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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31F67A it is the complementary color #CE0985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31F67A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31F67A shade: #36F675, #47FF88, #58FF9B, #69FFAE and #7AFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31F67A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31F67A shade: #31F67A, #20E467, #0FD254, #00C041 and #00AE2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31F67A shade: #31F67A, #31F645, #52F631, #87F631 and #BCF631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31F67A shade: #31F67A, #31F6AF, #31F6E4, #31D3F6 and #319DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31F67A shade matches the following richer shades: #31F67A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31F67A shade: #31F67A, #42E57E, #54D383, #65C287 and #76B18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31F67A shade: #52F631, #31F645, #31F679, #31F6AE and #31F6E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31F67A shade: #08CC51, #0AF460, #31F67A, #58F893 and #80F9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31F67A shade: #31F67A, #3186F6 and #F63137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31F67A shade: #31F67A, #7931F6 and #F67931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31F67A shade: #31F67A, #3186F6, #F631AE and #F6A131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31F67A shade: #31F67A, #314BF6, #F631AE and #F6DC31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

Complementary color

CMYK 0 / 96 / 35 / 19

HEX #CE0985

RGB 206 9 133

HSL 322.23, 0.92%, 0.42%

LAB 45.65, 73.89, -13.71

 

CMYK 78 / 0 / 52 / 4

HEX #36F675

RGB 54 246 117

HSL 139.69, 0.91%, 0.59%

LAB 86, -72.31, 48.73

 

CMYK 72 / 0 / 47 / 0

HEX #47FF88

RGB 71 255 136

HSL 141.2, 1%, 0.64%

LAB 89.22, -70.3, 43.84

 

CMYK 65 / 0 / 39 / 0

HEX #58FF9B

RGB 88 255 155

HSL 144.07, 1%, 0.67%

LAB 89.84, -64.5, 35.45

 

CMYK 59 / 0 / 32 / 0

HEX #69FFAE

RGB 105 255 174

HSL 147.6, 1%, 0.71%

LAB 90.59, -57.9, 27.02

 

CMYK 52 / 0 / 24 / 0

HEX #7AFFC1

RGB 122 255 193

HSL 152.03, 1%, 0.74%

LAB 91.46, -50.6, 18.64

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 86 / 0 / 55 / 11

HEX #20E467

RGB 32 228 103

HSL 141.73, 0.78%, 0.51%

LAB 80.05, -70.63, 47.95

 

CMYK 93 / 0 / 60 / 18

HEX #0FD254

RGB 15 210 84

HSL 141.23, 0.87%, 0.44%

LAB 74.08, -68.6, 49.52

 

CMYK 100 / 0 / 66 / 25

HEX #00C041

RGB 0 192 65

HSL 140.31, 1%, 0.38%

LAB 68.08, -66, 50.96

 

CMYK 100 / 0 / 74 / 32

HEX #00AE2E

RGB 0 174 46

HSL 135.86, 1%, 0.34%

LAB 62.06, -62.53, 52.08

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 0 / 72 / 4

HEX #31F645

RGB 49 246 69

HSL 126.09, 0.92%, 0.58%

LAB 85.5, -78.11, 67.94

 

CMYK 67 / 0 / 80 / 4

HEX #52F631

RGB 82 246 49

HSL 109.95, 0.92%, 0.58%

LAB 85.97, -74.48, 74.7

 

CMYK 45 / 0 / 80 / 4

HEX #87F631

RGB 135 246 49

HSL 93.81, 0.92%, 0.58%

LAB 87.62, -61.33, 76.83

 

CMYK 24 / 0 / 80 / 4

HEX #BCF631

RGB 188 246 49

HSL 77.66, 0.92%, 0.58%

LAB 90.24, -43.18, 80.17

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 0 / 29 / 4

HEX #31F6AF

RGB 49 246 175

HSL 158.38, 0.92%, 0.58%

LAB 86.83, -62.51, 21.17

 

CMYK 80 / 0 / 7 / 4

HEX #31F6E4

RGB 49 246 228

HSL 174.52, 0.92%, 0.58%

LAB 88.05, -49.69, -4.61

 

CMYK 80 / 14 / 0 / 4

HEX #31D3F6

RGB 49 211 246

HSL 190.66, 0.92%, 0.58%

LAB 78.4, -28.51, -28.63

 

