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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #324FAD it is the complementary color #CDB052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #324FAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #324FAD shade: #374FA8, #4861BB, #5973CE, #6A85E1 and #7B97F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #324FAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #324FAD shade: #324FAD, #213D9A, #102B87, #001974 and #000761

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #324FAD shade: #324FAD, #3632AD, #5732AD, #7932AD and #9A32AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #324FAD shade: #324FAD and #3232AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #324FAD shade matches the following richer shades: #324FAD, #2046C0 and #0E3CD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #324FAD shade: #324FAD, #44599B, #566289, #686C77 and #7B7565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #324FAD shade: #3293AD, #3272AD, #3251AD, #3432AD and #5532AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #324FAD shade: #1F326D, #29408D, #324FAD, #4161C8 and #617BD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #324FAD shade: #324FAD, #A732AD and #82AD32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #324FAD shade: #324FAD, #AD3251 and #51AD32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #324FAD shade: #324FAD, #A732AD, #AD8F32 and #38AD32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #324FAD shade: #324FAD, #AD328F, #AD8F32 and #32AD51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

Complementary color

CMYK 0 / 14 / 60 / 20

HEX #CDB052

RGB 205 176 82

HSL 45.85, 0.55%, 0.56%

LAB 72.65, -0.61, 51.02

 

CMYK 67 / 53 / 0 / 34

HEX #374FA8

RGB 55 79 168

HSL 227.26, 0.51%, 0.44%

LAB 36.43, 20.89, -50.7

 

CMYK 61 / 48 / 0 / 27

HEX #4861BB

RGB 72 97 187

HSL 226.96, 0.46%, 0.51%

LAB 43.53, 19.01, -50.4

 

CMYK 57 / 44 / 0 / 19

HEX #5973CE

RGB 89 115 206

HSL 226.67, 0.54%, 0.58%

LAB 50.5, 17.49, -50.13

 

CMYK 53 / 41 / 0 / 12

HEX #6A85E1

RGB 106 133 225

HSL 226.39, 0.66%, 0.65%

LAB 57.34, 16.25, -49.89

 

CMYK 50 / 38 / 0 / 4

HEX #7B97F4

RGB 123 151 244

HSL 226.12, 0.85%, 0.72%

LAB 64.06, 15.21, -49.7

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 79 / 60 / 0 / 40

HEX #213D9A

RGB 33 61 154

HSL 226.12, 0.65%, 0.37%

LAB 29.4, 24.61, -53.72

 

CMYK 88 / 68 / 0 / 47

HEX #102B87

RGB 16 43 135

HSL 226.39, 0.79%, 0.3%

LAB 22.26, 27.92, -53.71

 

CMYK 100 / 78 / 0 / 55

HEX #001974

RGB 0 25 116

HSL 227.07, 1%, 0.23%

LAB 15.26, 31.62, -53.2

 

CMYK 100 / 93 / 0 / 62

HEX #000761

RGB 0 7 97

HSL 235.67, 1%, 0.19%

LAB 9.12, 34.96, -50.93

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 69 / 71 / 0 / 32

HEX #3632AD

RGB 54 50 173

HSL 241.95, 0.55%, 0.44%

LAB 29.62, 41.01, -64.79

 

CMYK 50 / 71 / 0 / 32

HEX #5732AD

RGB 87 50 173

HSL 258.05, 0.55%, 0.44%

LAB 32.53, 45.84, -59.9

 

CMYK 30 / 71 / 0 / 32

HEX #7932AD

RGB 121 50 173

HSL 274.63, 0.55%, 0.44%

LAB 36.67, 52.26, -52.98

 

CMYK 11 / 71 / 0 / 32

HEX #9A32AD

RGB 154 50 173

HSL 290.73, 0.55%, 0.44%

LAB 41.48, 59.27, -44.99

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 71 / 71 / 0 / 32

HEX #3232AD

RGB 50 50 173

HSL 240, 0.55%, 0.44%

LAB 29.35, 40.55, -65.24

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 83 / 64 / 0 / 25

HEX #2046C0

RGB 32 70 192

HSL 225.75, 0.71%, 0.44%

LAB 34.99, 33.13, -67.27

 

CMYK 93 / 71 / 0 / 18

HEX #0E3CD2

RGB 14 60 210

HSL 225.92, 0.88%, 0.44%

LAB 33.94, 45.18, -79.5

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 56 / 43 / 0 / 39

HEX #44599B

RGB 68 89 155

HSL 225.52, 0.39%, 0.44%

LAB 39.14, 12.27, -38.53

 

