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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E04B it is the complementary color #CE1FB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E04B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31E04B shade: #36E046, #47F259, #58FF6C, #69FF7F and #7AFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E04B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31E04B shade: #31E04B, #20CE38, #0FBC25, #00AA12 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31E04B shade: #32E04C, #47E032, #76E032, #A5E032 and #D4E032

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31E04B shade: #32E04C, #32E07B, #32E0AA, #32E0D9 and #32B9E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31E04B shade matches the following richer shades: #32E04C and #1FF33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31E04B shade: #32E04C, #45CD5A, #58BA67, #6BA774 and #7E9482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31E04B shade: #78E032, #4AE032, #32E04A, #32E078 and #32E0A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31E04B shade: #19A72E, #1ECB38, #32E04C, #56E56C and #7AEB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31E04B shade: #31E04B, #32A6E0 and #E03261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31E04B shade: #31E04B, #4A32E0 and #E04A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31E04B shade: #31E04B, #32A6E0, #E032C9 and #E06C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31E04B shade: #31E04B, #3272E0, #E032C9 and #E0A032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

Complementary color

CMYK 0 / 85 / 13 / 19

HEX #CE1FB4

RGB 206 31 180

HSL 308.91, 0.74%, 0.46%

LAB 48.76, 76.44, -37.03

 

CMYK 76 / 0 / 69 / 12

HEX #36E046

RGB 54 224 70

HSL 125.65, 0.73%, 0.55%

LAB 78.77, -70.81, 60.62

 

CMYK 71 / 0 / 63 / 5

HEX #47F259

RGB 71 242 89

HSL 126.32, 0.87%, 0.61%

LAB 84.77, -72.09, 59.68

 

CMYK 65 / 0 / 58 / 0

HEX #58FF6C

RGB 88 255 108

HSL 127.19, 1%, 0.67%

LAB 89.24, -71.31, 56.8

 

CMYK 59 / 0 / 50 / 0

HEX #69FF7F

RGB 105 255 127

HSL 128.8, 1%, 0.71%

LAB 89.89, -65.51, 49.08

 

CMYK 52 / 0 / 43 / 0

HEX #7AFF92

RGB 122 255 146

HSL 130.83, 1%, 0.74%

LAB 90.66, -58.88, 41.11

 

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

CMYK 84 / 0 / 73 / 19

HEX #20CE38

RGB 32 206 56

HSL 128.28, 0.73%, 0.47%

LAB 72.72, -69.11, 59.41

 

CMYK 92 / 0 / 80 / 26

HEX #0FBC25

RGB 15 188 37

HSL 127.63, 0.85%, 0.4%

LAB 66.67, -66.51, 59.61

 

CMYK 100 / 0 / 89 / 33

HEX #00AA12

RGB 0 170 18

HSL 126.35, 1%, 0.33%

LAB 60.6, -63.1, 58.74

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 78 / 0 / 66 / 12

HEX #32E04C

RGB 50 224 76

HSL 128.97, 0.74%, 0.54%

LAB 78.76, -70.77, 58.24

 

CMYK 68 / 0 / 78 / 12

HEX #47E032

RGB 71 224 50

HSL 112.76, 0.74%, 0.54%

LAB 78.97, -69.58, 67.75

 

CMYK 47 / 0 / 78 / 12

HEX #76E032

RGB 118 224 50

HSL 96.55, 0.74%, 0.54%

LAB 80.4, -58.15, 69.61

 

CMYK 26 / 0 / 78 / 12

HEX #A5E032

RGB 165 224 50

HSL 80.34, 0.74%, 0.54%

LAB 82.67, -42.21, 72.55

 

CMYK 5 / 0 / 78 / 12

HEX #D4E032

RGB 212 224 50

HSL 64.14, 0.74%, 0.54%

LAB 85.78, -23.59, 76.52

 

CMYK 78 / 0 / 66 / 12

HEX #32E04C

RGB 50 224 76

HSL 128.97, 0.74%, 0.54%

LAB 78.76, -70.77, 58.24

 

CMYK 78 / 0 / 45 / 12

HEX #32E07B

RGB 50 224 123

HSL 145.17, 0.74%, 0.54%

LAB 79.28, -64.52, 37.44

 

CMYK 78 / 0 / 24 / 12

HEX #32E0AA

RGB 50 224 170

HSL 161.38, 0.74%, 0.54%

LAB 80.12, -55.15, 14.41

 

CMYK 78 / 0 / 3 / 12

HEX #32E0D9

RGB 50 224 217

HSL 177.59, 0.74%, 0.54%

LAB 81.29, -43.12, -8.81

 

CMYK 78 / 17 / 0 / 12

HEX #32B9E0

RGB 50 185 224

HSL 193.45, 0.74%, 0.54%

LAB 70.01, -22.45, -29.66

 

CMYK 78 / 0 / 66 / 12

HEX #32E04C

RGB 50 224 76

HSL 128.97, 0.74%, 0.54%

LAB 78.76, -70.77, 58.24

 

CMYK 87 / 0 / 74 / 5

HEX #1FF33F

RGB 31 243 63

HSL 129.06, 0.9%, 0.54%

LAB 84.36, -79.33, 68.74

 

