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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324F71 it is the complementary color #CDB08E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324F71 shade: #374F6C, #48617F, #597392, #6A85A5 and #7B97B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324F71 shade: #324F71, #213D5E, #102B4B, #001938 and #000725

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324F71 shade: #314F71, #313D71, #363171, #473171 and #593171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324F71 shade: #314F71, #313D71 and #313171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324F71 shade matches the following richer shades: #314F71, #244E7E, #174C8B and #0A4B99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324F71 shade: #314F71, #3E5064, #4C5157, #595249 and #66533C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324F71 shade: #317171, #316071, #314F71, #313E71 and #363171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324F71 shade: #182738, #253B54, #314F71, #3E638E and #4A77AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324F71 shade: #324F71, #603171 and #687131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324F71 shade: #324F71, #71314F and #4F7131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324F71 shade: #324F71, #603171, #715331 and #427131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324F71 shade: #324F71, #71316F, #715331 and #317133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

Complementary color

CMYK 0 / 14 / 31 / 20

HEX #CDB08E

RGB 205 176 142

HSL 32.38, 0.39%, 0.68%

LAB 73.53, 5.45, 21.31

 

CMYK 49 / 27 / 0 / 58

HEX #374F6C

RGB 55 79 108

HSL 212.83, 0.33%, 0.32%

LAB 32.89, -0.37, -19.59

 

CMYK 43 / 24 / 0 / 50

HEX #48617F

RGB 72 97 127

HSL 212.73, 0.28%, 0.39%

LAB 40.34, -0.85, -19.72

 

CMYK 39 / 21 / 0 / 43

HEX #597392

RGB 89 115 146

HSL 212.63, 0.24%, 0.46%

LAB 47.57, -1.21, -19.89

 

CMYK 36 / 19 / 0 / 35

HEX #6A85A5

RGB 106 133 165

HSL 212.54, 0.25%, 0.53%

LAB 54.61, -1.5, -20.09

 

CMYK 33 / 18 / 0 / 28

HEX #7B97B8

RGB 123 151 184

HSL 212.46, 0.3%, 0.6%

LAB 61.49, -1.75, -20.32

 

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

CMYK 65 / 35 / 0 / 63

HEX #213D5E

RGB 33 61 94

HSL 212.46, 0.48%, 0.25%

LAB 25.16, 0.95, -22.8

 

CMYK 79 / 43 / 0 / 71

HEX #102B4B

RGB 16 43 75

HSL 212.54, 0.65%, 0.18%

LAB 17.21, 2.48, -22.81

 

CMYK 100 / 55 / 0 / 78

HEX #001938

RGB 0 25 56

HSL 213.21, 1%, 0.11%

LAB 8.83, 4.73, -22.97

 

CMYK 100 / 81 / 0 / 85

HEX #000725

RGB 0 7 37

HSL 228.65, 1%, 0.07%

LAB 2.58, 5.67, -18.76

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 57 / 46 / 0 / 56

HEX #313D71

RGB 49 61 113

HSL 228.75, 0.4%, 0.32%

LAB 27.25, 11.73, -31.65

 

CMYK 52 / 57 / 0 / 56

HEX #363171

RGB 54 49 113

HSL 244.69, 0.4%, 0.32%

LAB 24.24, 21.13, -36.46

 

CMYK 37 / 57 / 0 / 56

HEX #473171

RGB 71 49 113

HSL 260.63, 0.4%, 0.32%

LAB 25.95, 25.51, -33.62

 

CMYK 21 / 57 / 0 / 56

HEX #593171

RGB 89 49 113

HSL 277.5, 0.4%, 0.32%

LAB 28.15, 30.63, -29.98

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 57 / 46 / 0 / 56

HEX #313D71

RGB 49 61 113

HSL 228.75, 0.4%, 0.32%

LAB 27.25, 11.73, -31.65

 

CMYK 57 / 57 / 0 / 56

HEX #313171

RGB 49 49 113

HSL 240, 0.4%, 0.32%

LAB 23.81, 19.98, -37.17

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 71 / 38 / 0 / 51

HEX #244E7E

RGB 36 78 126

HSL 212, 0.56%, 0.32%

LAB 32.55, 2.48, -31.43

 

CMYK 83 / 45 / 0 / 45

HEX #174C8B

RGB 23 76 139

HSL 212.59, 0.72%, 0.32%

LAB 32.29, 7.24, -39.89

 

CMYK 93 / 51 / 0 / 40

HEX #0A4B99

RGB 10 75 153

HSL 212.73, 0.88%, 0.32%

LAB 32.69, 12.75, -47.79

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 38 / 20 / 0 / 61

HEX #3E5064

RGB 62 80 100

HSL 211.58, 0.23%, 0.32%

LAB 33.31, -1.42, -13.87

 

