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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326652 it is the complementary color #CD99AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326652 shade: #37664D, #487860, #598A73, #6A9C86 and #7BAE99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326652 shade: #326652, #21543F, #10422C, #003019 and #001E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326652 shade: #326652, #326644, #326636, #3C6632 and #4A6632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326652 shade: #326652, #326660, #325E66, #325066 and #324266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326652 shade matches the following richer shades: #326652, #267255, #197F58, #0D8B5B and #00985D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326652 shade: #326652, #3E5A4F, #4B4D4C, #574149 and #643447

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326652 shade: #326635, #326643, #326651, #32665F and #325F66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326652 shade: #172F26, #244A3C, #326652, #408268 and #4D9D7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326652 shade: #326652, #323C66 and #663C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326652 shade: #326652, #513266 and #665132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326652 shade: #326652, #323C66, #663247 and #665C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326652 shade: #326652, #373266, #663247 and #616632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

Complementary color

CMYK 0 / 25 / 16 / 20

HEX #CD99AD

RGB 205 153 173

HSL 336.92, 0.34%, 0.7%

LAB 68.59, 22.5, -2.79

 

CMYK 46 / 0 / 25 / 60

HEX #37664D

RGB 55 102 77

HSL 148.09, 0.3%, 0.31%

LAB 39.33, -22.45, 9.21

 

CMYK 40 / 0 / 20 / 53

HEX #487860

RGB 72 120 96

HSL 150, 0.25%, 0.38%

LAB 46.52, -22.18, 8.11

 

CMYK 36 / 0 / 17 / 46

HEX #598A73

RGB 89 138 115

HSL 151.84, 0.22%, 0.45%

LAB 53.53, -21.91, 7.12

 

CMYK 32 / 0 / 14 / 39

HEX #6A9C86

RGB 106 156 134

HSL 153.6, 0.2%, 0.51%

LAB 60.39, -21.66, 6.22

 

CMYK 29 / 0 / 12 / 32

HEX #7BAE99

RGB 123 174 153

HSL 155.29, 0.24%, 0.58%

LAB 67.11, -21.43, 5.38

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 61 / 0 / 25 / 67

HEX #21543F

RGB 33 84 63

HSL 155.29, 0.44%, 0.23%

LAB 31.86, -22.83, 7.22

 

CMYK 76 / 0 / 33 / 74

HEX #10422C

RGB 16 66 44

HSL 153.6, 0.61%, 0.16%

LAB 24.28, -22.67, 8.69

 

CMYK 100 / 0 / 48 / 81

HEX #003019

RGB 0 48 25

HSL 151.25, 1%, 0.09%

LAB 16.43, -22.3, 10.47

 

CMYK 100 / 0 / 80 / 88

HEX #001E06

RGB 0 30 6

HSL 132, 1%, 0.06%

LAB 8.5, -16.26, 9.96

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 51 / 0 / 33 / 60

HEX #326644

RGB 50 102 68

HSL 140.77, 0.34%, 0.3%

LAB 38.9, -25.94, 14

 

CMYK 51 / 0 / 47 / 60

HEX #326636

RGB 50 102 54

HSL 124.62, 0.34%, 0.3%

LAB 38.63, -28.61, 21.86

 

CMYK 41 / 0 / 51 / 60

HEX #3C6632

RGB 60 102 50

HSL 108.46, 0.34%, 0.3%

LAB 39.06, -25.86, 24.76

 

CMYK 27 / 0 / 51 / 60

HEX #4A6632

RGB 74 102 50

HSL 92.31, 0.34%, 0.3%

LAB 39.9, -20.44, 25.98

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 51 / 0 / 6 / 60

HEX #326660

RGB 50 102 96

HSL 173.08, 0.34%, 0.3%

LAB 39.62, -19.02, -1.98

 

CMYK 51 / 8 / 0 / 60

HEX #325E66

RGB 50 94 102

HSL 189.23, 0.34%, 0.3%

LAB 37.19, -12.78, -9.29

 

CMYK 51 / 22 / 0 / 60

HEX #325066

RGB 50 80 102

HSL 205.38, 0.34%, 0.3%

LAB 32.65, -4.35, -16.22

 

CMYK 51 / 35 / 0 / 60

HEX #324266

RGB 50 66 102

HSL 221.54, 0.34%, 0.3%

LAB 28.2, 4.74, -23.12

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 67 / 0 / 25 / 55

HEX #267255

RGB 38 114 85

HSL 157.11, 0.5%, 0.3%

LAB 42.92, -30.74, 9.35

 

CMYK 80 / 0 / 31 / 50

HEX #197F58

RGB 25 127 88

HSL 157.06, 0.67%, 0.3%

LAB 47.09, -37.88, 13.36

 

CMYK 91 / 0 / 35 / 45

HEX #0D8B5B

RGB 13 139 91

HSL 157.14, 0.83%, 0.3%

LAB 51.04, -43.22, 17.04

 

