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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31F68A it is the complementary color #CE0975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31F68A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31F68A shade: #36F685, #47FF98, #58FFAB, #69FFBE and #7AFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31F68A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31F68A shade: #31F68A, #20E477, #0FD264, #00C051 and #00AE3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31F68A shade: #31F68A, #31F655, #42F631, #77F631 and #ACF631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31F68A shade: #31F68A, #31F6BF, #31F6F4, #31C3F6 and #318DF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31F68A shade matches the following richer shades: #31F68A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31F68A shade: #31F68A, #42E58C, #54D38D, #65C28F and #76B191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31F68A shade: #41F631, #31F655, #31F68A, #31F6BE and #31F6F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31F68A shade: #08CC61, #0AF473, #31F68A, #58F8A0 and #80F9B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31F68A shade: #31F68A, #3176F6 and #F63B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31F68A shade: #31F68A, #8A31F6 and #F68A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31F68A shade: #31F68A, #3176F6, #F6319D and #F6B131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31F68A shade: #31F68A, #313BF6, #F6319D and #F6EC31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

Complementary color

CMYK 0 / 96 / 43 / 19

HEX #CE0975

RGB 206 9 117

HSL 327.11, 0.92%, 0.42%

LAB 45.08, 72.39, -4.72

 

CMYK 78 / 0 / 46 / 4

HEX #36F685

RGB 54 246 133

HSL 144.69, 0.91%, 0.59%

LAB 86.2, -69.9, 41.39

 

CMYK 72 / 0 / 40 / 0

HEX #47FF98

RGB 71 255 152

HSL 146.41, 1%, 0.64%

LAB 89.45, -67.67, 36.36

 

CMYK 65 / 0 / 33 / 0

HEX #58FFAB

RGB 88 255 171

HSL 149.82, 1%, 0.67%

LAB 90.11, -61.59, 27.81

 

CMYK 59 / 0 / 25 / 0

HEX #69FFBE

RGB 105 255 190

HSL 154, 1%, 0.71%

LAB 90.89, -54.75, 19.3

 

CMYK 52 / 0 / 18 / 0

HEX #7AFFD1

RGB 122 255 209

HSL 159.25, 1%, 0.74%

LAB 91.8, -47.26, 10.9

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 86 / 0 / 48 / 11

HEX #20E477

RGB 32 228 119

HSL 146.63, 0.78%, 0.51%

LAB 80.25, -68.24, 40.59

 

CMYK 93 / 0 / 52 / 18

HEX #0FD264

RGB 15 210 100

HSL 146.15, 0.87%, 0.44%

LAB 74.26, -66.4, 42.31

 

CMYK 100 / 0 / 58 / 25

HEX #00C051

RGB 0 192 81

HSL 145.31, 1%, 0.38%

LAB 68.24, -64.04, 44.04

 

CMYK 100 / 0 / 64 / 32

HEX #00AE3E

RGB 0 174 62

HSL 141.38, 1%, 0.34%

LAB 62.19, -60.9, 45.71

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 0 / 65 / 4

HEX #31F655

RGB 49 246 85

HSL 130.96, 0.92%, 0.58%

LAB 85.62, -76.7, 62.12

 

CMYK 73 / 0 / 80 / 4

HEX #42F631

RGB 66 246 49

HSL 114.82, 0.92%, 0.58%

LAB 85.65, -77.2, 74.29

 

CMYK 52 / 0 / 80 / 4

HEX #77F631

RGB 119 246 49

HSL 98.68, 0.92%, 0.58%

LAB 87.02, -65.92, 76.06

 

CMYK 30 / 0 / 80 / 4

HEX #ACF631

RGB 172 246 49

HSL 82.54, 0.92%, 0.58%

LAB 89.35, -49.06, 79.03

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 0 / 22 / 4

HEX #31F6BF

RGB 49 246 191

HSL 163.25, 0.92%, 0.58%

LAB 87.16, -58.95, 13.37

 

CMYK 80 / 0 / 1 / 4

HEX #31F6F4

RGB 49 246 244

HSL 179.39, 0.92%, 0.58%

LAB 88.49, -45.3, -12.3

 

CMYK 80 / 21 / 0 / 4

HEX #31C3F6

RGB 49 195 246

HSL 195.53, 0.92%, 0.58%

LAB 73.76, -20.47, -35.78

 

