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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31D7B2 it is the complementary color #CE284D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31D7B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31D7B2 shade: #36D7AD, #47E9C0, #58FBD3, #69FFE6 and #7AFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31D7B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31D7B2 shade: #31D7B2, #20C59F, #0FB38C, #00A179 and #008F66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31D7B2 shade: #32D6B2, #32D685, #32D659, #37D632 and #64D632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31D7B2 shade: #32D6B2, #32CED6, #32A2D6, #3276D6 and #324AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31D7B2 shade matches the following richer shades: #32D6B2, #1EEABD and #0AFEC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31D7B2 shade: #32D6B2, #46C2A7, #5AAE9C, #6E9B91 and #818786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31D7B2 shade: #32D658, #32D684, #32D6B0, #32D1D6 and #32A5D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31D7B2 shade: #1E987D, #24BA99, #32D6B2, #55DDBF and #77E4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31D7B2 shade: #31D7B2, #3238D6 and #D66E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31D7B2 shade: #31D7B2, #B032D6 and #D6B032

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31D7B2 shade: #31D7B2, #3238D6, #D63258 and #D6D132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31D7B2 shade: #31D7B2, #5E32D6, #D63258 and #AAD632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

Complementary color

CMYK 0 / 81 / 63 / 19

HEX #CE284D

RGB 206 40 77

HSL 346.63, 0.67%, 0.48%

LAB 45.87, 64.21, 21.21

 

CMYK 75 / 0 / 20 / 16

HEX #36D7AD

RGB 54 215 173

HSL 164.35, 0.67%, 0.53%

LAB 77.52, -50.4, 9.14

 

CMYK 70 / 0 / 18 / 9

HEX #47E9C0

RGB 71 233 192

HSL 164.81, 0.79%, 0.6%

LAB 83.66, -51.03, 7.92

 

CMYK 65 / 0 / 16 / 2

HEX #58FBD3

RGB 88 251 211

HSL 165.28, 0.95%, 0.66%

LAB 89.75, -51.46, 6.81

 

CMYK 59 / 0 / 10 / 0

HEX #69FFE6

RGB 105 255 230

HSL 170, 1%, 0.71%

LAB 91.79, -45.78, -0.03

 

CMYK 52 / 0 / 2 / 0

HEX #7AFFF9

RGB 122 255 249

HSL 177.29, 1%, 0.74%

LAB 92.79, -37.92, -8.33

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 84 / 0 / 19 / 23

HEX #20C59F

RGB 32 197 159

HSL 166.18, 0.72%, 0.45%

LAB 71.38, -48.69, 7.85

 

CMYK 92 / 0 / 22 / 30

HEX #0FB38C

RGB 15 179 140

HSL 165.73, 0.85%, 0.38%

LAB 65.15, -47.26, 9.32

 

CMYK 100 / 0 / 25 / 37

HEX #00A179

RGB 0 161 121

HSL 165.09, 1%, 0.32%

LAB 58.85, -45.45, 10.95

 

CMYK 100 / 0 / 29 / 44

HEX #008F66

RGB 0 143 102

HSL 162.8, 1%, 0.28%

LAB 52.51, -42.96, 12.8

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B2

RGB 50 214 178

HSL 166.83, 0.67%, 0.52%

LAB 77.27, -49.21, 6.11

 

CMYK 77 / 0 / 38 / 16

HEX #32D685

RGB 50 214 133

HSL 150.37, 0.67%, 0.52%

LAB 76.35, -59.18, 28.55

 

CMYK 77 / 0 / 58 / 16

HEX #32D659

RGB 50 214 89

HSL 134.27, 0.67%, 0.52%

LAB 75.76, -66.15, 49.31

 

CMYK 74 / 0 / 77 / 16

HEX #37D632

RGB 55 214 50

HSL 118.17, 0.67%, 0.52%

LAB 75.54, -69.15, 64.33

 

CMYK 53 / 0 / 77 / 16

HEX #64D632

RGB 100 214 50

HSL 101.71, 0.67%, 0.52%

LAB 76.7, -59.59, 65.86

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B2

RGB 50 214 178

HSL 166.83, 0.67%, 0.52%

LAB 77.27, -49.21, 6.11

 

CMYK 77 / 4 / 0 / 16

HEX #32CED6

RGB 50 206 214

HSL 182.93, 0.67%, 0.52%

LAB 75.87, -35.83, -15.31

 

CMYK 77 / 24 / 0 / 16

HEX #32A2D6

RGB 50 162 214

HSL 199.02, 0.67%, 0.52%

LAB 62.82, -13.63, -35.29

 

CMYK 77 / 45 / 0 / 16

HEX #3276D6

RGB 50 118 214

HSL 215.12, 0.67%, 0.52%

LAB 50.09, 12.21, -55.44

 

CMYK 77 / 65 / 0 / 16

HEX #324AD6

RGB 50 74 214

HSL 231.22, 0.67%, 0.52%

LAB 38.6, 40.15, -74.08

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B2

RGB 50 214 178

HSL 166.83, 0.67%, 0.52%

LAB 77.27, -49.21, 6.11

 

CMYK 87 / 0 / 19 / 8

HEX #1EEABD

RGB 30 234 189

HSL 166.76, 0.83%, 0.52%

LAB 83.33, -56.17, 8.95

 

