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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #326E8A it is the complementary color #CD9175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #326E8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #326E8A shade: #376E85, #488098, #5992AB, #6AA4BE and #7BB6D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #326E8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #326E8A shade: #326E8A, #215C77, #104A64, #003851 and #00263E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #326E8A shade: #326E8A, #32568A, #323E8A, #3D328A and #55328A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #326E8A shade: #326E8A, #32568A, #323E8A and #32328A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #326E8A shade matches the following richer shades: #326E8A, #227499, #1379A9 and #047FB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #326E8A shade: #326E8A, #41687B, #50636C, #5F5D5C and #6F584D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #326E8A shade: #328A77, #32868A, #326E8A, #32568A and #323F8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #326E8A shade: #1C3E4E, #27566C, #326E8A, #3C86A9 and #4F9CBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #326E8A shade: #326E8A, #5F328A and #8A8332

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #326E8A shade: #326E8A, #8A326E and #6E8A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #326E8A shade: #326E8A, #5F328A, #8A4E32 and #5C8A32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #326E8A shade: #326E8A, #7A328A, #8A4E32 and #428A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

Complementary color

CMYK 0 / 29 / 43 / 20

HEX #CD9175

RGB 205 145 117

HSL 19.09, 0.47%, 0.63%

LAB 65.37, 19.27, 23.9

 

CMYK 59 / 17 / 0 / 48

HEX #376E85

RGB 55 110 133

HSL 197.69, 0.41%, 0.37%

LAB 43.74, -11.02, -18.2

 

CMYK 53 / 16 / 0 / 40

HEX #488098

RGB 72 128 152

HSL 198, 0.36%, 0.44%

LAB 50.78, -11.45, -18.57

 

CMYK 48 / 15 / 0 / 33

HEX #5992AB

RGB 89 146 171

HSL 198.29, 0.33%, 0.51%

LAB 57.68, -11.75, -18.94

 

CMYK 44 / 14 / 0 / 25

HEX #6AA4BE

RGB 106 164 190

HSL 198.57, 0.39%, 0.58%

LAB 64.43, -11.96, -19.29

 

CMYK 41 / 13 / 0 / 18

HEX #7BB6D1

RGB 123 182 209

HSL 198.84, 0.48%, 0.65%

LAB 71.06, -12.13, -19.64

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 72 / 23 / 0 / 53

HEX #215C77

RGB 33 92 119

HSL 198.84, 0.57%, 0.3%

LAB 36.57, -9.48, -20.8

 

CMYK 84 / 26 / 0 / 61

HEX #104A64

RGB 16 74 100

HSL 198.57, 0.72%, 0.23%

LAB 29.23, -8.07, -20.35

 

CMYK 100 / 31 / 0 / 68

HEX #003851

RGB 0 56 81

HSL 198.52, 1%, 0.16%

LAB 21.66, -6.11, -19.84

 

CMYK 100 / 39 / 0 / 76

HEX #00263E

RGB 0 38 62

HSL 203.23, 1%, 0.12%

LAB 14.02, -2.28, -18.93

HEX #00263E

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 64 / 38 / 0 / 46

HEX #32568A

RGB 50 86 138

HSL 215.45, 0.47%, 0.37%

LAB 36.31, 4.37, -32.82

 

CMYK 64 / 55 / 0 / 46

HEX #323E8A

RGB 50 62 138

HSL 231.82, 0.47%, 0.37%

LAB 29.31, 20.36, -44.01

 

CMYK 56 / 64 / 0 / 46

HEX #3D328A

RGB 61 50 138

HSL 247.5, 0.47%, 0.37%

LAB 27.04, 30.38, -47.65

 

CMYK 38 / 64 / 0 / 46

HEX #55328A

RGB 85 50 138

HSL 263.86, 0.47%, 0.37%

LAB 29.53, 35.57, -43.49

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 64 / 38 / 0 / 46

HEX #32568A

RGB 50 86 138

HSL 215.45, 0.47%, 0.37%

LAB 36.31, 4.37, -32.82

 

CMYK 64 / 55 / 0 / 46

HEX #323E8A

RGB 50 62 138

HSL 231.82, 0.47%, 0.37%

LAB 29.31, 20.36, -44.01

 

CMYK 64 / 64 / 0 / 46

HEX #32328A

RGB 50 50 138

HSL 240, 0.47%, 0.37%

LAB 26.14, 28.38, -49.15

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 78 / 24 / 0 / 40

HEX #227499

RGB 34 116 153

HSL 198.66, 0.64%, 0.37%

LAB 45.81, -11.12, -26.94

 

CMYK 89 / 28 / 0 / 34

HEX #1379A9

RGB 19 121 169

HSL 199.2, 0.8%, 0.37%

LAB 47.85, -9.49, -33.15

 

