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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #327CCC it is the complementary color #CD8333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #327CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #327CCC shade: #377CC7, #488EDA, #59A0ED, #6AB2FF and #7BC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #327CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #327CCC shade: #327CCC, #216AB9, #1058A6, #004693 and #003480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #327CCC shade: #317CCD, #3152CD, #3A31CD, #6431CD and #8E31CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #327CCC shade: #317CCD, #3152CD and #3131CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #327CCC shade matches the following richer shades: #317CCD, #1D7BE1 and #087AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #327CCC shade: #317CCD, #467DB8, #5A7EA4, #6F7E8F and #847F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #327CCC shade: #31CDCA, #31A6CD, #317CCD, #3153CD and #3931CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #327CCC shade: #21548A, #2968AC, #317CCD, #5291D5 and #74A6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #327CCC shade: #327CCC, #A131CD and #BBCD31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #327CCC shade: #327CCC, #CD317C and #7CCD31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #327CCC shade: #327CCC, #A131CD, #CD8231 and #5DCD31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #327CCC shade: #327CCC, #CD31CA, #CD8231 and #31CD34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

Complementary color

CMYK 0 / 36 / 75 / 20

HEX #CD8333

RGB 205 131 51

HSL 31.17, 0.61%, 0.5%

LAB 61.18, 21.89, 52.83

 

CMYK 72 / 38 / 0 / 22

HEX #377CC7

RGB 55 124 199

HSL 211.25, 0.57%, 0.5%

LAB 51.1, 3.62, -45.28

 

CMYK 67 / 35 / 0 / 15

HEX #488EDA

RGB 72 142 218

HSL 211.23, 0.66%, 0.57%

LAB 57.83, 2.11, -45.31

 

CMYK 62 / 32 / 0 / 7

HEX #59A0ED

RGB 89 160 237

HSL 211.22, 0.8%, 0.64%

LAB 64.47, 0.91, -45.33

 

CMYK 58 / 30 / 0 / 0

HEX #6AB2FF

RGB 106 178 255

HSL 211.01, 1%, 0.71%

LAB 70.96, -0.39, -44.89

 

CMYK 52 / 23 / 0 / 0

HEX #7BC4FF

RGB 123 196 255

HSL 206.82, 1%, 0.74%

LAB 76.62, -6.8, -36

 

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

CMYK 82 / 43 / 0 / 27

HEX #216AB9

RGB 33 106 185

HSL 211.18, 0.7%, 0.43%

LAB 44.42, 6.95, -47.89

 

CMYK 90 / 47 / 0 / 35

HEX #1058A6

RGB 16 88 166

HSL 211.2, 0.82%, 0.36%

LAB 37.56, 9.71, -47.75

 

CMYK 100 / 52 / 0 / 42

HEX #004693

RGB 0 70 147

HSL 211.43, 1%, 0.29%

LAB 30.61, 13.14, -47.52

 

CMYK 100 / 59 / 0 / 50

HEX #003480

RGB 0 52 128

HSL 215.63, 1%, 0.25%

LAB 23.72, 17.68, -46.94

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 76 / 60 / 0 / 20

HEX #3152CD

RGB 49 82 205

HSL 227.31, 0.61%, 0.5%

LAB 39.74, 31.75, -67.03

 

CMYK 72 / 76 / 0 / 20

HEX #3A31CD

RGB 58 49 205

HSL 243.46, 0.61%, 0.5%

LAB 32.93, 52.3, -78.21

 

CMYK 51 / 76 / 0 / 20

HEX #6431CD

RGB 100 49 205

HSL 259.62, 0.61%, 0.5%

LAB 36.58, 57.12, -72.06

 

CMYK 31 / 76 / 0 / 20

HEX #8E31CD

RGB 142 49 205

HSL 275.77, 0.61%, 0.5%

LAB 41.78, 63.78, -63.36

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 76 / 60 / 0 / 20

HEX #3152CD

RGB 49 82 205

HSL 227.31, 0.61%, 0.5%

LAB 39.74, 31.75, -67.03

 

CMYK 76 / 76 / 0 / 20

HEX #3131CD

RGB 49 49 205

HSL 240, 0.61%, 0.5%

LAB 32.39, 51.57, -79.12

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 87 / 45 / 0 / 12

HEX #1D7BE1

RGB 29 123 225

HSL 211.22, 0.77%, 0.5%

LAB 51.68, 11.4, -59.11

 

CMYK 97 / 50 / 0 / 4

HEX #087AF6

RGB 8 122 246

HSL 211.26, 0.94%, 0.5%

LAB 52.54, 19.27, -69.48

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 62 / 32 / 0 / 28

HEX #467DB8

RGB 70 125 184

HSL 211.05, 0.45%, 0.5%

LAB 51.19, 0.23, -36.5

 