CMYK 100 / 0 / 39 / 40

HEX #00985D

RGB 0 152 93

HSL 156.71, 1%, 0.3%

LAB 55.33, -48.48, 21.68

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 31 / 0 / 12 / 65

HEX #3E5A4F

RGB 62 90 79

HSL 156.43, 0.18%, 0.3%

LAB 35.79, -13.12, 3.01

 

CMYK 3 / 0 / 1 / 70

HEX #4B4D4C

RGB 75 77 76

HSL 150, 0.01%, 0.3%

LAB 32.54, -1.03, 0.3

 

CMYK 0 / 25 / 16 / 66

HEX #574149

RGB 87 65 73

HSL 338.18, 0.14%, 0.3%

LAB 30.13, 10.99, -1.15

 

CMYK 0 / 48 / 29 / 61

HEX #643447

RGB 100 52 71

HSL 336.25, 0.32%, 0.3%

LAB 28.43, 24.08, -2.13

 

CMYK 51 / 0 / 48 / 60

HEX #326635

RGB 50 102 53

HSL 123.46, 0.34%, 0.3%

LAB 38.62, -28.78, 22.41

 

CMYK 51 / 0 / 34 / 60

HEX #326643

RGB 50 102 67

HSL 139.62, 0.34%, 0.3%

LAB 38.87, -26.15, 14.57

 

CMYK 51 / 0 / 21 / 60

HEX #326651

RGB 50 102 81

HSL 155.77, 0.34%, 0.3%

LAB 39.2, -22.97, 6.57

 

CMYK 51 / 0 / 7 / 60

HEX #32665F

RGB 50 102 95

HSL 171.92, 0.34%, 0.3%

LAB 39.59, -19.3, -1.41

 

CMYK 51 / 7 / 0 / 60

HEX #325F66

RGB 50 95 102

HSL 188.08, 0.34%, 0.3%

LAB 37.52, -13.36, -8.8

 

CMYK 51 / 0 / 19 / 82

HEX #172F26

RGB 23 47 38

HSL 157.5, 0.34%, 0.14%

LAB 17.25, -12.06, 2.87

 

CMYK 51 / 0 / 19 / 71

HEX #244A3C

RGB 36 74 60

HSL 157.89, 0.35%, 0.22%

LAB 28.38, -17.48, 4.21

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 51 / 0 / 20 / 49

HEX #408268

RGB 64 130 104

HSL 156.36, 0.34%, 0.38%

LAB 49.56, -27.68, 7.68

 

CMYK 51 / 0 / 20 / 38

HEX #4D9D7E

RGB 77 157 126

HSL 156.75, 0.34%, 0.46%

LAB 59.16, -32.2, 8.78

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 51 / 41 / 0 / 60

HEX #323C66

RGB 50 60 102

HSL 228.46, 0.34%, 0.3%

LAB 26.36, 8.8, -26.03

 

CMYK 0 / 41 / 51 / 60

HEX #663C32

RGB 102 60 50

HSL 11.54, 0.34%, 0.3%

LAB 30.12, 17.26, 14.01

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 21 / 51 / 0 / 60

HEX #513266

RGB 81 50 102

HSL 275.77, 0.34%, 0.3%

LAB 26.71, 24.83, -25.27

 

CMYK 0 / 21 / 51 / 60

HEX #665132

RGB 102 81 50

HSL 35.77, 0.34%, 0.3%

LAB 35.87, 4.31, 21.48

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 51 / 41 / 0 / 60

HEX #323C66

RGB 50 60 102

HSL 228.46, 0.34%, 0.3%

LAB 26.36, 8.8, -26.03

 

CMYK 0 / 51 / 30 / 60

HEX #663247

RGB 102 50 71

HSL 335.77, 0.34%, 0.3%

LAB 28.28, 26.04, -2.33

 

CMYK 0 / 10 / 51 / 60

HEX #665C32

RGB 102 92 50

HSL 48.46, 0.34%, 0.3%

LAB 39.09, -2.33, 25.5

 

CMYK 51 / 0 / 20 / 60

HEX #326652

RGB 50 102 82

HSL 156.92, 0.34%, 0.3%

LAB 39.22, -22.73, 6

 

CMYK 46 / 51 / 0 / 60

HEX #373266

RGB 55 50 102

HSL 245.77, 0.34%, 0.3%

LAB 23.85, 17.02, -29.99

 

CMYK 0 / 51 / 30 / 60

HEX #663247

RGB 102 50 71

HSL 335.77, 0.34%, 0.3%

LAB 28.28, 26.04, -2.33

 

CMYK 5 / 0 / 51 / 60

HEX #616632

RGB 97 102 50

HSL 65.77, 0.34%, 0.3%

LAB 41.65, -10.44, 28.52

 

Description

Color code: HEX #326652 | qconv.com Color code: HEX #326652 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 102 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 102 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 20 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 20% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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