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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326D75 it is the complementary color #CD928A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326D75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326D75 shade: #376D70, #487F83, #599196, #6AA3A9 and #7BB5BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326D75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326D75 shade: #326D75, #215B62, #10494F, #00373C and #002529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326D75 shade: #326D75, #325B75, #324975, #323775 and #3F3275

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326D75 shade: #326D75, #325B75, #324975, #323775 and #323275

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326D75 shade matches the following richer shades: #326D75, #247883, #178291 and #098C9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326D75 shade: #326D75, #406368, #4D595A, #5B4E4C and #68443F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326D75 shade: #327559, #32756B, #326D75, #325C75 and #324A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326D75 shade: #19373C, #265258, #326D75, #3E8892 and #4BA3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326D75 shade: #326D75, #473275 and #756232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326D75 shade: #326D75, #75326D and #6D7532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326D75 shade: #326D75, #473275, #753A32 and #607532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326D75 shade: #326D75, #5C3275, #753A32 and #4C7532

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

Complementary color

CMYK 0 / 29 / 33 / 20

HEX #CD928A

RGB 205 146 138

HSL 7.16, 0.4%, 0.67%

LAB 66.04, 21.22, 13.12

 

CMYK 51 / 3 / 0 / 56

HEX #376D70

RGB 55 109 112

HSL 183.16, 0.34%, 0.33%

LAB 42.64, -16.97, -7.21

 

CMYK 45 / 3 / 0 / 49

HEX #487F83

RGB 72 127 131

HSL 184.07, 0.29%, 0.4%

LAB 49.73, -17.03, -7.86

 

CMYK 41 / 3 / 0 / 41

HEX #599196

RGB 89 145 150

HSL 184.92, 0.26%, 0.47%

LAB 56.66, -17.04, -8.46

 

CMYK 37 / 4 / 0 / 34

HEX #6AA3A9

RGB 106 163 169

HSL 185.71, 0.27%, 0.54%

LAB 63.44, -17.02, -9.02

 

CMYK 35 / 4 / 0 / 26

HEX #7BB5BC

RGB 123 181 188

HSL 186.46, 0.33%, 0.61%

LAB 70.1, -16.98, -9.56

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 66 / 7 / 0 / 62

HEX #215B62

RGB 33 91 98

HSL 186.46, 0.5%, 0.26%

LAB 35.38, -16.21, -9.61

 

CMYK 80 / 8 / 0 / 69

HEX #10494F

RGB 16 73 79

HSL 185.71, 0.66%, 0.19%

LAB 27.95, -15.42, -8.8

 

CMYK 100 / 8 / 0 / 76

HEX #00373C

RGB 0 55 60

HSL 185, 1%, 0.12%

LAB 20.28, -14.27, -7.86

 

CMYK 100 / 10 / 0 / 84

HEX #002529

RGB 0 37 41

HSL 185.85, 1%, 0.08%

LAB 12.5, -11.08, -6.37

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 57 / 22 / 0 / 54

HEX #325B75

RGB 50 91 117

HSL 203.28, 0.4%, 0.33%

LAB 36.83, -6.16, -19.12

 

CMYK 57 / 38 / 0 / 54

HEX #324975

RGB 50 73 117

HSL 219.4, 0.4%, 0.33%

LAB 31.18, 5.31, -27.94

 

CMYK 57 / 53 / 0 / 54

HEX #323775

RGB 50 55 117

HSL 235.52, 0.4%, 0.33%

LAB 25.85, 17.51, -36.43

 

CMYK 46 / 57 / 0 / 54

HEX #3F3275

RGB 63 50 117

HSL 251.64, 0.4%, 0.33%

LAB 25.63, 23.99, -36.72

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 57 / 22 / 0 / 54

HEX #325B75

RGB 50 91 117

HSL 203.28, 0.4%, 0.33%

LAB 36.83, -6.16, -19.12

 

CMYK 57 / 38 / 0 / 54

HEX #324975

RGB 50 73 117

HSL 219.4, 0.4%, 0.33%

LAB 31.18, 5.31, -27.94

 

CMYK 57 / 53 / 0 / 54

HEX #323775

RGB 50 55 117

HSL 235.52, 0.4%, 0.33%

LAB 25.85, 17.51, -36.43

 

CMYK 57 / 57 / 0 / 54

HEX #323275

RGB 50 50 117

HSL 240, 0.4%, 0.33%

LAB 24.46, 20.93, -38.67

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 73 / 8 / 0 / 49

HEX #247883

RGB 36 120 131

HSL 186.95, 0.57%, 0.33%

LAB 46.24, -20.68, -13.24

 

CMYK 84 / 10 / 0 / 43

HEX #178291

RGB 23 130 145

HSL 187.38, 0.73%, 0.33%

LAB 49.73, -22.78, -16.22

 

