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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #325237 it is the complementary color #CDADC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #325237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #325237 shade: #375232, #486445, #597658, #6A886B and #7B9A7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #325237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #325237 shade: #325237, #214024, #102E11, #001C00 and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #325237 shade: #325237, #355232, #3E5232, #475232 and #4F5232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #325237 shade: #325237, #32523F, #325248, #325251 and #324A52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #325237 shade matches the following richer shades: #325237, #275C2F, #1C6728, #127221 and #077D19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #325237 shade: #325237, #3D473E, #473C46, #52324D and #5D2754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #325237 shade: #3E5232, #365232, #325237, #32523F and #325248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #325237 shade: #131F14, #223826, #325237, #426B48 and #518559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #325237 shade: #325237, #324752 and #52323A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #325237 shade: #325237, #373252 and #523732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #325237 shade: #325237, #324752, #52324D and #523D32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #325237 shade: #325237, #323D52, #52324D and #524732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

Complementary color

CMYK 0 / 16 / 2 / 20

HEX #CDADC8

RGB 205 173 200

HSL 309.38, 0.24%, 0.74%

LAB 74.21, 16.24, -9.39

 

CMYK 33 / 0 / 39 / 68

HEX #375232

RGB 55 82 50

HSL 110.63, 0.24%, 0.26%

LAB 31.98, -17.39, 15.63

 

CMYK 28 / 0 / 31 / 61

HEX #486445

RGB 72 100 69

HSL 114.19, 0.18%, 0.33%

LAB 39.45, -17.14, 14.35

 

CMYK 25 / 0 / 25 / 54

HEX #597658

RGB 89 118 88

HSL 118, 0.15%, 0.4%

LAB 46.69, -16.91, 13.2

 

CMYK 22 / 0 / 21 / 47

HEX #6A886B

RGB 106 136 107

HSL 122, 0.12%, 0.47%

LAB 53.74, -16.7, 12.16

 

CMYK 20 / 0 / 18 / 40

HEX #7B9A7E

RGB 123 154 126

HSL 125.81, 0.13%, 0.54%

LAB 60.63, -16.53, 11.2

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 48 / 0 / 44 / 75

HEX #214024

RGB 33 64 36

HSL 125.81, 0.32%, 0.19%

LAB 24.06, -18.62, 13.64

 

CMYK 65 / 0 / 63 / 82

HEX #102E11

RGB 16 46 17

HSL 122, 0.48%, 0.12%

LAB 16.03, -18.72, 15.21

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 35 / 0 / 39 / 68

HEX #355232

RGB 53 82 50

HSL 114.38, 0.24%, 0.26%

LAB 31.86, -18.17, 15.44

 

CMYK 24 / 0 / 39 / 68

HEX #3E5232

RGB 62 82 50

HSL 97.5, 0.24%, 0.26%

LAB 32.46, -14.54, 16.34

 

CMYK 13 / 0 / 39 / 68

HEX #475232

RGB 71 82 50

HSL 80.63, 0.24%, 0.26%

LAB 33.15, -10.65, 17.38

 

CMYK 4 / 0 / 39 / 68

HEX #4F5232

RGB 79 82 50

HSL 65.63, 0.24%, 0.26%

LAB 33.83, -7.04, 18.4

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 39 / 0 / 23 / 68

HEX #32523F

RGB 50 82 63

HSL 144.38, 0.24%, 0.26%

LAB 31.97, -16.59, 7.49

 

CMYK 39 / 0 / 12 / 68

HEX #325248

RGB 50 82 72

HSL 161.25, 0.24%, 0.26%

LAB 32.21, -14.4, 2.15

 

CMYK 39 / 0 / 1 / 68

HEX #325251

RGB 50 82 81

HSL 178.13, 0.24%, 0.26%

LAB 32.5, -11.98, -3.15

 

CMYK 39 / 10 / 0 / 68

HEX #324A52

RGB 50 74 82

HSL 195, 0.24%, 0.26%

LAB 29.87, -6.87, -7.7

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 58 / 0 / 49 / 64

HEX #275C2F

RGB 39 92 47

HSL 129.06, 0.4%, 0.26%

LAB 34.58, -28.49, 20.63

 

CMYK 73 / 0 / 61 / 60

HEX #1C6728

RGB 28 103 40

HSL 129.6, 0.57%, 0.26%

LAB 38.02, -37, 28.62

 

CMYK 84 / 0 / 71 / 55

HEX #127221

RGB 18 114 33

HSL 129.38, 0.73%, 0.26%

LAB 41.65, -43.58, 36.02

 

