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Color name
HEX #327FD9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #327FD9 it is the complementary color #CD8026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #327FD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #327FD9 shade: #377FD4, #4891E7, #59A3FA, #6AB5FF and #7BC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #327FD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #327FD9 shade: #327FD9, #216DC6, #105BB3, #0049A0 and #00378D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #327FD9 shade: #307ED9, #3050D9, #3D30D9, #6A30D9 and #9830D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #327FD9 shade: #307ED9, #3050D9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #327FD9 shade matches the following richer shades: #307ED9 and #1C7CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #327FD9 shade: #307ED9, #437FC5, #5781B1, #6B829D and #7F8489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #327FD9 shade: #30D9D9, #30ACD9, #307ED9, #3051D9 and #3B30D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #327FD9 shade: #1C569A, #2269BD, #307ED9, #5393DF and #75A9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #327FD9 shade: #327FD9, #AC30D9 and #C2D930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #327FD9 shade: #327FD9, #D9307E and #7ED930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #327FD9 shade: #327FD9, #AC30D9, #D98A30 and #5DD930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #327FD9 shade: #327FD9, #D930D3, #D98A30 and #30D935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

Complementary color

CMYK 0 / 38 / 81 / 20

HEX #CD8026

RGB 205 128 38

HSL 32.34, 0.69%, 0.48%

LAB 60.39, 23.03, 57.36

 

CMYK 74 / 40 / 0 / 17

HEX #377FD4

RGB 55 127 212

HSL 212.48, 0.65%, 0.52%

LAB 52.67, 6.52, -50.17

 

CMYK 69 / 37 / 0 / 9

HEX #4891E7

RGB 72 145 231

HSL 212.45, 0.77%, 0.59%

LAB 59.34, 4.84, -50.16

 

CMYK 64 / 35 / 0 / 2

HEX #59A3FA

RGB 89 163 250

HSL 212.42, 0.94%, 0.66%

LAB 65.92, 3.47, -50.15

 

CMYK 58 / 29 / 0 / 0

HEX #6AB5FF

RGB 106 181 255

HSL 209.8, 1%, 0.71%

LAB 71.78, -2.06, -43.6

 

CMYK 52 / 22 / 0 / 0

HEX #7BC7FF

RGB 123 199 255

HSL 205.45, 1%, 0.74%

LAB 77.45, -8.41, -34.73

 

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

CMYK 83 / 45 / 0 / 22

HEX #216DC6

RGB 33 109 198

HSL 212.36, 0.71%, 0.45%

LAB 46.09, 10.08, -52.73

 

CMYK 91 / 49 / 0 / 30

HEX #105BB3

RGB 16 91 179

HSL 212.39, 0.84%, 0.38%

LAB 39.32, 13.01, -52.6

 

CMYK 100 / 54 / 0 / 37

HEX #0049A0

RGB 0 73 160

HSL 212.63, 1%, 0.31%

LAB 32.49, 16.58, -52.36

 

CMYK 100 / 61 / 0 / 45

HEX #00378D

RGB 0 55 141

HSL 216.6, 1%, 0.28%

LAB 25.73, 21.12, -51.77

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 78 / 63 / 0 / 15

HEX #3050D9

RGB 48 80 217

HSL 228.64, 0.69%, 0.52%

LAB 40.21, 37.29, -73.18

 

CMYK 72 / 78 / 0 / 15

HEX #3D30D9

RGB 61 48 217

HSL 244.62, 0.69%, 0.52%

LAB 34.22, 56.73, -83.01

 

CMYK 51 / 78 / 0 / 15

HEX #6A30D9

RGB 106 48 217

HSL 260.59, 0.69%, 0.52%

LAB 38.18, 61.5, -76.35

 

CMYK 30 / 78 / 0 / 15

HEX #9830D9

RGB 152 48 217

HSL 276.92, 0.69%, 0.52%

LAB 43.94, 68.39, -66.69

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 78 / 63 / 0 / 15

HEX #3050D9

RGB 48 80 217

HSL 228.64, 0.69%, 0.52%

LAB 40.21, 37.29, -73.18

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 88 / 47 / 0 / 7

HEX #1C7CEC

RGB 28 124 236

HSL 212.31, 0.85%, 0.52%

LAB 52.64, 14.93, -63.73

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 66 / 36 / 0 / 23

HEX #437FC5

RGB 67 127 197

HSL 212.31, 0.53%, 0.52%

LAB 52.29, 2.95, -42.22

 

