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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324B29 it is the complementary color #CDB4D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324B29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324B29 shade: #374B24, #485D37, #596F4A, #6A815D and #7B9370

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324B29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324B29 shade: #324B29, #213916, #102703, #001500 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324B29 shade: #324B29, #3B4B29, #444B29, #4B4929 and #4B3F29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324B29 shade: #324B29, #294B29, #294B32, #294B3C and #294B45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324B29 shade matches the following richer shades: #324B29, #2E5520, #295E16, #25680D and #207103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324B29 shade: #324B29, #374233, #3B383C, #402F46 and #44254F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324B29 shade: #444B29, #3B4B29, #324B29, #294B29 and #294B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324B29 shade: #0F160C, #20311A, #324B29, #446638 and #568046

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324B29 shade: #324B29, #294B49 and #4B2940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324B29 shade: #324B29, #29324B and #4B2932

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324B29 shade: #324B29, #294B49, #42294B and #4B292B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324B29 shade: #324B29, #29434B, #42294B and #4B3129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

Complementary color

CMYK 4 / 16 / 0 / 16

HEX #CDB4D6

RGB 205 180 214

HSL 284.12, 0.29%, 0.77%

LAB 76.36, 15.07, -13.81

 

CMYK 27 / 0 / 52 / 71

HEX #374B24

RGB 55 75 36

HSL 90.77, 0.35%, 0.22%

LAB 29.34, -15.77, 20.66

 

CMYK 23 / 0 / 41 / 64

HEX #485D37

RGB 72 93 55

HSL 93.16, 0.26%, 0.29%

LAB 36.9, -15.7, 19.29

 

CMYK 20 / 0 / 33 / 56

HEX #596F4A

RGB 89 111 74

HSL 95.68, 0.2%, 0.36%

LAB 44.21, -15.59, 18.02

 

CMYK 18 / 0 / 28 / 49

HEX #6A815D

RGB 106 129 93

HSL 98.33, 0.16%, 0.44%

LAB 51.33, -15.47, 16.85

 

CMYK 16 / 0 / 24 / 42

HEX #7B9370

RGB 123 147 112

HSL 101.14, 0.14%, 0.51%

LAB 58.27, -15.36, 15.78

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 42 / 0 / 61 / 78

HEX #213916

RGB 33 57 22

HSL 101.14, 0.44%, 0.15%

LAB 21.24, -17.25, 18.73

 

CMYK 59 / 0 / 92 / 85

HEX #102703

RGB 16 39 3

HSL 98.33, 0.86%, 0.08%

LAB 13.03, -17.22, 17.63

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 21 / 0 / 45 / 71

HEX #3B4B29

RGB 59 75 41

HSL 88.24, 0.29%, 0.23%

LAB 29.72, -13.28, 18.21

 

CMYK 9 / 0 / 45 / 71

HEX #444B29

RGB 68 75 41

HSL 72.35, 0.29%, 0.23%

LAB 30.45, -9.2, 19.3

 

CMYK 0 / 3 / 45 / 71

HEX #4B4929

RGB 75 73 41

HSL 56.47, 0.29%, 0.23%

LAB 30.45, -4.69, 19.43

 

CMYK 0 / 16 / 45 / 71

HEX #4B3F29

RGB 75 63 41

HSL 38.82, 0.29%, 0.23%

LAB 27.33, 1.58, 15.42

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 0 / 45 / 71

HEX #294B29

RGB 41 75 41

HSL 120, 0.29%, 0.23%

LAB 28.55, -20.59, 16.47

 

CMYK 45 / 0 / 33 / 71

HEX #294B32

RGB 41 75 50

HSL 135.88, 0.29%, 0.23%

LAB 28.73, -18.8, 11.12

 

CMYK 45 / 0 / 20 / 71

HEX #294B3C

RGB 41 75 60

HSL 153.53, 0.29%, 0.23%

LAB 28.98, -16.46, 5.1

 

CMYK 45 / 0 / 8 / 71

HEX #294B45

RGB 41 75 69

HSL 169.41, 0.29%, 0.23%

LAB 29.24, -14.07, -0.31

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 46 / 0 / 62 / 67

HEX #2E5520

RGB 46 85 32

HSL 104.15, 0.45%, 0.23%

LAB 32.22, -25.15, 26.23

 

CMYK 56 / 0 / 77 / 63

HEX #295E16

RGB 41 94 22

HSL 104.17, 0.62%, 0.23%

LAB 35.07, -32.02, 34.09

 

CMYK 64 / 0 / 88 / 59

HEX #25680D

RGB 37 104 13

HSL 104.18, 0.78%, 0.23%

LAB 38.42, -37.86, 40.46

 