CMYK 98 / 31 / 0 / 28

HEX #047FB8

RGB 4 127 184

HSL 199, 0.96%, 0.37%

LAB 50.29, -8, -38.01

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 47 / 15 / 0 / 52

HEX #41687B

RGB 65 104 123

HSL 199.66, 0.31%, 0.37%

LAB 41.93, -8.23, -14.9

 

CMYK 26 / 8 / 0 / 58

HEX #50636C

RGB 80 99 108

HSL 199.29, 0.15%, 0.37%

LAB 40.75, -4.89, -7.46

 

CMYK 0 / 2 / 3 / 63

HEX #5F5D5C

RGB 95 93 92

HSL 20, 0.02%, 0.37%

LAB 39.64, 0.59, 0.85

 

CMYK 0 / 21 / 31 / 56

HEX #6F584D

RGB 111 88 77

HSL 19.41, 0.18%, 0.37%

LAB 39.4, 7.67, 9.96

 

CMYK 64 / 0 / 14 / 46

HEX #328A77

RGB 50 138 119

HSL 167.05, 0.47%, 0.37%

LAB 52.05, -30.94, 2.46

 

CMYK 64 / 3 / 0 / 46

HEX #32868A

RGB 50 134 138

HSL 182.73, 0.47%, 0.37%

LAB 51.34, -23.54, -9.64

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 64 / 38 / 0 / 46

HEX #32568A

RGB 50 86 138

HSL 215.45, 0.47%, 0.37%

LAB 36.31, 4.37, -32.82

 

CMYK 64 / 54 / 0 / 46

HEX #323F8A

RGB 50 63 138

HSL 231.14, 0.47%, 0.37%

LAB 29.58, 19.68, -43.57

 

CMYK 64 / 21 / 0 / 69

HEX #1C3E4E

RGB 28 62 78

HSL 199.2, 0.47%, 0.21%

LAB 24.46, -6.83, -13.45

 

CMYK 64 / 20 / 0 / 58

HEX #27566C

RGB 39 86 108

HSL 199.13, 0.47%, 0.29%

LAB 34.33, -8.67, -17.43

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 64 / 21 / 0 / 34

HEX #3C86A9

RGB 60 134 169

HSL 199.27, 0.48%, 0.45%

LAB 52.81, -11.89, -25.36

 

CMYK 59 / 18 / 0 / 25

HEX #4F9CBF

RGB 79 156 191

HSL 198.75, 0.47%, 0.53%

LAB 60.96, -13.44, -25.26

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 31 / 64 / 0 / 46

HEX #5F328A

RGB 95 50 138

HSL 270.68, 0.47%, 0.37%

LAB 30.76, 37.97, -41.46

 

CMYK 0 / 5 / 64 / 46

HEX #8A8332

RGB 138 131 50

HSL 55.23, 0.47%, 0.37%

LAB 53.88, -7.99, 43.43

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 0 / 64 / 20 / 46

HEX #8A326E

RGB 138 50 110

HSL 319.09, 0.47%, 0.37%

LAB 35.62, 44.29, -15.86

 

CMYK 20 / 0 / 64 / 46

HEX #6E8A32

RGB 110 138 50

HSL 79.09, 0.47%, 0.37%

LAB 53.73, -23.94, 42.62

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 31 / 64 / 0 / 46

HEX #5F328A

RGB 95 50 138

HSL 270.68, 0.47%, 0.37%

LAB 30.76, 37.97, -41.46

 

CMYK 0 / 43 / 64 / 46

HEX #8A4E32

RGB 138 78 50

HSL 19.09, 0.47%, 0.37%

LAB 39.72, 22.51, 27.28

 

CMYK 33 / 0 / 64 / 46

HEX #5C8A32

RGB 92 138 50

HSL 91.36, 0.47%, 0.37%

LAB 52.6, -31.14, 41.05

 

CMYK 64 / 20 / 0 / 46

HEX #326E8A

RGB 50 110 138

HSL 199.09, 0.47%, 0.37%

LAB 43.75, -10.39, -21.19

 

CMYK 12 / 64 / 0 / 46

HEX #7A328A

RGB 122 50 138

HSL 289.09, 0.47%, 0.37%

LAB 34.51, 44.81, -35.25

 

CMYK 0 / 43 / 64 / 46

HEX #8A4E32

RGB 138 78 50

HSL 19.09, 0.47%, 0.37%

LAB 39.72, 22.51, 27.28

 

CMYK 52 / 0 / 64 / 46

HEX #428A32

RGB 66 138 50

HSL 109.09, 0.47%, 0.37%

LAB 51.34, -40.06, 39.3

 

Description

Color code: HEX #326E8A | qconv.com Color code: HEX #326E8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 110 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 110 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 20 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 20% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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