CMYK 13 / 7 / 0 / 66

HEX #4C5157

RGB 76 81 87

HSL 212.73, 0.07%, 0.32%

LAB 34.21, -0.61, -4.2

 

CMYK 0 / 8 / 18 / 65

HEX #595249

RGB 89 82 73

HSL 33.75, 0.1%, 0.32%

LAB 35.28, 1.14, 6.32

 

CMYK 0 / 19 / 41 / 60

HEX #66533C

RGB 102 83 60

HSL 32.86, 0.26%, 0.32%

LAB 36.63, 4.29, 16.44

 

CMYK 57 / 0 / 0 / 56

HEX #317171

RGB 49 113 113

HSL 180, 0.4%, 0.32%

LAB 43.73, -20.24, -6.21

 

CMYK 57 / 15 / 0 / 56

HEX #316071

RGB 49 96 113

HSL 195.94, 0.4%, 0.32%

LAB 38.22, -10.72, -14.53

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 57 / 45 / 0 / 56

HEX #313E71

RGB 49 62 113

HSL 227.81, 0.4%, 0.32%

LAB 27.55, 11.05, -31.18

 

CMYK 52 / 57 / 0 / 56

HEX #363171

RGB 54 49 113

HSL 244.69, 0.4%, 0.32%

LAB 24.24, 21.13, -36.46

 

CMYK 57 / 30 / 0 / 78

HEX #182738

RGB 24 39 56

HSL 211.88, 0.4%, 0.16%

LAB 15.12, -0.47, -12.93

 

CMYK 56 / 30 / 0 / 67

HEX #253B54

RGB 37 59 84

HSL 211.91, 0.39%, 0.24%

LAB 24.2, -0.41, -17.76

 

CMYK 57 / 30 / 0 / 56

HEX #314F71

RGB 49 79 113

HSL 211.88, 0.4%, 0.32%

LAB 32.78, -0.25, -22.92

 

CMYK 56 / 30 / 0 / 44

HEX #3E638E

RGB 62 99 142

HSL 212.25, 0.39%, 0.4%

LAB 41.06, 0.14, -27.72

 

CMYK 56 / 30 / 0 / 33

HEX #4A77AA

RGB 74 119 170

HSL 211.88, 0.39%, 0.48%

LAB 48.95, -0.03, -31.9

 

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

CMYK 15 / 57 / 0 / 56

HEX #603171

RGB 96 49 113

HSL 284.06, 0.4%, 0.32%

LAB 29.1, 32.69, -28.42

 

CMYK 8 / 0 / 57 / 56

HEX #687131

RGB 104 113 49

HSL 68.44, 0.4%, 0.32%

LAB 45.6, -13.52, 33.86

 

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

CMYK 0 / 57 / 30 / 56

HEX #71314F

RGB 113 49 79

HSL 331.88, 0.4%, 0.32%

LAB 30.09, 31.91, -4.71

 

CMYK 30 / 0 / 57 / 56

HEX #4F7131

RGB 79 113 49

HSL 91.88, 0.4%, 0.32%

LAB 43.79, -24.19, 31.28

 

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

CMYK 15 / 57 / 0 / 56

HEX #603171

RGB 96 49 113

HSL 284.06, 0.4%, 0.32%

LAB 29.1, 32.69, -28.42

 

CMYK 0 / 27 / 57 / 56

HEX #715331

RGB 113 83 49

HSL 31.88, 0.4%, 0.32%

LAB 37.7, 8.14, 24.64

 

CMYK 42 / 0 / 57 / 56

HEX #427131

RGB 66 113 49

HSL 104.06, 0.4%, 0.32%

LAB 43.05, -29.13, 30.22

 

CMYK 56 / 30 / 0 / 56

HEX #324F71

RGB 50 79 113

HSL 212.38, 0.39%, 0.32%

LAB 32.84, -0.01, -22.83

 

CMYK 0 / 57 / 2 / 56

HEX #71316F

RGB 113 49 111

HSL 301.88, 0.4%, 0.32%

LAB 31.47, 37.38, -23.23

 

CMYK 0 / 27 / 57 / 56

HEX #715331

RGB 113 83 49

HSL 31.88, 0.4%, 0.32%

LAB 37.7, 8.14, 24.64

 

CMYK 57 / 0 / 55 / 56

HEX #317133

RGB 49 113 51

HSL 121.88, 0.4%, 0.32%

LAB 42.31, -34.35, 28.09

 

Description

Color code: HEX #324F71 | qconv.com Color code: HEX #324F71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 79 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 79 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 30 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 30% 0% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Accountants and Acco...
Link: http://essendonaccounts.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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