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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #325474 it is the complementary color #CDAB8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #325474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #325474 shade: #37546F, #486682, #597895, #6A8AA8 and #7B9CBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #325474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #325474 shade: #325474, #214261, #10304E, #001E3B and #000C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #325474 shade: #325575, #324375, #343275, #463275 and #583275

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #325474 shade: #325575, #324375 and #323275

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #325474 shade matches the following richer shades: #325575, #245583, #175591 and #09569E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #325474 shade: #325575, #405468, #4D545A, #5B534C and #68533F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #325474 shade: #327572, #326775, #325575, #324375 and #333275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #325474 shade: #192B3C, #264058, #325575, #3E6A92 and #4B7EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #325474 shade: #325474, #603275 and #707532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #325474 shade: #325474, #753255 and #557532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #325474 shade: #325474, #603275, #755332 and #477532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #325474 shade: #325474, #743275, #755332 and #337532

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

Complementary color

CMYK 0 / 17 / 32 / 20

HEX #CDAB8B

RGB 205 171 139

HSL 29.09, 0.4%, 0.67%

LAB 72.21, 7.75, 21.12

 

CMYK 50 / 24 / 0 / 56

HEX #37546F

RGB 55 84 111

HSL 208.93, 0.34%, 0.33%

LAB 34.6, -2.56, -18.82

 

CMYK 45 / 22 / 0 / 49

HEX #486682

RGB 72 102 130

HSL 208.97, 0.29%, 0.4%

LAB 41.99, -2.98, -19.01

 

CMYK 40 / 19 / 0 / 42

HEX #597895

RGB 89 120 149

HSL 209, 0.25%, 0.47%

LAB 49.16, -3.3, -19.22

 

CMYK 37 / 18 / 0 / 34

HEX #6A8AA8

RGB 106 138 168

HSL 209.03, 0.26%, 0.54%

LAB 56.16, -3.56, -19.46

 

CMYK 34 / 17 / 0 / 27

HEX #7B9CBB

RGB 123 156 187

HSL 209.06, 0.32%, 0.61%

LAB 62.99, -3.77, -19.72

 

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

CMYK 66 / 32 / 0 / 62

HEX #214261

RGB 33 66 97

HSL 209.06, 0.49%, 0.25%

LAB 26.97, -1.26, -21.91

 

CMYK 79 / 38 / 0 / 69

HEX #10304E

RGB 16 48 78

HSL 209.03, 0.66%, 0.18%

LAB 19.12, 0.17, -21.82

 

CMYK 100 / 49 / 0 / 77

HEX #001E3B

RGB 0 30 59

HSL 209.49, 1%, 0.12%

LAB 10.88, 2.27, -21.82

 

CMYK 100 / 70 / 0 / 84

HEX #000C28

RGB 0 12 40

HSL 222, 1%, 0.08%

LAB 3.76, 4.87, -19.23

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 57 / 43 / 0 / 54

HEX #324375

RGB 50 67 117

HSL 224.78, 0.4%, 0.33%

LAB 29.35, 9.33, -30.83

 

CMYK 56 / 57 / 0 / 54

HEX #343275

RGB 52 50 117

HSL 241.79, 0.4%, 0.33%

LAB 24.63, 21.37, -38.39

 

CMYK 40 / 57 / 0 / 54

HEX #463275

RGB 70 50 117

HSL 257.91, 0.4%, 0.33%

LAB 26.35, 25.79, -35.52

 

CMYK 25 / 57 / 0 / 54

HEX #583275

RGB 88 50 117

HSL 274.03, 0.4%, 0.33%

LAB 28.49, 30.75, -31.99

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 57 / 43 / 0 / 54

HEX #324375

RGB 50 67 117

HSL 224.78, 0.4%, 0.33%

LAB 29.35, 9.33, -30.83

 

CMYK 57 / 57 / 0 / 54

HEX #323275

RGB 50 50 117

HSL 240, 0.4%, 0.33%

LAB 24.46, 20.93, -38.67

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 73 / 35 / 0 / 49

HEX #245583

RGB 36 85 131

HSL 209.05, 0.57%, 0.33%

LAB 35.02, -0.15, -30.6

 

CMYK 84 / 41 / 0 / 43

HEX #175591

RGB 23 85 145

HSL 209.51, 0.73%, 0.33%

LAB 35.45, 3.69, -38.5

 

CMYK 94 / 46 / 0 / 38

HEX #09569E

RGB 9 86 158

HSL 208.99, 0.89%, 0.33%

LAB 36.33, 7.38, -44.94

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 38 / 19 / 0 / 59

HEX #405468

RGB 64 84 104

HSL 210, 0.24%, 0.33%

LAB 34.86, -2.11, -14

 

