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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31FB8F it is the complementary color #CE0470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31FB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31FB8F shade: #36FB8A, #47FF9D, #58FFB0, #69FFC3 and #7AFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31FB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31FB8F shade: #31FB8F, #20E97C, #0FD769, #00C556 and #00B343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31FB8F shade: #32FA8F, #32FA59, #40FA32, #77FA32 and #ADFA32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31FB8F shade: #32FA8F, #32FAC5, #32F9FA, #32C3FA and #328DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31FB8F shade matches the following richer shades: #32FA8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31FB8F shade: #32FA8F, #42E990, #53D891, #64C893 and #75B794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31FB8F shade: #42FA32, #32FA56, #32FA8C, #32FAC1 and #32FAF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31FB8F shade: #04D665, #09F979, #32FA8F, #5AFBA5 and #82FCBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31FB8F shade: #31FB8F, #3278FA and #FA3C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31FB8F shade: #31FB8F, #8C32FA and #FA8C32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31FB8F shade: #31FB8F, #3278FA, #FA32A0 and #FAB432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31FB8F shade: #31FB8F, #323CFA, #FA32A0 and #FAF032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

Complementary color

CMYK 0 / 98 / 46 / 19

HEX #CE0470

RGB 206 4 112

HSL 327.92, 0.96%, 0.41%

LAB 44.77, 72.41, -2.08

 

CMYK 78 / 0 / 45 / 2

HEX #36FB8A

RGB 54 251 138

HSL 145.58, 0.96%, 0.6%

LAB 87.78, -70.76, 40.99

 

CMYK 72 / 0 / 38 / 0

HEX #47FF9D

RGB 71 255 157

HSL 148.04, 1%, 0.64%

LAB 89.53, -66.79, 33.99

 

CMYK 65 / 0 / 31 / 0

HEX #58FFB0

RGB 88 255 176

HSL 151.62, 1%, 0.67%

LAB 90.2, -60.62, 25.4

 

CMYK 59 / 0 / 24 / 0

HEX #69FFC3

RGB 105 255 195

HSL 156, 1%, 0.71%

LAB 90.99, -53.71, 16.88

 

CMYK 52 / 0 / 16 / 0

HEX #7AFFD6

RGB 122 255 214

HSL 161.5, 1%, 0.74%

LAB 91.91, -46.17, 8.48

 

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

CMYK 86 / 0 / 47 / 9

HEX #20E97C

RGB 32 233 124

HSL 147.46, 0.82%, 0.52%

LAB 81.86, -69.07, 40.19

 

CMYK 93 / 0 / 51 / 16

HEX #0FD769

RGB 15 215 105

HSL 147, 0.87%, 0.45%

LAB 75.9, -67.24, 41.92

 

CMYK 100 / 0 / 56 / 23

HEX #00C556

RGB 0 197 86

HSL 146.19, 1%, 0.39%

LAB 69.9, -64.91, 43.67

 

CMYK 100 / 0 / 63 / 30

HEX #00B343

RGB 0 179 67

HSL 142.46, 1%, 0.35%

LAB 63.87, -61.83, 45.39

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 80 / 0 / 64 / 2

HEX #32FA59

RGB 50 250 89

HSL 131.7, 0.95%, 0.59%

LAB 86.88, -77.39, 61.92

 

CMYK 74 / 0 / 80 / 2

HEX #40FA32

RGB 64 250 50

HSL 115.8, 0.95%, 0.59%

LAB 86.85, -78.63, 75.13

 

CMYK 52 / 0 / 80 / 2

HEX #77FA32

RGB 119 250 50

HSL 99.3, 0.95%, 0.59%

LAB 88.22, -67.27, 76.9

 

CMYK 31 / 0 / 80 / 2

HEX #ADFA32

RGB 173 250 50

HSL 83.1, 0.95%, 0.59%

LAB 90.54, -50.32, 79.87

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 80 / 0 / 21 / 2

HEX #32FAC5

RGB 50 250 197

HSL 164.1, 0.95%, 0.59%

LAB 88.49, -59.01, 12.16

 

CMYK 80 / 0 / 0 / 2

HEX #32F9FA

RGB 50 249 250

HSL 180.3, 0.95%, 0.59%

LAB 89.55, -44.84, -13.85

 

CMYK 80 / 22 / 0 / 2

HEX #32C3FA

RGB 50 195 250

HSL 196.5, 0.95%, 0.59%

LAB 73.94, -19.05, -37.66

 

CMYK 80 / 44 / 0 / 2

HEX #328DFA

RGB 50 141 250

HSL 212.7, 0.95%, 0.59%

LAB 58.63, 11.39, -61.83

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 72 / 0 / 38 / 9

HEX #42E990

RGB 66 233 144

HSL 148.02, 0.79%, 0.59%

LAB 82.62, -61.92, 31.32

 