CMYK 80 / 43 / 0 / 4

HEX #318DF6

RGB 49 141 246

HSL 211.98, 0.92%, 0.58%

LAB 58.37, 9.83, -60.04

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 71 / 0 / 39 / 10

HEX #42E58C

RGB 66 229 140

HSL 147.24, 0.76%, 0.58%

LAB 81.34, -61.19, 31.65

 

CMYK 60 / 0 / 33 / 17

HEX #54D38D

RGB 84 211 141

HSL 146.93, 0.59%, 0.58%

LAB 76.31, -50.94, 24.47

 

CMYK 48 / 0 / 26 / 24

HEX #65C28F

RGB 101 194 143

HSL 147.1, 0.43%, 0.58%

LAB 71.78, -39.39, 17.29

 

CMYK 33 / 0 / 18 / 31

HEX #76B191

RGB 118 177 145

HSL 147.46, 0.27%, 0.58%

LAB 67.53, -26.16, 10.35

 

CMYK 74 / 0 / 80 / 4

HEX #41F631

RGB 65 246 49

HSL 115.13, 0.92%, 0.58%

LAB 85.63, -77.35, 74.27

 

CMYK 80 / 0 / 65 / 4

HEX #31F655

RGB 49 246 85

HSL 130.96, 0.92%, 0.58%

LAB 85.62, -76.7, 62.12

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 0 / 23 / 4

HEX #31F6BE

RGB 49 246 190

HSL 162.94, 0.92%, 0.58%

LAB 87.14, -59.18, 13.86

 

CMYK 80 / 0 / 1 / 4

HEX #31F6F3

RGB 49 246 243

HSL 179.09, 0.92%, 0.58%

LAB 88.46, -45.58, -11.82

 

CMYK 96 / 0 / 52 / 20

HEX #08CC61

RGB 8 204 97

HSL 147.24, 0.92%, 0.42%

LAB 72.3, -65.21, 41.33

 

CMYK 96 / 0 / 53 / 4

HEX #0AF473

RGB 10 244 115

HSL 146.92, 0.92%, 0.5%

LAB 85, -75.02, 48.35

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 65 / 0 / 35 / 3

HEX #58F8A0

RGB 88 248 160

HSL 147, 0.92%, 0.66%

LAB 87.85, -61.01, 30.3

 

CMYK 49 / 0 / 27 / 2

HEX #80F9B7

RGB 128 249 183

HSL 147.27, 0.91%, 0.74%

LAB 89.75, -48.65, 21.4

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 52 / 0 / 4

HEX #3176F6

RGB 49 118 246

HSL 218.98, 0.92%, 0.58%

LAB 52.13, 24.01, -70.1

 

CMYK 0 / 76 / 80 / 4

HEX #F63B31

RGB 246 59 49

HSL 3.05, 0.92%, 0.58%

LAB 55.01, 68.99, 49.78

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 44 / 80 / 0 / 4

HEX #8A31F6

RGB 138 49 246

HSL 267.11, 0.92%, 0.58%

LAB 44.59, 72.35, -82.14

 

CMYK 0 / 44 / 80 / 4

HEX #F68A31

RGB 246 138 49

HSL 27.11, 0.92%, 0.58%

LAB 68.01, 35.07, 62.05

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 52 / 0 / 4

HEX #3176F6

RGB 49 118 246

HSL 218.98, 0.92%, 0.58%

LAB 52.13, 24.01, -70.1

 

CMYK 0 / 80 / 36 / 4

HEX #F6319D

RGB 246 49 157

HSL 327.11, 0.92%, 0.58%

LAB 56.31, 78.56, -11.27

 

CMYK 0 / 28 / 80 / 4

HEX #F6B131

RGB 246 177 49

HSL 38.98, 0.92%, 0.58%

LAB 76.84, 14.68, 70.01

 

CMYK 80 / 0 / 44 / 4

HEX #31F68A

RGB 49 246 138

HSL 147.11, 0.92%, 0.58%

LAB 86.21, -69.6, 38.95

 

CMYK 80 / 76 / 0 / 4

HEX #313BF6

RGB 49 59 246

HSL 236.95, 0.92%, 0.58%

LAB 38.61, 59.33, -92.26

 

CMYK 0 / 80 / 36 / 4

HEX #F6319D

RGB 246 49 157

HSL 327.11, 0.92%, 0.58%

LAB 56.31, 78.56, -11.27

 

CMYK 0 / 4 / 80 / 4

HEX #F6EC31

RGB 246 236 49

HSL 56.95, 0.92%, 0.58%

LAB 91.6, -15.38, 82.92

 

Description

Color code: HEX #31F68A | qconv.com Color code: HEX #31F68A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 246 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 246 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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