CMYK 14 / 7 / 0 / 65

HEX #4D545A

RGB 77 84 90

HSL 207.69, 0.08%, 0.33%

LAB 35.31, -1.37, -4.44

 

CMYK 0 / 9 / 16 / 64

HEX #5B534C

RGB 91 83 76

HSL 28, 0.09%, 0.33%

LAB 35.85, 1.93, 5.28

 

CMYK 0 / 20 / 39 / 59

HEX #68533F

RGB 104 83 63

HSL 29.27, 0.25%, 0.33%

LAB 36.91, 5.6, 15.02

 

CMYK 57 / 0 / 3 / 54

HEX #327572

RGB 50 117 114

HSL 177.31, 0.4%, 0.33%

LAB 45.1, -21.84, -4.77

 

CMYK 57 / 12 / 0 / 54

HEX #326775

RGB 50 103 117

HSL 192.54, 0.4%, 0.33%

LAB 40.68, -13.26, -13.23

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 57 / 43 / 0 / 54

HEX #324375

RGB 50 67 117

HSL 224.78, 0.4%, 0.33%

LAB 29.35, 9.33, -30.83

 

CMYK 56 / 57 / 0 / 54

HEX #333275

RGB 51 50 117

HSL 240.9, 0.4%, 0.33%

LAB 24.54, 21.15, -38.53

 

CMYK 58 / 28 / 0 / 76

HEX #192B3C

RGB 25 43 60

HSL 209.14, 0.41%, 0.17%

LAB 16.8, -1.51, -13.11

 

CMYK 57 / 27 / 0 / 65

HEX #264058

RGB 38 64 88

HSL 208.8, 0.4%, 0.25%

LAB 26.11, -2.05, -17.41

 

CMYK 57 / 27 / 0 / 54

HEX #325575

RGB 50 85 117

HSL 208.66, 0.4%, 0.33%

LAB 34.92, -2.44, -22.08

 

CMYK 58 / 27 / 0 / 43

HEX #3E6A92

RGB 62 106 146

HSL 208.57, 0.4%, 0.41%

LAB 43.37, -2.81, -26.51

 

CMYK 57 / 28 / 0 / 31

HEX #4B7EAF

RGB 75 126 175

HSL 209.4, 0.4%, 0.49%

LAB 51.28, -2.34, -31.15

 

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

CMYK 18 / 57 / 0 / 54

HEX #603275

RGB 96 50 117

HSL 281.19, 0.4%, 0.33%

LAB 29.54, 33.06, -30.25

 

CMYK 4 / 0 / 57 / 54

HEX #707532

RGB 112 117 50

HSL 64.48, 0.4%, 0.33%

LAB 47.49, -12.03, 35.69

 

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

CMYK 0 / 57 / 27 / 54

HEX #753255

RGB 117 50 85

HSL 328.66, 0.4%, 0.33%

LAB 31.16, 33.69, -6.95

 

CMYK 27 / 0 / 57 / 54

HEX #557532

RGB 85 117 50

HSL 88.66, 0.4%, 0.33%

LAB 45.48, -23.68, 32.84

 

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

CMYK 18 / 57 / 0 / 54

HEX #603275

RGB 96 50 117

HSL 281.19, 0.4%, 0.33%

LAB 29.54, 33.06, -30.25

 

CMYK 0 / 29 / 57 / 54

HEX #755332

RGB 117 83 50

HSL 29.55, 0.4%, 0.33%

LAB 38.2, 10.09, 24.78

 

CMYK 39 / 0 / 57 / 54

HEX #477532

RGB 71 117 50

HSL 101.19, 0.4%, 0.33%

LAB 44.65, -29.09, 31.66

 

CMYK 57 / 28 / 0 / 55

HEX #325474

RGB 50 84 116

HSL 209.09, 0.4%, 0.33%

LAB 34.56, -2.16, -22.02

 

CMYK 1 / 57 / 0 / 54

HEX #743275

RGB 116 50 117

HSL 299.1, 0.4%, 0.33%

LAB 32.43, 38.92, -25.49

 

CMYK 0 / 29 / 57 / 54

HEX #755332

RGB 117 83 50

HSL 29.55, 0.4%, 0.33%

LAB 38.2, 10.09, 24.78

 

CMYK 56 / 0 / 57 / 54

HEX #337532

RGB 51 117 50

HSL 119.1, 0.4%, 0.33%

LAB 43.74, -35.64, 30.36

 

Description

Color code: HEX #325474 | qconv.com Color code: HEX #325474 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 84 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 84 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 28 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 28% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - 12Auto.de - Gebrauch...
Link: http://www.12auto.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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