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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31E221 it is the complementary color #CE1DDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31E221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31E221 shade: #36E21C, #47F42F, #58FF42, #69FF55 and #7AFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31E221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31E221 shade: #31E221, #20D00E, #0FBE00, #00AC00 and #009A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31E221 shade: #31E221, #65E221, #99E221, #CDE221 and #E2C321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31E221 shade: #31E221, #21E245, #21E279, #21E2AD and #21E2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31E221 shade matches the following richer shades: #31E221 and #20F60D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31E221 shade: #31E221, #42CE36, #53B94A, #64A55E and #759172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31E221 shade: #98E221, #65E221, #31E221, #21E245 and #21E278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31E221 shade: #1F9D14, #27C119, #31E221, #53E746 and #75EB6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31E221 shade: #31E221, #21CBE2 and #E2217E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31E221 shade: #31E221, #2131E2 and #E22131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31E221 shade: #31E221, #21CBE2, #D221E2 and #E23821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31E221 shade: #31E221, #2192E2, #D221E2 and #E27221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

Complementary color

CMYK 7 / 87 / 0 / 13

HEX #CE1DDE

RGB 206 29 222

HSL 295.03, 0.77%, 0.49%

LAB 51.01, 82.97, -57.71

 

CMYK 76 / 0 / 88 / 11

HEX #36E21C

RGB 54 226 28

HSL 112.12, 0.78%, 0.5%

LAB 79.19, -73.98, 73.17

 

CMYK 71 / 0 / 81 / 4

HEX #47F42F

RGB 71 244 47

HSL 112.69, 0.9%, 0.57%

LAB 85.12, -75.92, 74.36

 

CMYK 65 / 0 / 74 / 0

HEX #58FF42

RGB 88 255 66

HSL 113.02, 1%, 0.63%

LAB 88.92, -75.15, 72.59

 

CMYK 59 / 0 / 67 / 0

HEX #69FF55

RGB 105 255 85

HSL 112.94, 1%, 0.67%

LAB 89.48, -70.14, 66.62

 

CMYK 52 / 0 / 59 / 0

HEX #7AFF68

RGB 122 255 104

HSL 112.85, 1%, 0.7%

LAB 90.16, -64.23, 59.84

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 0 / 93 / 18

HEX #20D00E

RGB 32 208 14

HSL 114.43, 0.87%, 0.44%

LAB 73.19, -71.81, 70.13

 

CMYK 92 / 0 / 100 / 25

HEX #0FBE00

RGB 15 190 0

HSL 115.26, 1%, 0.37%

LAB 67.22, -68.38, 66.76

 

CMYK 100 / 0 / 100 / 33

HEX #00AC00

RGB 0 172 0

HSL 120, 1%, 0.34%

LAB 61.22, -64.16, 61.92

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 55 / 0 / 85 / 11

HEX #65E221

RGB 101 226 33

HSL 98.86, 0.77%, 0.51%

LAB 80.33, -64.37, 73.62

 

CMYK 32 / 0 / 85 / 11

HEX #99E221

RGB 153 226 33

HSL 82.69, 0.77%, 0.51%

LAB 82.53, -48.1, 76.37

 

CMYK 9 / 0 / 85 / 11

HEX #CDE221

RGB 205 226 33

HSL 66.53, 0.77%, 0.51%

LAB 85.75, -27.93, 80.37

 

CMYK 0 / 14 / 85 / 11

HEX #E2C321

RGB 226 195 33

HSL 50.36, 0.77%, 0.51%

LAB 79.22, -3.72, 75.72

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 0 / 69 / 11

HEX #21E245

RGB 33 226 69

HSL 131.19, 0.77%, 0.51%

LAB 79.13, -73.81, 61.29

 

CMYK 85 / 0 / 46 / 11

HEX #21E279

RGB 33 226 121

HSL 147.36, 0.77%, 0.51%

LAB 79.67, -67.18, 38.88

 

CMYK 85 / 0 / 23 / 11

HEX #21E2AD

RGB 33 226 173

HSL 163.52, 0.77%, 0.51%

LAB 80.59, -56.71, 13.46

 

CMYK 85 / 0 / 0 / 11

HEX #21E2E1

RGB 33 226 225

HSL 179.69, 0.77%, 0.51%

LAB 81.92, -43.01, -12.14

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 87 / 0 / 95 / 4

HEX #20F60D

RGB 32 246 13

HSL 115.11, 0.93%, 0.51%

LAB 85.12, -82.25, 80.1

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 68 / 0 / 74 / 19

HEX #42CE36

RGB 66 206 54

HSL 115.26, 0.61%, 0.51%

LAB 73.26, -64.47, 60.84

 