CMYK 78 / 0 / 66 / 12

HEX #32E04C

RGB 50 224 76

HSL 128.97, 0.74%, 0.54%

LAB 78.76, -70.77, 58.24

 

CMYK 66 / 0 / 56 / 20

HEX #45CD5A

RGB 69 205 90

HSL 129.26, 0.58%, 0.54%

LAB 73.33, -59.92, 46.09

 

CMYK 53 / 0 / 45 / 27

HEX #58BA67

RGB 88 186 103

HSL 129.18, 0.42%, 0.54%

LAB 68.15, -46.53, 33.45

 

CMYK 36 / 0 / 31 / 35

HEX #6BA774

RGB 107 167 116

HSL 129, 0.25%, 0.54%

LAB 63.36, -30.35, 20.39

 

CMYK 15 / 0 / 12 / 42

HEX #7E9482

RGB 126 148 130

HSL 130.91, 0.09%, 0.54%

LAB 59.18, -11.49, 6.91

 

CMYK 46 / 0 / 78 / 12

HEX #78E032

RGB 120 224 50

HSL 95.86, 0.74%, 0.54%

LAB 80.48, -57.56, 69.72

 

CMYK 67 / 0 / 78 / 12

HEX #4AE032

RGB 74 224 50

HSL 111.72, 0.74%, 0.54%

LAB 79.04, -69.01, 67.84

 

CMYK 78 / 0 / 67 / 12

HEX #32E04A

RGB 50 224 74

HSL 128.28, 0.74%, 0.54%

LAB 78.74, -70.97, 59.02

 

CMYK 78 / 0 / 46 / 12

HEX #32E078

RGB 50 224 120

HSL 144.14, 0.74%, 0.54%

LAB 79.24, -65.01, 38.87

 

CMYK 78 / 0 / 26 / 12

HEX #32E0A6

RGB 50 224 166

HSL 160, 0.74%, 0.54%

LAB 80.03, -56.06, 16.39

 

CMYK 85 / 0 / 72 / 35

HEX #19A72E

RGB 25 167 46

HSL 128.87, 0.74%, 0.38%

LAB 59.93, -58.8, 49.95

 

CMYK 85 / 0 / 72 / 20

HEX #1ECB38

RGB 30 203 56

HSL 129.02, 0.74%, 0.46%

LAB 71.74, -68.41, 58.4

 

CMYK 78 / 0 / 66 / 12

HEX #32E04C

RGB 50 224 76

HSL 128.97, 0.74%, 0.54%

LAB 78.76, -70.77, 58.24

 

CMYK 62 / 0 / 53 / 10

HEX #56E56C

RGB 86 229 108

HSL 129.23, 0.73%, 0.62%

LAB 81.35, -62.71, 47.41

 

CMYK 48 / 0 / 41 / 8

HEX #7AEB8B

RGB 122 235 139

HSL 129.03, 0.74%, 0.7%

LAB 84.7, -52.02, 36.85

 

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

CMYK 78 / 26 / 0 / 12

HEX #32A6E0

RGB 50 166 224

HSL 200, 0.74%, 0.54%

LAB 64.43, -12.38, -38.32

 

CMYK 0 / 78 / 57 / 12

HEX #E03261

RGB 224 50 97

HSL 343.79, 0.74%, 0.54%

LAB 50.68, 67.67, 16.02

 

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

CMYK 67 / 78 / 0 / 12

HEX #4A32E0

RGB 74 50 224

HSL 248.28, 0.74%, 0.54%

LAB 36.21, 58.96, -83.71

 

CMYK 0 / 67 / 78 / 12

HEX #E04A32

RGB 224 74 50

HSL 8.28, 0.74%, 0.54%

LAB 52.92, 57.04, 45.87

 

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

CMYK 78 / 26 / 0 / 12

HEX #32A6E0

RGB 50 166 224

HSL 200, 0.74%, 0.54%

LAB 64.43, -12.38, -38.32

 

CMYK 0 / 78 / 10 / 12

HEX #E032C9

RGB 224 50 201

HSL 307.93, 0.74%, 0.54%

LAB 54.39, 78.7, -40.14

 

CMYK 0 / 52 / 78 / 12

HEX #E06C32

RGB 224 108 50

HSL 20, 0.74%, 0.54%

LAB 58.79, 41.65, 51.77

 

CMYK 78 / 0 / 67 / 12

HEX #31E04B

RGB 49 224 75

HSL 128.91, 0.74%, 0.54%

LAB 78.74, -71, 58.61

 

CMYK 78 / 49 / 0 / 12

HEX #3272E0

RGB 50 114 224

HSL 217.93, 0.74%, 0.54%

LAB 49.61, 18.44, -61.86

 

CMYK 0 / 78 / 10 / 12

HEX #E032C9

RGB 224 50 201

HSL 307.93, 0.74%, 0.54%

LAB 54.39, 78.7, -40.14

 

CMYK 0 / 29 / 78 / 12

HEX #E0A032

RGB 224 160 50

HSL 37.93, 0.74%, 0.54%

LAB 70.33, 14.35, 62.83

 

Description

Color code: HEX #31E04B | qconv.com Color code: HEX #31E04B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 224 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 224 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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