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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32448F it is the complementary color #CDBB70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32448F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32448F shade: #37448A, #48569D, #5968B0, #6A7AC3 and #7B8CD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32448F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32448F shade: #32448F, #21327C, #102069, #000E56 and #000043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32448F shade: #32448F, #39328F, #52328F, #6B328F and #84328F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32448F shade: #32448F and #32328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32448F shade matches the following richer shades: #32448F, #223A9F, #1331AE and #0327BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32448F shade: #32448F, #424D7F, #515770, #616160 and #716A50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32448F shade: #32768F, #325D8F, #32448F, #38328F and #51328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32448F shade: #1C2752, #273570, #32448F, #3D52AD and #5267C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32448F shade: #32448F, #8F328F and #6A8F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32448F shade: #32448F, #8F3244 and #448F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32448F shade: #32448F, #8F328F, #8F7C32 and #328F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32448F shade: #32448F, #8F3273, #8F7C32 and #328F4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

Complementary color

CMYK 0 / 9 / 45 / 20

HEX #CDBB70

RGB 205 187 112

HSL 48.39, 0.48%, 0.62%

LAB 75.88, -3.83, 40.16

 

CMYK 60 / 51 / 0 / 46

HEX #37448A

RGB 55 68 138

HSL 230.6, 0.43%, 0.38%

LAB 31.3, 17.31, -40.78

 

CMYK 54 / 45 / 0 / 38

HEX #48569D

RGB 72 86 157

HSL 230.12, 0.37%, 0.45%

LAB 38.67, 15.79, -40.47

 

CMYK 49 / 41 / 0 / 31

HEX #5968B0

RGB 89 104 176

HSL 229.66, 0.36%, 0.52%

LAB 45.85, 14.6, -40.22

 

CMYK 46 / 37 / 0 / 24

HEX #6A7AC3

RGB 106 122 195

HSL 229.21, 0.43%, 0.59%

LAB 52.87, 13.63, -40.03

 

CMYK 43 / 35 / 0 / 16

HEX #7B8CD6

RGB 123 140 214

HSL 228.79, 0.53%, 0.66%

LAB 59.73, 12.82, -39.91

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 73 / 60 / 0 / 51

HEX #21327C

RGB 33 50 124

HSL 228.79, 0.58%, 0.31%

LAB 23.87, 20.44, -44.13

 

CMYK 85 / 70 / 0 / 59

HEX #102069

RGB 16 32 105

HSL 229.21, 0.74%, 0.24%

LAB 16.32, 23.47, -44.27

 

CMYK 100 / 84 / 0 / 66

HEX #000E56

RGB 0 14 86

HSL 230.23, 1%, 0.17%

LAB 8.87, 26.96, -43.9

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 60 / 65 / 0 / 44

HEX #39328F

RGB 57 50 143

HSL 244.52, 0.48%, 0.38%

LAB 27.11, 31.31, -50.64

 

CMYK 43 / 65 / 0 / 44

HEX #52328F

RGB 82 50 143

HSL 260.65, 0.48%, 0.38%

LAB 29.56, 36.3, -46.56

 

CMYK 25 / 65 / 0 / 44

HEX #6B328F

RGB 107 50 143

HSL 276.77, 0.48%, 0.38%

LAB 32.68, 42.13, -41.37

 

CMYK 8 / 65 / 0 / 44

HEX #84328F

RGB 132 50 143

HSL 292.9, 0.48%, 0.38%

LAB 36.31, 48.37, -35.36

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 65 / 65 / 0 / 44

HEX #32328F

RGB 50 50 143

HSL 240, 0.48%, 0.38%

LAB 26.57, 30.14, -51.55

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 79 / 64 / 0 / 38

HEX #223A9F

RGB 34 58 159

HSL 228.48, 0.65%, 0.38%

LAB 29.08, 28.67, -57.28

 

CMYK 89 / 72 / 0 / 32

HEX #1331AE

RGB 19 49 174

HSL 228.39, 0.8%, 0.38%

LAB 27.82, 39.07, -68.41

 

