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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323E56 it is the complementary color #CDC1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323E56 shade: #373E51, #485064, #596277, #6A748A and #7B869D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323E56 shade: #323E56, #212C43, #101A30, #00081D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323E56 shade: #323E56, #323556, #3A3256, #433256 and #4D3256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323E56 shade: #323E56, #323556 and #323256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323E56 shade matches the following richer shades: #323E56, #273B61, #1C376D, #113378 and #063083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323E56 shade: #323E56, #3E424B, #494640, #544A35 and #5F4D2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323E56 shade: #325156, #324856, #323E56, #323556 and #3A3256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323E56 shade: #141922, #232C3C, #323E56, #425170 and #51648A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323E56 shade: #323E56, #513256 and #4D5632

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323E56 shade: #323E56, #56323E and #3E5632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323E56 shade: #323E56, #513256, #564A32 and #375632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323E56 shade: #323E56, #563250, #564A32 and #325638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

Complementary color

CMYK 0 / 6 / 18 / 20

HEX #CDC1A9

RGB 205 193 169

HSL 40, 0.26%, 0.73%

LAB 78.45, 0.26, 13.6

 

CMYK 32 / 23 / 0 / 68

HEX #373E51

RGB 55 62 81

HSL 223.85, 0.19%, 0.27%

LAB 26.31, 2.24, -12.43

 

CMYK 28 / 20 / 0 / 61

HEX #485064

RGB 72 80 100

HSL 222.86, 0.16%, 0.34%

LAB 34.06, 1.91, -12.67

 

CMYK 25 / 18 / 0 / 53

HEX #596277

RGB 89 98 119

HSL 222, 0.14%, 0.41%

LAB 41.52, 1.63, -12.95

 

CMYK 23 / 16 / 0 / 46

HEX #6A748A

RGB 106 116 138

HSL 221.25, 0.13%, 0.48%

LAB 48.75, 1.39, -13.26

 

CMYK 22 / 15 / 0 / 38

HEX #7B869D

RGB 123 134 157

HSL 220.59, 0.15%, 0.55%

LAB 55.78, 1.17, -13.6

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 51 / 34 / 0 / 74

HEX #212C43

RGB 33 44 67

HSL 220.59, 0.34%, 0.2%

LAB 18.05, 2.72, -15.95

 

CMYK 67 / 46 / 0 / 81

HEX #101A30

RGB 16 26 48

HSL 221.25, 0.5%, 0.13%

LAB 9.5, 3.75, -16.05

 

CMYK 100 / 72 / 0 / 89

HEX #00081D

RGB 0 8 29

HSL 223.45, 1%, 0.06%

LAB 2.37, 2.43, -12.8

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 42 / 38 / 0 / 66

HEX #323556

RGB 50 53 86

HSL 235, 0.26%, 0.27%

LAB 23.33, 8.22, -20.37

 

CMYK 33 / 42 / 0 / 66

HEX #3A3256

RGB 58 50 86

HSL 253.33, 0.26%, 0.27%

LAB 23.18, 12.88, -20.55

 

CMYK 22 / 42 / 0 / 66

HEX #433256

RGB 67 50 86

HSL 268.33, 0.26%, 0.27%

LAB 24.15, 15.96, -18.96

 

CMYK 10 / 42 / 0 / 66

HEX #4D3256

RGB 77 50 86

HSL 285, 0.26%, 0.27%

LAB 25.35, 19.51, -16.99

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 42 / 38 / 0 / 66

HEX #323556

RGB 50 53 86

HSL 235, 0.26%, 0.27%

LAB 23.33, 8.22, -20.37

 

CMYK 42 / 42 / 0 / 66

HEX #323256

RGB 50 50 86

HSL 240, 0.26%, 0.27%

LAB 22.41, 10.29, -21.81

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 60 / 39 / 0 / 62

HEX #273B61

RGB 39 59 97

HSL 219.31, 0.43%, 0.27%

LAB 25.02, 4.84, -24.96

 

CMYK 74 / 50 / 0 / 57

HEX #1C376D

RGB 28 55 109

HSL 220, 0.59%, 0.27%

LAB 23.95, 10.11, -34.45

 

CMYK 86 / 58 / 0 / 53

HEX #113378

RGB 17 51 120

HSL 220.19, 0.75%, 0.27%

LAB 23.15, 16.15, -42.8

 

