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Color name
HEX #31CD3E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31CD3E it is the complementary color #CE32C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31CD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31CD3E shade: #36CD39, #47DF4C, #58F15F, #69FF72 and #7AFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31CD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31CD3E shade: #31CD3E, #20BB2B, #0FA918, #009705 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31CD3E shade: #31CD3E, #4ECD31, #78CD31, #A2CD31 and #CCCD31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31CD3E shade: #31CD3E, #31CD68, #31CD92, #31CDBC and #31B4CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31CD3E shade matches the following richer shades: #31CD3E, #1DE12D and #08F61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31CD3E shade: #31CD3E, #46B84F, #5AA461, #6F8F72 and #847A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31CD3E shade: #77CD31, #4ECD31, #31CD3E, #31CD68 and #31CD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31CD3E shade: #218A2A, #29AC34, #31CD3E, #52D55D and #74DD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31CD3E shade: #31CD3E, #31A1CD and #CD3162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31CD3E shade: #31CD3E, #3E31CD and #CD3E31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31CD3E shade: #31CD3E, #31A1CD, #CD31C0 and #CD5D31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31CD3E shade: #31CD3E, #3172CD, #CD31C0 and #CD8C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

Complementary color

CMYK 0 / 76 / 6 / 19

HEX #CE32C1

RGB 206 50 193

HSL 305, 0.61%, 0.5%

LAB 50.98, 73.78, -41.1

 

CMYK 74 / 0 / 72 / 20

HEX #36CD39

RGB 54 205 57

HSL 121.19, 0.6%, 0.51%

LAB 72.72, -65.99, 59.16

 

CMYK 68 / 0 / 66 / 13

HEX #47DF4C

RGB 71 223 76

HSL 121.97, 0.7%, 0.58%

LAB 78.83, -67.23, 58.43

 

CMYK 63 / 0 / 61 / 5

HEX #58F15F

RGB 88 241 95

HSL 122.75, 0.85%, 0.65%

LAB 84.9, -68.05, 57.41

 

CMYK 59 / 0 / 55 / 0

HEX #69FF72

RGB 105 255 114

HSL 123.6, 1%, 0.71%

LAB 89.74, -67.16, 54.84

 

CMYK 52 / 0 / 48 / 0

HEX #7AFF85

RGB 122 255 133

HSL 124.96, 1%, 0.74%

LAB 90.48, -60.75, 47.12

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 83 / 0 / 77 / 27

HEX #20BB2B

RGB 32 187 43

HSL 124.26, 0.71%, 0.43%

LAB 66.54, -64.43, 57.68

 

CMYK 91 / 0 / 86 / 34

HEX #0FA918

RGB 15 169 24

HSL 123.51, 0.84%, 0.36%

LAB 60.38, -61.74, 57.28

 

CMYK 100 / 0 / 97 / 41

HEX #009705

RGB 0 151 5

HSL 121.99, 1%, 0.3%

LAB 54.18, -58.14, 55.45

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 62 / 0 / 76 / 20

HEX #4ECD31

RGB 78 205 49

HSL 108.85, 0.61%, 0.5%

LAB 73.22, -61.98, 62.58

 

CMYK 41 / 0 / 76 / 20

HEX #78CD31

RGB 120 205 49

HSL 92.69, 0.61%, 0.5%

LAB 74.75, -50.22, 64.58

 

CMYK 21 / 0 / 76 / 20

HEX #A2CD31

RGB 162 205 49

HSL 76.54, 0.61%, 0.5%

LAB 77.02, -34.93, 67.53

 

CMYK 0 / 0 / 76 / 20

HEX #CCCD31

RGB 204 205 49

HSL 60.38, 0.61%, 0.5%

LAB 80.02, -17.7, 71.4

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 0 / 49 / 20

HEX #31CD68

RGB 49 205 104

HSL 141.15, 0.61%, 0.5%

LAB 73.1, -61.16, 39

 

CMYK 76 / 0 / 29 / 20

HEX #31CD92

RGB 49 205 146

HSL 157.31, 0.61%, 0.5%

LAB 73.8, -53.24, 18.27

 

CMYK 76 / 0 / 8 / 20

HEX #31CDBC

RGB 49 205 188

HSL 173.46, 0.61%, 0.5%

LAB 74.79, -42.87, -2.88

 

CMYK 76 / 12 / 0 / 20

HEX #31B4CD

RGB 49 180 205

HSL 189.62, 0.61%, 0.5%

LAB 67.8, -26.13, -22.64

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 87 / 0 / 80 / 12

HEX #1DE12D

RGB 29 225 45

HSL 124.9, 0.77%, 0.5%

LAB 78.64, -75.6, 68.65

 