CMYK 94 / 11 / 0 / 38

HEX #098C9E

RGB 9 140 158

HSL 187.25, 0.89%, 0.33%

LAB 53.26, -24.4, -18.41

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 38 / 5 / 0 / 59

HEX #406368

RGB 64 99 104

HSL 187.5, 0.24%, 0.33%

LAB 39.6, -11.14, -6.84

 

CMYK 14 / 1 / 0 / 65

HEX #4D595A

RGB 77 89 90

HSL 184.62, 0.08%, 0.33%

LAB 36.86, -4.42, -2.16

 

CMYK 0 / 14 / 16 / 64

HEX #5B4E4C

RGB 91 78 76

HSL 8, 0.09%, 0.33%

LAB 34.39, 5.04, 3.18

 

CMYK 0 / 35 / 39 / 59

HEX #68443F

RGB 104 68 63

HSL 7.32, 0.25%, 0.33%

LAB 32.78, 14.85, 9.37

 

CMYK 57 / 0 / 24 / 54

HEX #327559

RGB 50 117 89

HSL 154.93, 0.4%, 0.33%

LAB 44.41, -28.5, 9.13

 

CMYK 57 / 0 / 9 / 54

HEX #32756B

RGB 50 117 107

HSL 171.04, 0.4%, 0.33%

LAB 44.89, -23.84, -0.9

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 57 / 21 / 0 / 54

HEX #325C75

RGB 50 92 117

HSL 202.39, 0.4%, 0.33%

LAB 37.15, -6.77, -18.63

 

CMYK 57 / 37 / 0 / 54

HEX #324A75

RGB 50 74 117

HSL 218.51, 0.4%, 0.33%

LAB 31.49, 4.65, -27.46

 

CMYK 58 / 8 / 0 / 76

HEX #19373C

RGB 25 55 60

HSL 188.57, 0.41%, 0.17%

LAB 21.08, -9.49, -6.57

 

CMYK 57 / 7 / 0 / 65

HEX #265258

RGB 38 82 88

HSL 187.2, 0.4%, 0.25%

LAB 32.15, -13.23, -8.17

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 58 / 7 / 0 / 43

HEX #3E8892

RGB 62 136 146

HSL 187.14, 0.4%, 0.41%

LAB 52.63, -19.85, -12.32

 

CMYK 57 / 7 / 0 / 31

HEX #4BA3AF

RGB 75 163 175

HSL 187.2, 0.4%, 0.49%

LAB 62.33, -22.74, -14.2

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 39 / 57 / 0 / 54

HEX #473275

RGB 71 50 117

HSL 258.81, 0.4%, 0.33%

LAB 26.46, 26.05, -35.34

 

CMYK 0 / 16 / 57 / 54

HEX #756232

RGB 117 98 50

HSL 42.99, 0.4%, 0.33%

LAB 42.38, 1.13, 29.85

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 0 / 57 / 7 / 54

HEX #75326D

RGB 117 50 109

HSL 307.16, 0.4%, 0.33%

LAB 32.18, 37.71, -20.81

 

CMYK 7 / 0 / 57 / 54

HEX #6D7532

RGB 109 117 50

HSL 67.16, 0.4%, 0.33%

LAB 47.24, -13.38, 35.34

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 39 / 57 / 0 / 54

HEX #473275

RGB 71 50 117

HSL 258.81, 0.4%, 0.33%

LAB 26.46, 26.05, -35.34

 

CMYK 0 / 50 / 57 / 54

HEX #753A32

RGB 117 58 50

HSL 7.16, 0.4%, 0.33%

LAB 31.89, 24.99, 16.76

 

CMYK 18 / 0 / 57 / 54

HEX #607532

RGB 96 117 50

HSL 78.81, 0.4%, 0.33%

LAB 46.23, -19.08, 33.91

 

CMYK 57 / 7 / 0 / 54

HEX #326D75

RGB 50 109 117

HSL 187.16, 0.4%, 0.33%

LAB 42.61, -16.63, -10.3

 

CMYK 21 / 57 / 0 / 54

HEX #5C3275

RGB 92 50 117

HSL 277.61, 0.4%, 0.33%

LAB 29.01, 31.9, -31.13

 

CMYK 0 / 50 / 57 / 54

HEX #753A32

RGB 117 58 50

HSL 7.16, 0.4%, 0.33%

LAB 31.89, 24.99, 16.76

 

CMYK 35 / 0 / 57 / 54

HEX #4C7532

RGB 76 117 50

HSL 96.72, 0.4%, 0.33%

LAB 44.93, -27.22, 32.06

 

Description

Color code: HEX #326D75 | qconv.com Color code: HEX #326D75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 109 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 109 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 7 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 7% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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