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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #325461 it is the complementary color #CDAB9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #325461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #325461 shade: #37545C, #48666F, #597882, #6A8A95 and #7B9CA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #325461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #325461 shade: #325461, #21424E, #10303B, #001E28 and #000C15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #325461 shade: #325461, #324761, #323A61, #363261 and #433261

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #325461 shade: #325461, #324761, #323A61 and #323261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #325461 shade matches the following richer shades: #325461, #26596D, #1A5F79, #0E6485 and #026991

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #325461 shade: #325461, #3E4F55, #4A4949, #56443D and #623F31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #325461 shade: #326154, #326161, #325461, #324861 and #323B61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #325461 shade: #16252B, #243C46, #325461, #406C7C and #4E8398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #325461 shade: #325461, #483261 and #615B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #325461 shade: #325461, #613254 and #546132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #325461 shade: #325461, #483261, #613E32 and #4B6132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #325461 shade: #325461, #563261, #613E32 and #3D6132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

Complementary color

CMYK 0 / 17 / 23 / 20

HEX #CDAB9E

RGB 205 171 158

HSL 16.6, 0.32%, 0.71%

LAB 72.61, 10.37, 11.31

 

CMYK 40 / 9 / 0 / 64

HEX #37545C

RGB 55 84 92

HSL 192.97, 0.25%, 0.29%

LAB 33.83, -8.46, -8.09

 

CMYK 35 / 8 / 0 / 56

HEX #48666F

RGB 72 102 111

HSL 193.85, 0.21%, 0.36%

LAB 41.26, -8.49, -8.58

 

CMYK 32 / 8 / 0 / 49

HEX #597882

RGB 89 120 130

HSL 194.63, 0.19%, 0.43%

LAB 48.47, -8.5, -9.06

 

CMYK 29 / 7 / 0 / 42

HEX #6A8A95

RGB 106 138 149

HSL 195.35, 0.17%, 0.5%

LAB 55.49, -8.52, -9.53

 

CMYK 27 / 7 / 0 / 34

HEX #7B9CA8

RGB 123 156 168

HSL 196, 0.21%, 0.57%

LAB 62.35, -8.53, -9.99

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 58 / 15 / 0 / 69

HEX #21424E

RGB 33 66 78

HSL 196, 0.41%, 0.22%

LAB 26.07, -8.13, -10.96

 

CMYK 73 / 19 / 0 / 77

HEX #10303B

RGB 16 48 59

HSL 195.35, 0.57%, 0.15%

LAB 18.1, -7.57, -10.46

 

CMYK 100 / 25 / 0 / 84

HEX #001E28

RGB 0 30 40

HSL 195, 1%, 0.08%

LAB 9.65, -6.91, -10.01

 

CMYK 100 / 43 / 0 / 92

HEX #000C15

RGB 0 12 21

HSL 205.71, 1%, 0.04%

LAB 2.86, -1.42, -5.88

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 48 / 27 / 0 / 62

HEX #324761

RGB 50 71 97

HSL 213.19, 0.32%, 0.29%

LAB 29.53, -0.25, -17.85

 

CMYK 48 / 40 / 0 / 62

HEX #323A61

RGB 50 58 97

HSL 229.79, 0.32%, 0.29%

LAB 25.46, 8.45, -24.21

 

CMYK 44 / 48 / 0 / 62

HEX #363261

RGB 54 50 97

HSL 245.11, 0.32%, 0.29%

LAB 23.43, 15.09, -27.4

 

CMYK 31 / 48 / 0 / 62

HEX #433261

RGB 67 50 97

HSL 261.7, 0.32%, 0.29%

LAB 24.76, 19.03, -25.22

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 48 / 27 / 0 / 62

HEX #324761

RGB 50 71 97

HSL 213.19, 0.32%, 0.29%

LAB 29.53, -0.25, -17.85

 

CMYK 48 / 40 / 0 / 62

HEX #323A61

RGB 50 58 97

HSL 229.79, 0.32%, 0.29%

LAB 25.46, 8.45, -24.21

 

CMYK 48 / 48 / 0 / 62

HEX #323261

RGB 50 50 97

HSL 240, 0.32%, 0.29%

LAB 23.08, 13.96, -27.99

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 65 / 18 / 0 / 57

HEX #26596D

RGB 38 89 109

HSL 196.9, 0.48%, 0.29%

LAB 35.32, -10.33, -16.53

 

CMYK 79 / 21 / 0 / 53

HEX #1A5F79

RGB 26 95 121

HSL 196.42, 0.65%, 0.29%

LAB 37.45, -11.56, -20.69

 

CMYK 89 / 25 / 0 / 48

HEX #0E6485

RGB 14 100 133

HSL 196.64, 0.81%, 0.29%

LAB 39.41, -11.19, -24.97

 