CMYK 72 / 0 / 97 / 56

HEX #207103

RGB 32 113 3

HSL 104.18, 0.95%, 0.23%

LAB 41.41, -42.82, 45.5

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 17 / 0 / 23 / 74

HEX #374233

RGB 55 66 51

HSL 104, 0.13%, 0.23%

LAB 26.59, -7.9, 7.67

 

CMYK 2 / 7 / 0 / 76

HEX #3B383C

RGB 59 56 60

HSL 285, 0.03%, 0.23%

LAB 23.95, 2.21, -2.02

 

CMYK 9 / 33 / 0 / 73

HEX #402F46

RGB 64 47 70

HSL 284.35, 0.2%, 0.23%

LAB 22.18, 12.72, -11.36

 

CMYK 14 / 53 / 0 / 69

HEX #44254F

RGB 68 37 79

HSL 284.29, 0.36%, 0.23%

LAB 20.5, 22.95, -19.99

 

CMYK 9 / 0 / 45 / 71

HEX #444B29

RGB 68 75 41

HSL 72.35, 0.29%, 0.23%

LAB 30.45, -9.2, 19.3

 

CMYK 21 / 0 / 45 / 71

HEX #3B4B29

RGB 59 75 41

HSL 88.24, 0.29%, 0.23%

LAB 29.72, -13.28, 18.21

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 0 / 45 / 71

HEX #294B29

RGB 41 75 41

HSL 120, 0.29%, 0.23%

LAB 28.55, -20.59, 16.47

 

CMYK 45 / 0 / 33 / 71

HEX #294B32

RGB 41 75 50

HSL 135.88, 0.29%, 0.23%

LAB 28.73, -18.8, 11.12

 

CMYK 32 / 0 / 45 / 91

HEX #0F160C

RGB 15 22 12

HSL 102, 0.29%, 0.07%

LAB 6.34, -4.79, 4.43

 

CMYK 35 / 0 / 47 / 81

HEX #20311A

RGB 32 49 26

HSL 104.35, 0.31%, 0.15%

LAB 18.27, -12.48, 12.5

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 33 / 0 / 45 / 60

HEX #446638

RGB 68 102 56

HSL 104.35, 0.29%, 0.31%

LAB 39.61, -21.96, 22.15

 

CMYK 33 / 0 / 45 / 50

HEX #568046

RGB 86 128 70

HSL 103.45, 0.29%, 0.39%

LAB 49.32, -26.21, 26.9

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 0 / 3 / 71

HEX #294B49

RGB 41 75 73

HSL 176.47, 0.29%, 0.23%

LAB 29.37, -12.93, -2.7

 

CMYK 0 / 45 / 15 / 71

HEX #4B2940

RGB 75 41 64

HSL 319.41, 0.29%, 0.23%

LAB 21.77, 19.67, -7.78

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 33 / 0 / 71

HEX #29324B

RGB 41 50 75

HSL 224.12, 0.29%, 0.23%

LAB 21.06, 3.79, -16.65

 

CMYK 0 / 45 / 33 / 71

HEX #4B2932

RGB 75 41 50

HSL 344.12, 0.29%, 0.23%

LAB 21.25, 17.18, 1.05

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 0 / 3 / 71

HEX #294B49

RGB 41 75 73

HSL 176.47, 0.29%, 0.23%

LAB 29.37, -12.93, -2.7

 

CMYK 12 / 45 / 0 / 71

HEX #42294B

RGB 66 41 75

HSL 284.12, 0.29%, 0.23%

LAB 21.03, 18.7, -16.5

 

CMYK 0 / 45 / 43 / 71

HEX #4B292B

RGB 75 41 43

HSL 356.47, 0.29%, 0.23%

LAB 21.04, 16.13, 5.57

 

CMYK 33 / 0 / 45 / 71

HEX #324B29

RGB 50 75 41

HSL 104.12, 0.29%, 0.23%

LAB 29.08, -17.11, 17.27

 

CMYK 45 / 11 / 0 / 71

HEX #29434B

RGB 41 67 75

HSL 194.12, 0.29%, 0.23%

LAB 26.72, -7.47, -7.97

 

CMYK 12 / 45 / 0 / 71

HEX #42294B

RGB 66 41 75

HSL 284.12, 0.29%, 0.23%

LAB 21.03, 18.7, -16.5

 

CMYK 0 / 35 / 45 / 71

HEX #4B3129

RGB 75 49 41

HSL 14.12, 0.29%, 0.23%

LAB 23.18, 10.66, 9.89

 

Description

Color code: HEX #324B29 | qconv.com Color code: HEX #324B29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 75 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 75 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 45 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 45% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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