CMYK 94 / 0 / 80 / 51

HEX #077D19

RGB 7 125 25

HSL 129.15, 0.89%, 0.26%

LAB 45.33, -49, 42.94

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 14 / 0 / 13 / 72

HEX #3D473E

RGB 61 71 62

HSL 126, 0.08%, 0.26%

LAB 29.02, -6.12, 4.05

 

CMYK 0 / 15 / 1 / 72

HEX #473C46

RGB 71 60 70

HSL 305.45, 0.08%, 0.26%

LAB 26.77, 6.89, -4.34

 

CMYK 0 / 39 / 6 / 68

HEX #52324D

RGB 82 50 77

HSL 309.38, 0.24%, 0.26%

LAB 25.6, 19.35, -10.62

 

CMYK 0 / 58 / 10 / 64

HEX #5D2754

RGB 93 39 84

HSL 310, 0.41%, 0.26%

LAB 25.01, 31.21, -16.03

 

CMYK 24 / 0 / 39 / 68

HEX #3E5232

RGB 62 82 50

HSL 97.5, 0.24%, 0.26%

LAB 32.46, -14.54, 16.34

 

CMYK 34 / 0 / 39 / 68

HEX #365232

RGB 54 82 50

HSL 112.5, 0.24%, 0.26%

LAB 31.92, -17.78, 15.54

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 39 / 0 / 23 / 68

HEX #32523F

RGB 50 82 63

HSL 144.38, 0.24%, 0.26%

LAB 31.97, -16.59, 7.49

 

CMYK 39 / 0 / 12 / 68

HEX #325248

RGB 50 82 72

HSL 161.25, 0.24%, 0.26%

LAB 32.21, -14.4, 2.15

 

CMYK 39 / 0 / 35 / 88

HEX #131F14

RGB 19 31 20

HSL 125, 0.24%, 0.1%

LAB 10.33, -8.29, 5.78

 

CMYK 39 / 0 / 32 / 78

HEX #223826

RGB 34 56 38

HSL 130.91, 0.24%, 0.18%

LAB 21.24, -13.34, 8.56

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 38 / 0 / 33 / 58

HEX #426B48

RGB 66 107 72

HSL 128.78, 0.24%, 0.34%

LAB 41.44, -22.47, 15.21

 

CMYK 39 / 0 / 33 / 48

HEX #518559

RGB 81 133 89

HSL 129.23, 0.24%, 0.42%

LAB 50.97, -27.26, 18.4

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 39 / 13 / 0 / 68

HEX #324752

RGB 50 71 82

HSL 200.63, 0.24%, 0.26%

LAB 28.89, -4.99, -9.19

 

CMYK 0 / 39 / 29 / 68

HEX #52323A

RGB 82 50 58

HSL 345, 0.24%, 0.26%

LAB 24.89, 15.77, 1.02

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 33 / 39 / 0 / 68

HEX #373252

RGB 55 50 82

HSL 249.38, 0.24%, 0.26%

LAB 22.66, 10.67, -18.73

 

CMYK 0 / 33 / 39 / 68

HEX #523732

RGB 82 55 50

HSL 9.38, 0.24%, 0.26%

LAB 26.03, 11.31, 7.98

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 39 / 13 / 0 / 68

HEX #324752

RGB 50 71 82

HSL 200.63, 0.24%, 0.26%

LAB 28.89, -4.99, -9.19

 

CMYK 0 / 39 / 6 / 68

HEX #52324D

RGB 82 50 77

HSL 309.38, 0.24%, 0.26%

LAB 25.6, 19.35, -10.62

 

CMYK 0 / 26 / 39 / 68

HEX #523D32

RGB 82 61 50

HSL 20.63, 0.24%, 0.26%

LAB 27.74, 7.45, 10.34

 

CMYK 39 / 0 / 33 / 68

HEX #325237

RGB 50 82 55

HSL 129.38, 0.24%, 0.26%

LAB 31.78, -18.33, 12.23

 

CMYK 39 / 26 / 0 / 68

HEX #323D52

RGB 50 61 82

HSL 219.38, 0.24%, 0.26%

LAB 25.64, 1.5, -14.15

 

CMYK 0 / 39 / 6 / 68

HEX #52324D

RGB 82 50 77

HSL 309.38, 0.24%, 0.26%

LAB 25.6, 19.35, -10.62

 

CMYK 0 / 13 / 39 / 68

HEX #524732

RGB 82 71 50

HSL 39.38, 0.24%, 0.26%

LAB 30.71, 1.09, 14.36

 

Description

Color code: HEX #325237 | qconv.com Color code: HEX #325237 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 82 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 82 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 33 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 33% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Início | Universidad...
Link: http://www.ulusofona.pt

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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