CMYK 80 / 36 / 0 / 4

HEX #319DF6

RGB 49 157 246

HSL 207.11, 0.92%, 0.58%

LAB 62.86, 0.36, -52.89

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 71 / 0 / 45 / 10

HEX #42E57E

RGB 66 229 126

HSL 142.09, 0.76%, 0.58%

LAB 81.13, -63.61, 38.38

 

CMYK 60 / 0 / 38 / 17

HEX #54D383

RGB 84 211 131

HSL 142.2, 0.59%, 0.58%

LAB 76.14, -52.8, 29.43

 

CMYK 48 / 0 / 30 / 24

HEX #65C287

RGB 101 194 135

HSL 141.94, 0.43%, 0.58%

LAB 71.62, -40.95, 21.35

 

CMYK 33 / 0 / 21 / 31

HEX #76B18C

RGB 118 177 140

HSL 142.37, 0.27%, 0.58%

LAB 67.42, -27.16, 12.94

 

CMYK 67 / 0 / 80 / 4

HEX #52F631

RGB 82 246 49

HSL 109.95, 0.92%, 0.58%

LAB 85.97, -74.48, 74.7

 

CMYK 80 / 0 / 72 / 4

HEX #31F645

RGB 49 246 69

HSL 126.09, 0.92%, 0.58%

LAB 85.5, -78.11, 67.94

 

CMYK 80 / 0 / 51 / 4

HEX #31F679

RGB 49 246 121

HSL 141.93, 0.92%, 0.58%

LAB 85.98, -72.28, 46.82

 

CMYK 80 / 0 / 29 / 4

HEX #31F6AE

RGB 49 246 174

HSL 158.07, 0.92%, 0.58%

LAB 86.81, -62.73, 21.66

 

CMYK 80 / 0 / 8 / 4

HEX #31F6E2

RGB 49 246 226

HSL 173.91, 0.92%, 0.58%

LAB 88, -50.22, -3.64

 

CMYK 96 / 0 / 60 / 20

HEX #08CC51

RGB 8 204 81

HSL 142.35, 0.92%, 0.42%

LAB 72.12, -67.43, 48.58

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 65 / 0 / 41 / 3

HEX #58F893

RGB 88 248 147

HSL 142.13, 0.92%, 0.66%

LAB 87.64, -63.3, 36.52

 

CMYK 49 / 0 / 31 / 2

HEX #80F9AD

RGB 128 249 173

HSL 142.31, 0.91%, 0.74%

LAB 89.56, -50.51, 26.24

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 46 / 0 / 4

HEX #3186F6

RGB 49 134 246

HSL 214.11, 0.92%, 0.58%

LAB 56.44, 14.08, -63.14

 

CMYK 0 / 80 / 78 / 4

HEX #F63137

RGB 246 49 55

HSL 358.17, 0.92%, 0.58%

LAB 54.1, 71.91, 45.71

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 51 / 80 / 0 / 4

HEX #7931F6

RGB 121 49 246

HSL 261.93, 0.92%, 0.58%

LAB 42.64, 70.24, -85.43

 

CMYK 0 / 51 / 80 / 4

HEX #F67931

RGB 246 121 49

HSL 21.93, 0.92%, 0.58%

LAB 64.56, 43.62, 58.86

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 46 / 0 / 4

HEX #3186F6

RGB 49 134 246

HSL 214.11, 0.92%, 0.58%

LAB 56.44, 14.08, -63.14

 

CMYK 0 / 80 / 29 / 4

HEX #F631AE

RGB 246 49 174

HSL 321.93, 0.92%, 0.58%

LAB 56.92, 80.34, -20.29

 

CMYK 0 / 35 / 80 / 4

HEX #F6A131

RGB 246 161 49

HSL 34.11, 0.92%, 0.58%

LAB 73.09, 23.09, 66.66

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 80 / 70 / 0 / 4

HEX #314BF6

RGB 49 75 246

HSL 232.08, 0.92%, 0.58%

LAB 41.75, 50.53, -87.08

 

CMYK 0 / 80 / 29 / 4

HEX #F631AE

RGB 246 49 174

HSL 321.93, 0.92%, 0.58%

LAB 56.92, 80.34, -20.29

 

CMYK 0 / 11 / 80 / 4

HEX #F6DC31

RGB 246 220 49

HSL 52.08, 0.92%, 0.58%

LAB 87.49, -7.46, 79.37

 

Description

Color code: HEX #31F67A | qconv.com Color code: HEX #31F67A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 246 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 246 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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