CMYK 55 / 0 / 60 / 27

HEX #53B94A

RGB 83 185 74

HSL 115.14, 0.44%, 0.51%

LAB 67.3, -51.35, 46.53

 

CMYK 39 / 0 / 43 / 35

HEX #64A55E

RGB 100 165 94

HSL 114.93, 0.28%, 0.51%

LAB 62.02, -35.32, 30.38

 

CMYK 19 / 0 / 21 / 43

HEX #759172

RGB 117 145 114

HSL 114.19, 0.12%, 0.51%

LAB 57.32, -16.17, 13.26

 

CMYK 33 / 0 / 85 / 11

HEX #98E221

RGB 152 226 33

HSL 83.01, 0.77%, 0.51%

LAB 82.47, -48.46, 76.31

 

CMYK 55 / 0 / 85 / 11

HEX #65E221

RGB 101 226 33

HSL 98.86, 0.77%, 0.51%

LAB 80.33, -64.37, 73.62

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 0 / 69 / 11

HEX #21E245

RGB 33 226 69

HSL 131.19, 0.77%, 0.51%

LAB 79.13, -73.81, 61.29

 

CMYK 85 / 0 / 47 / 11

HEX #21E278

RGB 33 226 120

HSL 147.05, 0.77%, 0.51%

LAB 79.65, -67.34, 39.35

 

CMYK 80 / 0 / 87 / 38

HEX #1F9D14

RGB 31 157 20

HSL 115.18, 0.77%, 0.35%

LAB 56.54, -56.74, 54.86

 

CMYK 80 / 0 / 87 / 24

HEX #27C119

RGB 39 193 25

HSL 115, 0.77%, 0.43%

LAB 68.49, -66.38, 64.35

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 64 / 0 / 70 / 9

HEX #53E746

RGB 83 231 70

HSL 115.16, 0.77%, 0.59%

LAB 81.53, -68.08, 63.69

 

CMYK 50 / 0 / 55 / 8

HEX #75EB6A

RGB 117 235 106

HSL 114.88, 0.76%, 0.67%

LAB 84.09, -57.84, 51.85

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 10 / 0 / 11

HEX #21CBE2

RGB 33 203 226

HSL 187.15, 0.77%, 0.51%

LAB 75.16, -32.12, -22.88

 

CMYK 0 / 85 / 44 / 11

HEX #E2217E

RGB 226 33 126

HSL 331.09, 0.77%, 0.51%

LAB 50.41, 74.42, -1.93

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 78 / 0 / 11

HEX #2131E2

RGB 33 49 226

HSL 235.03, 0.77%, 0.51%

LAB 34.01, 57.35, -88.58

 

CMYK 0 / 85 / 78 / 11

HEX #E22131

RGB 226 33 49

HSL 355.03, 0.77%, 0.51%

LAB 48.86, 69.95, 42.33

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 10 / 0 / 11

HEX #21CBE2

RGB 33 203 226

HSL 187.15, 0.77%, 0.51%

LAB 75.16, -32.12, -22.88

 

CMYK 7 / 85 / 0 / 11

HEX #D221E2

RGB 210 33 226

HSL 295.03, 0.77%, 0.51%

LAB 52.15, 83.57, -58.11

 

CMYK 0 / 75 / 85 / 11

HEX #E23821

RGB 226 56 33

HSL 7.15, 0.77%, 0.51%

LAB 50.81, 63.63, 52.31

 

CMYK 78 / 0 / 85 / 11

HEX #31E221

RGB 49 226 33

HSL 115.03, 0.77%, 0.51%

LAB 79.13, -74.46, 72.1

 

CMYK 85 / 35 / 0 / 11

HEX #2192E2

RGB 33 146 226

HSL 204.87, 0.77%, 0.51%

LAB 58.39, -1.85, -48.96

 

CMYK 7 / 85 / 0 / 11

HEX #D221E2

RGB 210 33 226

HSL 295.03, 0.77%, 0.51%

LAB 52.15, 83.57, -58.11

 

CMYK 0 / 50 / 85 / 11

HEX #E27221

RGB 226 114 33

HSL 25.18, 0.77%, 0.51%

LAB 60.17, 38.91, 60.1

 

Description

Color code: HEX #31E221 | qconv.com Color code: HEX #31E221 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 226 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 226 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 85 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 85% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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