CMYK 98 / 79 / 0 / 25

HEX #0327BE

RGB 3 39 190

HSL 228.45, 0.97%, 0.38%

LAB 27.26, 50.01, -78.87

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 48 / 39 / 0 / 50

HEX #424D7F

RGB 66 77 127

HSL 229.18, 0.32%, 0.38%

LAB 33.98, 10.18, -29.68

 

CMYK 28 / 22 / 0 / 56

HEX #515770

RGB 81 87 112

HSL 228.39, 0.16%, 0.38%

LAB 37.36, 3.85, -15.04

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 0 / 6 / 29 / 56

HEX #716A50

RGB 113 106 80

HSL 47.27, 0.17%, 0.38%

LAB 44.8, -1.75, 15.62

 

CMYK 65 / 17 / 0 / 44

HEX #32768F

RGB 50 118 143

HSL 196.13, 0.48%, 0.38%

LAB 46.47, -13.3, -19.97

 

CMYK 65 / 35 / 0 / 44

HEX #325D8F

RGB 50 93 143

HSL 212.26, 0.48%, 0.38%

LAB 38.71, 1.7, -32.06

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 61 / 65 / 0 / 44

HEX #38328F

RGB 56 50 143

HSL 243.87, 0.48%, 0.38%

LAB 27.03, 31.14, -50.78

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 66 / 52 / 0 / 68

HEX #1C2752

RGB 28 39 82

HSL 227.78, 0.49%, 0.22%

LAB 17.02, 10.74, -27.81

 

CMYK 65 / 53 / 0 / 56

HEX #273570

RGB 39 53 112

HSL 228.49, 0.48%, 0.3%

LAB 24.15, 14.7, -36.01

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 65 / 53 / 0 / 32

HEX #3D52AD

RGB 61 82 173

HSL 228.75, 0.48%, 0.46%

LAB 37.92, 21.75, -51.24

 

CMYK 58 / 47 / 0 / 24

HEX #5267C2

RGB 82 103 194

HSL 228.75, 0.48%, 0.54%

LAB 46.16, 19.55, -50.21

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 0 / 65 / 0 / 44

HEX #8F328F

RGB 143 50 143

HSL 300, 0.48%, 0.38%

LAB 38.03, 51.17, -32.53

 

CMYK 26 / 0 / 65 / 44

HEX #6A8F32

RGB 106 143 50

HSL 83.87, 0.48%, 0.38%

LAB 55.01, -28.05, 43.93

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 0 / 65 / 52 / 44

HEX #8F3244

RGB 143 50 68

HSL 348.39, 0.48%, 0.38%

LAB 35.08, 40.78, 10.29

 

CMYK 52 / 0 / 65 / 44

HEX #448F32

RGB 68 143 50

HSL 108.39, 0.48%, 0.38%

LAB 53.06, -41.52, 41.24

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 0 / 65 / 0 / 44

HEX #8F328F

RGB 143 50 143

HSL 300, 0.48%, 0.38%

LAB 38.03, 51.17, -32.53

 

CMYK 0 / 13 / 65 / 44

HEX #8F7C32

RGB 143 124 50

HSL 47.74, 0.48%, 0.38%

LAB 52.38, -1.83, 41.94

 

CMYK 65 / 0 / 65 / 44

HEX #328F32

RGB 50 143 50

HSL 120, 0.48%, 0.38%

LAB 52.46, -46.25, 40.4

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 0 / 65 / 20 / 44

HEX #8F3273

RGB 143 50 115

HSL 318.06, 0.48%, 0.38%

LAB 36.67, 46.53, -17.32

 

CMYK 0 / 13 / 65 / 44

HEX #8F7C32

RGB 143 124 50

HSL 47.74, 0.48%, 0.38%

LAB 52.38, -1.83, 41.94

 

CMYK 65 / 0 / 45 / 44

HEX #328F4E

RGB 50 143 78

HSL 138.06, 0.48%, 0.38%

LAB 52.81, -42.24, 26.7

 

Description

Color code: HEX #32448F | qconv.com Color code: HEX #32448F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 68 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 68 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 52 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 52% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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