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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #325194 it is the complementary color #CDAE6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #325194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #325194 shade: #37518F, #4863A2, #5975B5, #6A87C8 and #7B99DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #325194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #325194 shade: #325194, #213F81, #102D6E, #001B5B and #000948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #325194 shade: #325194, #323794, #483294, #623294 and #7D3294

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #325194 shade: #325194, #323794 and #323294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #325194 shade matches the following richer shades: #325194, #224BA4, #1245B4 and #023FC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #325194 shade: #325194, #425784, #525D73, #626363 and #736953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #325194 shade: #328594, #326B94, #325194, #323794 and #473294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #325194 shade: #1D2F56, #284075, #325194, #3D62B2 and #5478C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #325194 shade: #325194, #883294 and #789432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #325194 shade: #325194, #943251 and #519432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #325194 shade: #325194, #883294, #947532 and #3E9432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #325194 shade: #325194, #943282, #947532 and #329444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

Complementary color

CMYK 0 / 15 / 48 / 20

HEX #CDAE6B

RGB 205 174 107

HSL 41.02, 0.49%, 0.61%

LAB 72.44, 2.54, 38.41

 

CMYK 62 / 43 / 0 / 44

HEX #37518F

RGB 55 81 143

HSL 222.27, 0.44%, 0.39%

LAB 35.36, 10.46, -37.35

 

CMYK 56 / 39 / 0 / 36

HEX #4863A2

RGB 72 99 162

HSL 222, 0.38%, 0.46%

LAB 42.63, 9.17, -37.16

 

CMYK 51 / 35 / 0 / 29

HEX #5975B5

RGB 89 117 181

HSL 221.74, 0.38%, 0.53%

LAB 49.72, 8.17, -37.02

 

CMYK 47 / 33 / 0 / 22

HEX #6A87C8

RGB 106 135 200

HSL 221.49, 0.46%, 0.6%

LAB 56.65, 7.37, -36.93

 

CMYK 44 / 30 / 0 / 14

HEX #7B99DB

RGB 123 153 219

HSL 221.25, 0.57%, 0.67%

LAB 63.43, 6.7, -36.9

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 74 / 51 / 0 / 49

HEX #213F81

RGB 33 63 129

HSL 221.25, 0.59%, 0.32%

LAB 28.02, 13.34, -40.55

 

CMYK 85 / 59 / 0 / 57

HEX #102D6E

RGB 16 45 110

HSL 221.49, 0.75%, 0.25%

LAB 20.49, 16.15, -40.71

 

CMYK 100 / 70 / 0 / 64

HEX #001B5B

RGB 0 27 91

HSL 222.2, 1%, 0.18%

LAB 12.86, 19.83, -40.71

 

CMYK 100 / 88 / 0 / 72

HEX #000948

RGB 0 9 72

HSL 232.5, 1%, 0.14%

LAB 5.99, 23.78, -39

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 66 / 63 / 0 / 42

HEX #323794

RGB 50 55 148

HSL 236.94, 0.49%, 0.39%

LAB 28.24, 28.66, -51.9

 

CMYK 51 / 66 / 0 / 42

HEX #483294

RGB 72 50 148

HSL 253.47, 0.49%, 0.39%

LAB 28.89, 35.71, -50.76

 

CMYK 34 / 66 / 0 / 42

HEX #623294

RGB 98 50 148

HSL 269.39, 0.49%, 0.39%

LAB 31.84, 41.24, -45.84

 

CMYK 16 / 66 / 0 / 42

HEX #7D3294

RGB 125 50 148

HSL 285.92, 0.49%, 0.39%

LAB 35.56, 47.64, -39.68

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 66 / 63 / 0 / 42

HEX #323794

RGB 50 55 148

HSL 236.94, 0.49%, 0.39%

LAB 28.24, 28.66, -51.9

 

CMYK 66 / 66 / 0 / 42

HEX #323294

RGB 50 50 148

HSL 240, 0.49%, 0.39%

LAB 27.01, 31.9, -53.91

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 79 / 54 / 0 / 36

HEX #224BA4

RGB 34 75 164

HSL 221.08, 0.66%, 0.39%

LAB 34.09, 19.15, -52.13

 

CMYK 90 / 62 / 0 / 29

HEX #1245B4

RGB 18 69 180

HSL 221.11, 0.82%, 0.39%

LAB 33.31, 28.26, -62.97

 