CMYK 96 / 0 / 21 / 0

HEX #0AFEC8

RGB 10 254 200

HSL 166.72, 0.99%, 0.52%

LAB 89.45, -61.98, 11.93

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B2

RGB 50 214 178

HSL 166.83, 0.67%, 0.52%

LAB 77.27, -49.21, 6.11

 

CMYK 64 / 0 / 14 / 24

HEX #46C2A7

RGB 70 194 167

HSL 166.94, 0.5%, 0.52%

LAB 71.33, -40.64, 3.53

 

CMYK 48 / 0 / 10 / 32

HEX #5AAE9C

RGB 90 174 156

HSL 167.14, 0.34%, 0.52%

LAB 65.63, -29.99, 1.37

 

CMYK 29 / 0 / 6 / 39

HEX #6E9B91

RGB 110 155 145

HSL 166.67, 0.18%, 0.52%

LAB 60.61, -17.44, 0.34

 

CMYK 4 / 0 / 1 / 47

HEX #818786

RGB 129 135 134

HSL 170, 0.02%, 0.52%

LAB 55.8, -2.4, -0.24

 

CMYK 77 / 0 / 59 / 16

HEX #32D658

RGB 50 214 88

HSL 133.9, 0.67%, 0.52%

LAB 75.75, -66.27, 49.75

 

CMYK 77 / 0 / 38 / 16

HEX #32D684

RGB 50 214 132

HSL 150, 0.67%, 0.52%

LAB 76.34, -59.37, 29.05

 

CMYK 77 / 0 / 18 / 16

HEX #32D6B0

RGB 50 214 176

HSL 166.1, 0.67%, 0.52%

LAB 77.22, -49.71, 7.11

 

CMYK 77 / 2 / 0 / 16

HEX #32D1D6

RGB 50 209 214

HSL 181.83, 0.67%, 0.52%

LAB 76.76, -37.22, -13.97

 

CMYK 77 / 23 / 0 / 16

HEX #32A5D6

RGB 50 165 214

HSL 197.93, 0.67%, 0.52%

LAB 63.71, -15.26, -33.91

 

CMYK 80 / 0 / 18 / 40

HEX #1E987D

RGB 30 152 125

HSL 166.72, 0.67%, 0.36%

LAB 56.3, -38.67, 5.1

 

CMYK 81 / 0 / 18 / 27

HEX #24BA99

RGB 36 186 153

HSL 166.8, 0.68%, 0.44%

LAB 67.87, -45.31, 6.09

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B2

RGB 50 214 178

HSL 166.83, 0.67%, 0.52%

LAB 77.27, -49.21, 6.11

 

CMYK 62 / 0 / 14 / 13

HEX #55DDBF

RGB 85 221 191

HSL 166.76, 0.67%, 0.6%

LAB 80.41, -43.98, 3.8

 

CMYK 48 / 0 / 11 / 11

HEX #77E4CB

RGB 119 228 203

HSL 166.24, 0.67%, 0.68%

LAB 83.82, -37.32, 2.53

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 77 / 74 / 0 / 16

HEX #3238D6

RGB 50 56 214

HSL 237.8, 0.67%, 0.52%

LAB 34.72, 50.76, -80.47

 

CMYK 0 / 49 / 77 / 16

HEX #D66E32

RGB 214 110 50

HSL 21.95, 0.67%, 0.52%

LAB 57.73, 36.73, 50.23

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 18 / 77 / 0 / 16

HEX #B032D6

RGB 176 50 214

HSL 286.1, 0.67%, 0.52%

LAB 47.45, 71.35, -59.12

 

CMYK 0 / 18 / 77 / 16

HEX #D6B032

RGB 214 176 50

HSL 46.1, 0.67%, 0.52%

LAB 73.27, 1.51, 65.19

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 77 / 74 / 0 / 16

HEX #3238D6

RGB 50 56 214

HSL 237.8, 0.67%, 0.52%

LAB 34.72, 50.76, -80.47

 

CMYK 0 / 77 / 59 / 16

HEX #D63258

RGB 214 50 88

HSL 346.1, 0.67%, 0.52%

LAB 48.61, 64.31, 18.39

 

CMYK 0 / 2 / 77 / 16

HEX #D6D132

RGB 214 209 50

HSL 58.17, 0.67%, 0.52%

LAB 81.91, -15.43, 73.1

 

CMYK 77 / 0 / 17 / 16

HEX #31D7B2

RGB 49 215 178

HSL 166.63, 0.67%, 0.52%

LAB 77.56, -49.73, 6.52

 

CMYK 56 / 77 / 0 / 16

HEX #5E32D6

RGB 94 50 214

HSL 256.1, 0.67%, 0.52%

LAB 36.96, 58.3, -76.67

 

CMYK 0 / 77 / 59 / 16

HEX #D63258

RGB 214 50 88

HSL 346.1, 0.67%, 0.52%

LAB 48.61, 64.31, 18.39

 

CMYK 21 / 0 / 77 / 16

HEX #AAD632

RGB 170 214 50

HSL 76.1, 0.67%, 0.52%

LAB 80.11, -35.85, 70.28

 

Description

Color code: HEX #31D7B2 | qconv.com Color code: HEX #31D7B2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 215 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 215 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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