CMYK 51 / 27 / 0 / 31

HEX #5781B1

RGB 87 129 177

HSL 212, 0.37%, 0.52%

LAB 52.84, -0.75, -29.83

 

CMYK 32 / 17 / 0 / 38

HEX #6B829D

RGB 107 130 157

HSL 212.4, 0.2%, 0.52%

LAB 53.52, -1.61, -17.13

 

CMYK 7 / 4 / 0 / 46

HEX #7F8489

RGB 127 132 137

HSL 210, 0.04%, 0.52%

LAB 54.89, -0.81, -3.33

 

CMYK 78 / 0 / 0 / 15

HEX #30D9D9

RGB 48 217 217

HSL 180, 0.69%, 0.52%

LAB 79.19, -40.18, -11.94

 

CMYK 78 / 21 / 0 / 15

HEX #30ACD9

RGB 48 172 217

HSL 195.98, 0.69%, 0.52%

LAB 65.86, -18.2, -32.23

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 78 / 63 / 0 / 15

HEX #3051D9

RGB 48 81 217

HSL 228.28, 0.69%, 0.52%

LAB 40.45, 36.66, -72.78

 

CMYK 73 / 78 / 0 / 15

HEX #3B30D9

RGB 59 48 217

HSL 243.91, 0.69%, 0.52%

LAB 34.09, 56.57, -83.22

 

CMYK 82 / 44 / 0 / 40

HEX #1C569A

RGB 28 86 154

HSL 212.38, 0.69%, 0.36%

LAB 36.43, 7.16, -42.36

 

CMYK 82 / 44 / 0 / 26

HEX #2269BD

RGB 34 105 189

HSL 212.52, 0.7%, 0.44%

LAB 44.4, 9.23, -50.25

 

CMYK 78 / 42 / 0 / 15

HEX #307ED9

RGB 48 126 217

HSL 212.31, 0.69%, 0.52%

LAB 52.46, 8.14, -53.33

 

CMYK 63 / 34 / 0 / 13

HEX #5393DF

RGB 83 147 223

HSL 212.57, 0.69%, 0.6%

LAB 59.92, 2.74, -44.77

 

CMYK 49 / 26 / 0 / 10

HEX #75A9E5

RGB 117 169 229

HSL 212.14, 0.68%, 0.68%

LAB 67.88, -0.92, -35.5

 

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

CMYK 21 / 78 / 0 / 15

HEX #AC30D9

RGB 172 48 217

HSL 284.02, 0.69%, 0.52%

LAB 46.84, 71.82, -61.86

 

CMYK 11 / 0 / 78 / 15

HEX #C2D930

RGB 194 217 48

HSL 68.17, 0.69%, 0.52%

LAB 82.54, -27.71, 73.69

 

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

CMYK 0 / 78 / 42 / 15

HEX #D9307E

RGB 217 48 126

HSL 332.31, 0.69%, 0.52%

LAB 49.94, 68.73, -2.81

 

CMYK 42 / 0 / 78 / 15

HEX #7ED930

RGB 126 217 48

HSL 92.31, 0.69%, 0.52%

LAB 78.62, -53.09, 68.65

 

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

CMYK 21 / 78 / 0 / 15

HEX #AC30D9

RGB 172 48 217

HSL 284.02, 0.69%, 0.52%

LAB 46.84, 71.82, -61.86

 

CMYK 0 / 36 / 78 / 15

HEX #D98A30

RGB 217 138 48

HSL 31.95, 0.69%, 0.52%

LAB 64.28, 23.09, 57.61

 

CMYK 57 / 0 / 78 / 15

HEX #5DD930

RGB 93 217 48

HSL 104.02, 0.69%, 0.52%

LAB 77.38, -62.6, 67.04

 

CMYK 77 / 41 / 0 / 15

HEX #327FD9

RGB 50 127 217

HSL 212.34, 0.69%, 0.52%

LAB 52.8, 7.75, -52.78

 

CMYK 0 / 78 / 3 / 15

HEX #D930D3

RGB 217 48 211

HSL 302.13, 0.69%, 0.52%

LAB 53.57, 79.25, -47.25

 

CMYK 0 / 36 / 78 / 15

HEX #D98A30

RGB 217 138 48

HSL 31.95, 0.69%, 0.52%

LAB 64.28, 23.09, 57.61

 

CMYK 78 / 0 / 76 / 15

HEX #30D935

RGB 48 217 53

HSL 121.78, 0.69%, 0.52%

LAB 76.38, -70.84, 64.16

 

Description

Color code: HEX #327FD9 | qconv.com Color code: HEX #327FD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 127 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 127 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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