CMYK 99 / 68 / 0 / 23

HEX #023FC4

RGB 2 63 196

HSL 221.13, 0.98%, 0.39%

LAB 33.04, 37.84, -72.85

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 50 / 34 / 0 / 48

HEX #425784

RGB 66 87 132

HSL 220.91, 0.33%, 0.39%

LAB 37.19, 5.35, -27.7

 

CMYK 29 / 19 / 0 / 55

HEX #525D73

RGB 82 93 115

HSL 220, 0.17%, 0.39%

LAB 39.34, 1.27, -13.86

 

CMYK 1 / 0 / 0 / 61

HEX #626363

RGB 98 99 99

HSL 180, 0.01%, 0.39%

LAB 41.88, -0.39, -0.14

 

CMYK 0 / 9 / 28 / 55

HEX #736953

RGB 115 105 83

HSL 41.25, 0.16%, 0.39%

LAB 44.76, 0.14, 13.82

 

CMYK 66 / 10 / 0 / 42

HEX #328594

RGB 50 133 148

HSL 189.18, 0.49%, 0.39%

LAB 51.37, -19.91, -15.42

 

CMYK 66 / 28 / 0 / 42

HEX #326B94

RGB 50 107 148

HSL 205.1, 0.49%, 0.39%

LAB 43.26, -5.16, -27.92

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 66 / 63 / 0 / 42

HEX #323794

RGB 50 55 148

HSL 236.94, 0.49%, 0.39%

LAB 28.24, 28.66, -51.9

 

CMYK 52 / 66 / 0 / 42

HEX #473294

RGB 71 50 148

HSL 252.86, 0.49%, 0.39%

LAB 28.8, 35.52, -50.93

 

CMYK 66 / 45 / 0 / 66

HEX #1D2F56

RGB 29 47 86

HSL 221.05, 0.5%, 0.23%

LAB 19.91, 6.73, -25.88

 

CMYK 66 / 45 / 0 / 54

HEX #284075

RGB 40 64 117

HSL 221.3, 0.49%, 0.31%

LAB 27.85, 9.18, -33.26

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 66 / 45 / 0 / 30

HEX #3D62B2

RGB 61 98 178

HSL 221.03, 0.49%, 0.47%

LAB 42.68, 13.19, -46.54

 

CMYK 57 / 39 / 0 / 23

HEX #5478C4

RGB 84 120 196

HSL 220.71, 0.49%, 0.55%

LAB 51.04, 10.09, -43.58

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 8 / 66 / 0 / 42

HEX #883294

RGB 136 50 148

HSL 292.65, 0.49%, 0.39%

LAB 37.21, 50.34, -36.94

 

CMYK 19 / 0 / 66 / 42

HEX #789432

RGB 120 148 50

HSL 77.14, 0.49%, 0.39%

LAB 57.47, -24.77, 46.84

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 0 / 66 / 45 / 42

HEX #943251

RGB 148 50 81

HSL 341.02, 0.49%, 0.39%

LAB 36.31, 43.75, 3.81

 

CMYK 45 / 0 / 66 / 42

HEX #519432

RGB 81 148 50

HSL 101.02, 0.49%, 0.39%

LAB 55.24, -39.53, 43.78

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 8 / 66 / 0 / 42

HEX #883294

RGB 136 50 148

HSL 292.65, 0.49%, 0.39%

LAB 37.21, 50.34, -36.94

 

CMYK 0 / 21 / 66 / 42

HEX #947532

RGB 148 117 50

HSL 41.02, 0.49%, 0.39%

LAB 50.98, 4.43, 40.56

 

CMYK 58 / 0 / 66 / 42

HEX #3E9432

RGB 62 148 50

HSL 112.65, 0.49%, 0.39%

LAB 54.48, -45.2, 42.74

 

CMYK 66 / 45 / 0 / 42

HEX #325194

RGB 50 81 148

HSL 221.02, 0.49%, 0.39%

LAB 35.4, 11.32, -40.34

 

CMYK 0 / 66 / 12 / 42

HEX #943282

RGB 148 50 130

HSL 311.02, 0.49%, 0.39%

LAB 38.18, 50.28, -24.25

 

CMYK 0 / 21 / 66 / 42

HEX #947532

RGB 148 117 50

HSL 41.02, 0.49%, 0.39%

LAB 50.98, 4.43, 40.56

 

CMYK 66 / 0 / 54 / 42

HEX #329444

RGB 50 148 68

HSL 131.02, 0.49%, 0.39%

LAB 54.32, -45.82, 33.84

 

Description

Color code: HEX #325194 | qconv.com Color code: HEX #325194 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 81 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 81 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 45 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 45% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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