX #0092BD

RGB 0 146 189

HSL 193.65, 1%, 0.37%

LAB 56.32, -17.01, -31.44

 

CMYK 100 / 25 / 0 / 33

HEX #0080AA

RGB 0 128 170

HSL 194.82, 1%, 0.33%

LAB 49.91, -14.03, -30.53

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 80 / 40 / 0 / 4

HEX #3193F6

RGB 49 147 246

HSL 210.15, 0.92%, 0.58%

LAB 60.05, 6.23, -57.37

 

CMYK 80 / 62 / 0 / 4

HEX #315EF6

RGB 49 94 246

HSL 226.29, 0.92%, 0.58%

LAB 46.06, 39.05, -79.99

 

CMYK 77 / 80 / 0 / 4

HEX #3931F6

RGB 57 49 246

HSL 242.44, 0.92%, 0.58%

LAB 37.34, 64.6, -94.37

 

CMYK 55 / 80 / 0 / 4

HEX #6E31F6

RGB 110 49 246

HSL 258.58, 0.92%, 0.58%

LAB 41.48, 69, -87.38

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 80 / 40 / 0 / 4

HEX #3193F6

RGB 49 147 246

HSL 210.15, 0.92%, 0.58%

LAB 60.05, 6.23, -57.37

 

CMYK 80 / 62 / 0 / 4

HEX #315EF6

RGB 49 94 246

HSL 226.29, 0.92%, 0.58%

LAB 46.06, 39.05, -79.99

 

CMYK 80 / 80 / 0 / 4

HEX #3131F6

RGB 49 49 246

HSL 240, 0.92%, 0.58%

LAB 36.94, 64.18, -95.04

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 71 / 17 / 0 / 10

HEX #42BFE5

RGB 66 191 229

HSL 193.99, 0.76%, 0.58%

LAB 72.28, -22.06, -28.86

 

CMYK 60 / 14 / 0 / 17

HEX #54B5D3

RGB 84 181 211

HSL 194.17, 0.59%, 0.58%

LAB 69.21, -19.67, -23.7

 

CMYK 48 / 11 / 0 / 24

HEX #65ACC2

RGB 101 172 194

HSL 194.19, 0.43%, 0.58%

LAB 66.65, -16.35, -18.17

 

CMYK 33 / 8 / 0 / 31

HEX #76A3B1

RGB 118 163 177

HSL 194.24, 0.27%, 0.58%

LAB 64.34, -11.61, -12.1

 

CMYK 80 / 0 / 24 / 4

HEX #31F6BB

RGB 49 246 187

HSL 162.03, 0.92%, 0.58%

LAB 87.07, -59.87, 15.32

 

CMYK 80 / 0 / 3 / 4

HEX #31F6EF

RGB 49 246 239

HSL 177.87, 0.92%, 0.58%

LAB 88.35, -46.69, -9.9

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 80 / 40 / 0 / 4

HEX #3193F6

RGB 49 147 246

HSL 210.15, 0.92%, 0.58%

LAB 60.05, 6.23, -57.37

 

CMYK 80 / 61 / 0 / 4

HEX #315FF6

RGB 49 95 246

HSL 225.99, 0.92%, 0.58%

LAB 46.3, 38.43, -79.6

 

CMYK 96 / 23 / 0 / 20

HEX #089ECC

RGB 8 158 204

HSL 194.08, 0.92%, 0.42%

LAB 60.66, -17.85, -33.12

 

CMYK 96 / 23 / 0 / 4

HEX #0ABDF4

RGB 10 189 244

HSL 194.1, 0.92%, 0.5%

LAB 71.55, -20.18, -38.17

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 65 / 15 / 0 / 3

HEX #58D2F8

RGB 88 210 248

HSL 194.25, 0.92%, 0.66%

LAB 79.01, -22.69, -28.69

 

CMYK 49 / 11 / 0 / 2

HEX #80DDF9

RGB 128 221 249

HSL 193.88, 0.91%, 0.74%

LAB 83.52, -20.39, -22.23

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 46 / 80 / 0 / 4

HEX #8631F6

RGB 134 49 246

HSL 265.89, 0.92%, 0.58%

LAB 44.12, 71.84, -82.95

 

CMYK 0 / 13 / 80 / 4

HEX #F6D531

RGB 246 213 49

HSL 49.95, 0.92%, 0.58%

LAB 85.71, -3.94, 77.82

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 0 / 80 / 19 / 4

HEX #F631C8

RGB 246 49 200

HSL 314.01, 0.92%, 0.58%

LAB 58, 83.4, -33.65

 

CMYK 19 / 0 / 80 / 4

HEX #C8F631

RGB 200 246 49

HSL 74.01, 0.92%, 0.58%

LAB 90.97, -38.61, 81.09

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 46 / 80 / 0 / 4

HEX #8631F6

RGB 134 49 246

HSL 265.89, 0.92%, 0.58%

LAB 44.12, 71.84, -82.95

 

CMYK 0 / 61 / 80 / 4

HEX #F65F31

RGB 246 95 49

HSL 14.01, 0.92%, 0.58%

LAB 59.89, 55.7, 54.47

 

CMYK 35 / 0 / 80 / 4

HEX #A1F631

RGB 161 246 49

HSL 85.89, 0.92%, 0.58%

LAB 88.79, -52.91, 78.31

 

CMYK 80 / 19 / 0 / 4

HEX #31C8F6

RGB 49 200 246

HSL 194.01, 0.92%, 0.58%

LAB 75.21, -23.02, -33.54

 

CMYK 22 / 80 / 0 / 4

HEX #C131F6

RGB 193 49 246

HSL 283.86, 0.92%, 0.58%

LAB 52.05, 80.52, -69.67

 

CMYK 0 / 61 / 80 / 4

HEX #F65F31

RGB 246 95 49

HSL 14.01, 0.92%, 0.58%

LAB 59.89, 55.7, 54.47

 

CMYK 59 / 0 / 80 / 4

HEX #65F631

RGB 101 246 49

HSL 104.16, 0.92%, 0.58%

LAB 86.45, -70.46, 75.33

 

Description

Color code: HEX #31C8F6 | qconv.com Color code: HEX #31C8F6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 200 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 200 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 19 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 19% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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