CMYK 99 / 28 / 0 / 43

HEX #026991

RGB 2 105 145

HSL 196.78, 0.97%, 0.29%

LAB 41.47, -10.21, -29

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 27 / 7 / 0 / 67

HEX #3E4F55

RGB 62 79 85

HSL 195.65, 0.16%, 0.29%

LAB 32.42, -5.05, -5.72

 

CMYK 0 / 1 / 1 / 71

HEX #4A4949

RGB 74 73 73

HSL 0, 0.01%, 0.29%

LAB 31.12, 0.42, 0.14

 

CMYK 0 / 21 / 29 / 66

HEX #56443D

RGB 86 68 61

HSL 16.8, 0.17%, 0.29%

LAB 30.52, 6.51, 7.16

 

CMYK 0 / 36 / 50 / 62

HEX #623F31

RGB 98 63 49

HSL 17.14, 0.33%, 0.29%

LAB 30.34, 13.48, 14.83

 

CMYK 48 / 0 / 13 / 62

HEX #326154

RGB 50 97 84

HSL 163.4, 0.32%, 0.29%

LAB 37.6, -19.58, 2.45

 

CMYK 48 / 0 / 0 / 62

HEX #326161

RGB 50 97 97

HSL 180, 0.32%, 0.29%

LAB 38, -15.98, -4.99

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 48 / 26 / 0 / 62

HEX #324861

RGB 50 72 97

HSL 211.91, 0.32%, 0.29%

LAB 29.85, -0.9, -17.35

 

CMYK 48 / 39 / 0 / 62

HEX #323B61

RGB 50 59 97

HSL 228.51, 0.32%, 0.29%

LAB 25.77, 7.76, -23.72

 

CMYK 49 / 14 / 0 / 83

HEX #16252B

RGB 22 37 43

HSL 197.14, 0.32%, 0.13%

LAB 13.64, -4.36, -5.99

 

CMYK 49 / 14 / 0 / 73

HEX #243C46

RGB 36 60 70

HSL 197.65, 0.32%, 0.21%

LAB 23.83, -6.16, -9.06

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 48 / 13 / 0 / 51

HEX #406C7C

RGB 64 108 124

HSL 196, 0.32%, 0.37%

LAB 43.17, -10.53, -13.62

 

CMYK 49 / 14 / 0 / 40

HEX #4E8398

RGB 78 131 152

HSL 197.03, 0.32%, 0.45%

LAB 51.97, -11.68, -16.74

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 26 / 48 / 0 / 62

HEX #483261

RGB 72 50 97

HSL 268.09, 0.32%, 0.29%

LAB 25.33, 20.63, -24.28

 

CMYK 0 / 6 / 48 / 62

HEX #615B32

RGB 97 91 50

HSL 52.34, 0.32%, 0.29%

LAB 38.29, -4.07, 24.41

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 0 / 48 / 13 / 62

HEX #613254

RGB 97 50 84

HSL 316.6, 0.32%, 0.29%

LAB 28.01, 26.36, -11.36

 

CMYK 13 / 0 / 48 / 62

HEX #546132

RGB 84 97 50

HSL 76.6, 0.32%, 0.29%

LAB 39.01, -13.46, 25.05

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 26 / 48 / 0 / 62

HEX #483261

RGB 72 50 97

HSL 268.09, 0.32%, 0.29%

LAB 25.33, 20.63, -24.28

 

CMYK 0 / 36 / 48 / 62

HEX #613E32

RGB 97 62 50

HSL 15.32, 0.32%, 0.29%

LAB 29.95, 13.76, 13.66

 

CMYK 23 / 0 / 48 / 62

HEX #4B6132

RGB 75 97 50

HSL 88.09, 0.32%, 0.29%

LAB 38.33, -17.36, 24.06

 

CMYK 48 / 13 / 0 / 62

HEX #325461

RGB 50 84 97

HSL 196.6, 0.32%, 0.29%

LAB 33.74, -8.42, -11.4

 

CMYK 11 / 48 / 0 / 62

HEX #563261

RGB 86 50 97

HSL 285.96, 0.32%, 0.29%

LAB 27.08, 25.24, -21.4

 

CMYK 0 / 36 / 48 / 62

HEX #613E32

RGB 97 62 50

HSL 15.32, 0.32%, 0.29%

LAB 29.95, 13.76, 13.66

 

CMYK 37 / 0 / 48 / 62

HEX #3D6132

RGB 61 97 50

HSL 105.96, 0.32%, 0.29%

LAB 37.43, -22.99, 22.73

 

Description

Color code: HEX #325461 | qconv.com Color code: HEX #325461 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 84 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 84 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 13 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 13% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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