CMYK 95 / 63 / 0 / 49

HEX #063083

RGB 6 48 131

HSL 219.84, 0.91%, 0.27%

LAB 22.97, 22.19, -50.04

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 17 / 12 / 0 / 71

HEX #3E424B

RGB 62 66 75

HSL 221.54, 0.09%, 0.27%

LAB 27.92, 0.55, -6

 

CMYK 0 / 4 / 12 / 71

HEX #494640

RGB 73 70 64

HSL 40, 0.07%, 0.27%

LAB 29.83, 0.02, 4.06

 

CMYK 0 / 12 / 37 / 67

HEX #544A35

RGB 84 74 53

HSL 40.65, 0.23%, 0.27%

LAB 31.9, 0.58, 14.1

 

CMYK 0 / 19 / 56 / 63

HEX #5F4D2A

RGB 95 77 42

HSL 39.62, 0.39%, 0.27%

LAB 33.79, 2.59, 23.45

 

CMYK 42 / 6 / 0 / 66

HEX #325156

RGB 50 81 86

HSL 188.33, 0.26%, 0.27%

LAB 32.34, -9.95, -6.56

 

CMYK 42 / 16 / 0 / 66

HEX #324856

RGB 50 72 86

HSL 203.33, 0.26%, 0.27%

LAB 29.37, -4.41, -11.03

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 42 / 38 / 0 / 66

HEX #323556

RGB 50 53 86

HSL 235, 0.26%, 0.27%

LAB 23.33, 8.22, -20.37

 

CMYK 33 / 42 / 0 / 66

HEX #3A3256

RGB 58 50 86

HSL 253.33, 0.26%, 0.27%

LAB 23.18, 12.88, -20.55

 

CMYK 41 / 26 / 0 / 87

HEX #141922

RGB 20 25 34

HSL 218.57, 0.26%, 0.11%

LAB 8.65, 0.5, -6.99

 

CMYK 42 / 27 / 0 / 76

HEX #232C3C

RGB 35 44 60

HSL 218.4, 0.26%, 0.19%

LAB 17.85, 0.97, -11.43

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 41 / 28 / 0 / 56

HEX #425170

RGB 66 81 112

HSL 220.43, 0.26%, 0.35%

LAB 34.42, 2.82, -19.66

 

CMYK 41 / 28 / 0 / 46

HEX #51648A

RGB 81 100 138

HSL 220, 0.26%, 0.43%

LAB 42.31, 3.21, -23.29

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 6 / 42 / 0 / 66

HEX #513256

RGB 81 50 86

HSL 291.67, 0.26%, 0.27%

LAB 25.87, 20.95, -16.16

 

CMYK 10 / 0 / 42 / 66

HEX #4D5632

RGB 77 86 50

HSL 75, 0.26%, 0.27%

LAB 34.93, -10.3, 19.79

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 0 / 42 / 28 / 66

HEX #56323E

RGB 86 50 62

HSL 340, 0.26%, 0.27%

LAB 25.59, 18.14, -0.58

 

CMYK 28 / 0 / 42 / 66

HEX #3E5632

RGB 62 86 50

HSL 100, 0.26%, 0.27%

LAB 33.79, -16.77, 18.1

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 6 / 42 / 0 / 66

HEX #513256

RGB 81 50 86

HSL 291.67, 0.26%, 0.27%

LAB 25.87, 20.95, -16.16

 

CMYK 0 / 14 / 42 / 66

HEX #564A32

RGB 86 74 50

HSL 40, 0.26%, 0.27%

LAB 32.05, 1.1, 16.2

 

CMYK 36 / 0 / 42 / 66

HEX #375632

RGB 55 86 50

HSL 111.67, 0.26%, 0.27%

LAB 33.35, -19.55, 17.42

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 0 / 42 / 7 / 66

HEX #563250

RGB 86 50 80

HSL 310, 0.26%, 0.27%

LAB 26.27, 21.49, -11.53

 

CMYK 0 / 14 / 42 / 66

HEX #564A32

RGB 86 74 50

HSL 40, 0.26%, 0.27%

LAB 32.05, 1.1, 16.2

 

CMYK 42 / 0 / 35 / 66

HEX #325638

RGB 50 86 56

HSL 130, 0.26%, 0.27%

LAB 33.18, -20.27, 13.51

 

Description

Color code: HEX #323E56 | qconv.com Color code: HEX #323E56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 62 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 62 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 28 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 28% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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