CMYK 97 / 0 / 89 / 4

HEX #08F61C

RGB 8 246 28

HSL 125.04, 0.94%, 0.5%

LAB 85.02, -83.07, 78.03

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 62 / 0 / 57 / 28

HEX #46B84F

RGB 70 184 79

HSL 124.74, 0.45%, 0.5%

LAB 66.63, -53.53, 43.33

 

CMYK 45 / 0 / 41 / 36

HEX #5AA461

RGB 90 164 97

HSL 125.68, 0.29%, 0.5%

LAB 61.3, -37.53, 27.76

 

CMYK 22 / 0 / 20 / 44

HEX #6F8F72

RGB 111 143 114

HSL 125.63, 0.13%, 0.5%

LAB 56.33, -17.28, 11.82

 

CMYK 0 / 8 / 1 / 48

HEX #847A83

RGB 132 122 131

HSL 306, 0.04%, 0.5%

LAB 52.36, 5.56, -3.52

 

CMYK 42 / 0 / 76 / 20

HEX #77CD31

RGB 119 205 49

HSL 93.08, 0.61%, 0.5%

LAB 74.7, -50.55, 64.52

 

CMYK 62 / 0 / 76 / 20

HEX #4ECD31

RGB 78 205 49

HSL 108.85, 0.61%, 0.5%

LAB 73.22, -61.98, 62.58

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 0 / 49 / 20

HEX #31CD68

RGB 49 205 104

HSL 141.15, 0.61%, 0.5%

LAB 73.1, -61.16, 39

 

CMYK 76 / 0 / 29 / 20

HEX #31CD91

RGB 49 205 145

HSL 156.92, 0.61%, 0.5%

LAB 73.78, -53.46, 18.77

 

CMYK 76 / 0 / 70 / 46

HEX #218A2A

RGB 33 138 42

HSL 125.14, 0.61%, 0.34%

LAB 50.3, -48.67, 41.46

 

CMYK 76 / 0 / 70 / 33

HEX #29AC34

RGB 41 172 52

HSL 125.04, 0.62%, 0.42%

LAB 61.85, -57.83, 49.68

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 62 / 0 / 56 / 16

HEX #52D55D

RGB 82 213 93

HSL 125.04, 0.61%, 0.58%

LAB 76.18, -59.74, 48.15

 

CMYK 48 / 0 / 44 / 13

HEX #74DD7C

RGB 116 221 124

HSL 124.57, 0.61%, 0.66%

LAB 80.11, -50.2, 38.36

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 21 / 0 / 20

HEX #31A1CD

RGB 49 161 205

HSL 196.92, 0.61%, 0.5%

LAB 62.13, -16.26, -31.37

 

CMYK 0 / 76 / 52 / 20

HEX #CD3162

RGB 205 49 98

HSL 341.15, 0.61%, 0.5%

LAB 47.05, 62.81, 9.84

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 70 / 76 / 0 / 20

HEX #3E31CD

RGB 62 49 205

HSL 245, 0.61%, 0.5%

LAB 33.2, 52.66, -77.76

 

CMYK 0 / 70 / 76 / 20

HEX #CD3E31

RGB 205 62 49

HSL 5, 0.61%, 0.5%

LAB 47.81, 55.47, 40

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 21 / 0 / 20

HEX #31A1CD

RGB 49 161 205

HSL 196.92, 0.61%, 0.5%

LAB 62.13, -16.26, -31.37

 

CMYK 0 / 76 / 6 / 20

HEX #CD31C0

RGB 205 49 192

HSL 305, 0.61%, 0.5%

LAB 50.67, 73.71, -41.04

 

CMYK 0 / 55 / 76 / 20

HEX #CD5D31

RGB 205 93 49

HSL 16.92, 0.61%, 0.5%

LAB 52.98, 41.75, 45.44

 

CMYK 76 / 0 / 70 / 20

HEX #31CD3E

RGB 49 205 62

HSL 125, 0.61%, 0.5%

LAB 72.67, -66.31, 57.22

 

CMYK 76 / 44 / 0 / 20

HEX #3172CD

RGB 49 114 205

HSL 215, 0.61%, 0.5%

LAB 48.38, 11.24, -53.05

 

CMYK 0 / 76 / 6 / 20

HEX #CD31C0

RGB 205 49 192

HSL 305, 0.61%, 0.5%

LAB 50.67, 73.71, -41.04

 

CMYK 0 / 32 / 76 / 20

HEX #CD8C31

RGB 205 140 49

HSL 35, 0.61%, 0.5%

LAB 63.31, 16.91, 55.77

 

Description

Color code: HEX #31CD3E | qconv.com Color code: HEX #31CD3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 205 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 205 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 70% 20% C M Y K

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