CMYK 37 / 28 / 0 / 46

HEX #566289

RGB 86 98 137

HSL 225.88, 0.23%, 0.44%

LAB 42.03, 5.62, -23.09

 

CMYK 13 / 9 / 0 / 53

HEX #686C77

RGB 104 108 119

HSL 224, 0.07%, 0.44%

LAB 45.63, 0.89, -6.64

 

CMYK 0 / 5 / 18 / 52

HEX #7B7565

RGB 123 117 101

HSL 43.64, 0.1%, 0.44%

LAB 49.34, -0.6, 9.66

 

CMYK 71 / 15 / 0 / 32

HEX #3293AD

RGB 50 147 173

HSL 192.68, 0.55%, 0.44%

LAB 56.65, -19.29, -21.78

 

CMYK 71 / 34 / 0 / 32

HEX #3272AD

RGB 50 114 173

HSL 208.78, 0.55%, 0.44%

LAB 46.62, -0.45, -37.38

 

CMYK 71 / 53 / 0 / 32

HEX #3251AD

RGB 50 81 173

HSL 224.88, 0.55%, 0.44%

LAB 37.08, 20.65, -52.63

 

CMYK 70 / 71 / 0 / 32

HEX #3432AD

RGB 52 50 173

HSL 240.98, 0.55%, 0.44%

LAB 29.48, 40.77, -65.02

 

CMYK 51 / 71 / 0 / 32

HEX #5532AD

RGB 85 50 173

HSL 257.07, 0.55%, 0.44%

LAB 32.32, 45.5, -60.25

 

CMYK 72 / 54 / 0 / 57

HEX #1F326D

RGB 31 50 109

HSL 225.38, 0.56%, 0.27%

LAB 22.57, 14.17, -36.66

 

CMYK 71 / 55 / 0 / 45

HEX #29408D

RGB 41 64 141

HSL 226.2, 0.55%, 0.36%

LAB 29.57, 18.58, -45.47

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 68 / 52 / 0 / 22

HEX #4161C8

RGB 65 97 200

HSL 225.78, 0.55%, 0.52%

LAB 44.01, 22.4, -57.18

 

CMYK 54 / 41 / 0 / 18

HEX #617BD1

RGB 97 123 209

HSL 226.07, 0.55%, 0.6%

LAB 53.29, 15.26, -47.37

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 3 / 71 / 0 / 32

HEX #A732AD

RGB 167 50 173

HSL 297.07, 0.55%, 0.44%

LAB 43.53, 62.14, -41.61

 

CMYK 25 / 0 / 71 / 32

HEX #82AD32

RGB 130 173 50

HSL 80.98, 0.55%, 0.44%

LAB 65.64, -32.72, 55.47

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 0 / 71 / 53 / 32

HEX #AD3251

RGB 173 50 81

HSL 344.88, 0.55%, 0.44%

LAB 40.83, 51.73, 10.84

 

CMYK 53 / 0 / 71 / 32

HEX #51AD32

RGB 81 173 50

HSL 104.88, 0.55%, 0.44%

LAB 63.23, -49.62, 52.25

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 3 / 71 / 0 / 32

HEX #A732AD

RGB 167 50 173

HSL 297.07, 0.55%, 0.44%

LAB 43.53, 62.14, -41.61

 

CMYK 0 / 17 / 71 / 32

HEX #AD8F32

RGB 173 143 50

HSL 45.37, 0.55%, 0.44%

LAB 60.57, 1.19, 51.47

 

CMYK 68 / 0 / 71 / 32

HEX #38AD32

RGB 56 173 50

HSL 117.07, 0.55%, 0.44%

LAB 62.47, -55.7, 51.22

 

CMYK 71 / 54 / 0 / 32

HEX #324FAD

RGB 50 79 173

HSL 225.85, 0.55%, 0.44%

LAB 36.53, 21.97, -53.51

 

CMYK 0 / 71 / 17 / 32

HEX #AD328F

RGB 173 50 143

HSL 314.63, 0.55%, 0.44%

LAB 42.99, 58.82, -24.41

 

CMYK 0 / 17 / 71 / 32

HEX #AD8F32

RGB 173 143 50

HSL 45.37, 0.55%, 0.44%

LAB 60.57, 1.19, 51.47

 

CMYK 71 / 0 / 53 / 32

HEX #32AD51

RGB 50 173 81

HSL 135.12, 0.55%, 0.44%

LAB 62.64, -53.21, 37.45

 

Description

Color code: HEX #324FAD | qconv.com Color code: HEX #324FAD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 79 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 79 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 54 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 54% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - アイエーエム 【Gallery IAM】
Link: http://www.iam-f.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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