CMYK 45 / 23 / 0 / 36

HEX #5A7EA4

RGB 90 126 164

HSL 210.81, 0.29%, 0.5%

LAB 51.58, -2.18, -24.25

 

CMYK 22 / 12 / 0 / 44

HEX #6F7E8F

RGB 111 126 143

HSL 211.88, 0.13%, 0.5%

LAB 52.16, -1.56, -11.02

 

CMYK 0 / 4 / 8 / 48

HEX #847F7A

RGB 132 127 122

HSL 30, 0.04%, 0.5%

LAB 53.48, 0.94, 3.38

 

CMYK 76 / 0 / 1 / 20

HEX #31CDCA

RGB 49 205 202

HSL 178.85, 0.61%, 0.5%

LAB 75.19, -38.96, -9.85

 

CMYK 76 / 19 / 0 / 20

HEX #31A6CD

RGB 49 166 205

HSL 195, 0.61%, 0.5%

LAB 63.62, -18.93, -29.06

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 76 / 60 / 0 / 20

HEX #3153CD

RGB 49 83 205

HSL 226.92, 0.61%, 0.5%

LAB 39.99, 31.11, -66.62

 

CMYK 72 / 76 / 0 / 20

HEX #3931CD

RGB 57 49 205

HSL 243.08, 0.61%, 0.5%

LAB 32.86, 52.21, -78.32

 

CMYK 76 / 39 / 0 / 46

HEX #21548A

RGB 33 84 138

HSL 210.86, 0.61%, 0.34%

LAB 35, 2.75, -34.93

 

CMYK 76 / 40 / 0 / 33

HEX #2968AC

RGB 41 104 172

HSL 211.15, 0.62%, 0.42%

LAB 43.29, 4.11, -42.09

 

CMYK 76 / 40 / 0 / 20

HEX #317CCD

RGB 49 124 205

HSL 211.15, 0.61%, 0.5%

LAB 51.24, 5.04, -48.48

 

CMYK 62 / 32 / 0 / 16

HEX #5291D5

RGB 82 145 213

HSL 211.15, 0.61%, 0.58%

LAB 58.83, 0.41, -40.9

 

CMYK 48 / 25 / 0 / 13

HEX #74A6DD

RGB 116 166 221

HSL 211.43, 0.61%, 0.66%

LAB 66.68, -1.81, -32.98

 

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

CMYK 21 / 76 / 0 / 20

HEX #A131CD

RGB 161 49 205

HSL 283.08, 0.61%, 0.5%

LAB 44.49, 67.19, -58.83

 

CMYK 9 / 0 / 76 / 20

HEX #BBCD31

RGB 187 205 49

HSL 66.92, 0.61%, 0.5%

LAB 78.72, -24.81, 69.73

 

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

CMYK 0 / 76 / 40 / 20

HEX #CD317C

RGB 205 49 124

HSL 331.15, 0.61%, 0.5%

LAB 47.79, 65.14, -5.02

 

CMYK 40 / 0 / 76 / 20

HEX #7CCD31

RGB 124 205 49

HSL 91.15, 0.61%, 0.5%

LAB 74.93, -48.89, 64.82

 

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

CMYK 21 / 76 / 0 / 20

HEX #A131CD

RGB 161 49 205

HSL 283.08, 0.61%, 0.5%

LAB 44.49, 67.19, -58.83

 

CMYK 0 / 37 / 76 / 20

HEX #CD8231

RGB 205 130 49

HSL 31.15, 0.61%, 0.5%

LAB 60.93, 22.35, 53.45

 

CMYK 55 / 0 / 76 / 20

HEX #5DCD31

RGB 93 205 49

HSL 103.08, 0.61%, 0.5%

LAB 73.68, -58.29, 63.18

 

CMYK 75 / 39 / 0 / 20

HEX #327CCC

RGB 50 124 204

HSL 211.17, 0.61%, 0.5%

LAB 51.21, 4.79, -47.95

 

CMYK 0 / 76 / 1 / 20

HEX #CD31CA

RGB 205 49 202

HSL 301.15, 0.61%, 0.5%

LAB 51.2, 75.22, -45.97

 

CMYK 0 / 37 / 76 / 20

HEX #CD8231

RGB 205 130 49

HSL 31.15, 0.61%, 0.5%

LAB 60.93, 22.35, 53.45

 

CMYK 76 / 0 / 75 / 20

HEX #31CD34

RGB 49 205 52

HSL 121.15, 0.61%, 0.5%

LAB 72.6, -67.13, 60.76

 

Description

Color code: HEX #327CCC | qconv.com Color code: HEX #327CCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 124 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 124 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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