CMYK 62 / 0 / 33 / 15

HEX #53D891

RGB 83 216 145

HSL 147.97, 0.63%, 0.59%

LAB 77.87, -52.37, 24.5

 

CMYK 50 / 0 / 27 / 22

HEX #64C893

RGB 100 200 147

HSL 148.2, 0.48%, 0.59%

LAB 73.63, -41.5, 17.7

 

CMYK 36 / 0 / 19 / 28

HEX #75B794

RGB 117 183 148

HSL 148.18, 0.31%, 0.59%

LAB 69.32, -28.78, 11.23

 

CMYK 74 / 0 / 80 / 2

HEX #42FA32

RGB 66 250 50

HSL 115.2, 0.95%, 0.59%

LAB 86.88, -78.33, 75.17

 

CMYK 80 / 0 / 66 / 2

HEX #32FA56

RGB 50 250 86

HSL 130.8, 0.95%, 0.59%

LAB 86.86, -77.69, 63.09

 

CMYK 80 / 0 / 44 / 2

HEX #32FA8C

RGB 50 250 140

HSL 147, 0.95%, 0.59%

LAB 87.46, -70.51, 39.59

 

CMYK 80 / 0 / 23 / 2

HEX #32FAC1

RGB 50 250 193

HSL 162.9, 0.95%, 0.59%

LAB 88.4, -59.94, 14.1

 

CMYK 80 / 0 / 1 / 2

HEX #32FAF7

RGB 50 250 247

HSL 179.1, 0.95%, 0.59%

LAB 89.75, -46.12, -11.99

 

CMYK 98 / 0 / 53 / 16

HEX #04D665

RGB 4 214 101

HSL 147.71, 0.96%, 0.43%

LAB 75.49, -67.92, 43.32

 

CMYK 96 / 0 / 51 / 2

HEX #09F979

RGB 9 249 121

HSL 148, 0.95%, 0.51%

LAB 86.6, -75.71, 47.52

 

CMYK 80 / 0 / 43 / 2

HEX #32FA8F

RGB 50 250 143

HSL 147.9, 0.95%, 0.59%

LAB 87.5, -70, 38.18

 

CMYK 64 / 0 / 34 / 2

HEX #5AFBA5

RGB 90 251 165

HSL 147.95, 0.95%, 0.67%

LAB 88.87, -60.87, 29.16

 

CMYK 48 / 0 / 26 / 1

HEX #82FCBB

RGB 130 252 187

HSL 148.03, 0.95%, 0.75%

LAB 90.76, -48.66, 20.77

 

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

CMYK 80 / 52 / 0 / 2

HEX #3278FA

RGB 50 120 250

HSL 219, 0.95%, 0.59%

LAB 52.96, 24.32, -70.97

 

CMYK 0 / 76 / 80 / 2

HEX #FA3C32

RGB 250 60 50

HSL 3, 0.95%, 0.59%

LAB 55.87, 69.88, 50.37

 

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

CMYK 44 / 80 / 0 / 2

HEX #8C32FA

RGB 140 50 250

HSL 267, 0.95%, 0.59%

LAB 45.3, 73.19, -83.21

 

CMYK 0 / 44 / 80 / 2

HEX #FA8C32

RGB 250 140 50

HSL 27, 0.95%, 0.59%

LAB 68.98, 35.67, 62.73

 

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

CMYK 80 / 52 / 0 / 2

HEX #3278FA

RGB 50 120 250

HSL 219, 0.95%, 0.59%

LAB 52.96, 24.32, -70.97

 

CMYK 0 / 80 / 36 / 2

HEX #FA32A0

RGB 250 50 160

HSL 327, 0.95%, 0.59%

LAB 57.21, 79.55, -11.6

 

CMYK 0 / 28 / 80 / 2

HEX #FAB432

RGB 250 180 50

HSL 39, 0.95%, 0.59%

LAB 77.99, 14.83, 70.87

 

CMYK 80 / 0 / 43 / 2

HEX #31FB8F

RGB 49 251 143

HSL 147.92, 0.96%, 0.59%

LAB 87.79, -70.44, 38.55

 

CMYK 80 / 76 / 0 / 2

HEX #323CFA

RGB 50 60 250

HSL 237, 0.95%, 0.59%

LAB 39.26, 60.12, -93.43

 

CMYK 0 / 80 / 36 / 2

HEX #FA32A0

RGB 250 50 160

HSL 327, 0.95%, 0.59%

LAB 57.21, 79.55, -11.6

 

CMYK 0 / 4 / 80 / 2

HEX #FAF032

RGB 250 240 50

HSL 57, 0.95%, 0.59%

LAB 92.96, -15.64, 83.97

 

Description

Color code: HEX #31FB8F | qconv.com Color code: HEX #31FB8F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 251 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 251 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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