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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3288AB it is the complementary color #CD7754. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3288AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3288AB shade: #3788A6, #489AB9, #59ACCC, #6ABEDF and #7BD0F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3288AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3288AB shade: #3288AB, #217698, #106485, #005272 and #00405F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3288AB shade: #3187A9, #3166A9, #3146A9, #3D31A9 and #5D31A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3288AB shade: #3187A9, #3166A9, #3146A9 and #3131A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3288AB shade matches the following richer shades: #3187A9, #1F8EBB and #0D96CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3288AB shade: #3187A9, #437F98, #547886, #667074 and #786962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3288AB shade: #31A98B, #31A7A9, #3187A9, #3167A9 and #3147A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3288AB shade: #1E546A, #286D89, #3187A9, #3D9FC6 and #5DAFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3288AB shade: #3288AB, #6B31A9 and #A99B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3288AB shade: #3288AB, #A93187 and #87A931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3288AB shade: #3288AB, #6B31A9, #A95331 and #6FA931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3288AB shade: #3288AB, #8F31A9, #A95331 and #4BA931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

Complementary color

CMYK 0 / 42 / 59 / 20

HEX #CD7754

RGB 205 119 84

HSL 17.36, 0.55%, 0.57%

LAB 58.8, 30.33, 33.6

 

CMYK 67 / 18 / 0 / 35

HEX #3788A6

RGB 55 136 166

HSL 196.22, 0.5%, 0.43%

LAB 53.14, -14.86, -23.14

 

CMYK 61 / 17 / 0 / 27

HEX #489AB9

RGB 72 154 185

HSL 196.46, 0.45%, 0.5%

LAB 59.88, -15.56, -23.56

 

CMYK 56 / 16 / 0 / 20

HEX #59ACCC

RGB 89 172 204

HSL 196.7, 0.53%, 0.57%

LAB 66.51, -16.09, -23.96

 

CMYK 52 / 15 / 0 / 13

HEX #6ABEDF

RGB 106 190 223

HSL 196.92, 0.65%, 0.65%

LAB 73.04, -16.48, -24.33

 

CMYK 49 / 14 / 0 / 5

HEX #7BD0F2

RGB 123 208 242

HSL 197.14, 0.82%, 0.72%

LAB 79.46, -16.78, -24.69

 

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

CMYK 78 / 22 / 0 / 40

HEX #217698

RGB 33 118 152

HSL 197.14, 0.64%, 0.36%

LAB 46.37, -12.75, -25.48

 

CMYK 88 / 25 / 0 / 48

HEX #106485

RGB 16 100 133

HSL 196.92, 0.79%, 0.29%

LAB 39.44, -11.04, -24.93

 

CMYK 100 / 28 / 0 / 55

HEX #005272

RGB 0 82 114

HSL 196.84, 1%, 0.22%

LAB 32.37, -8.8, -24.3

 

CMYK 100 / 33 / 0 / 63

HEX #00405F

RGB 0 64 95

HSL 199.58, 1%, 0.19%

LAB 25.24, -5.31, -23.41

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 71 / 40 / 0 / 34

HEX #3166A9

RGB 49 102 169

HSL 213.5, 0.55%, 0.43%

LAB 42.79, 5.37, -41.1

 

CMYK 71 / 59 / 0 / 34

HEX #3146A9

RGB 49 70 169

HSL 229.5, 0.55%, 0.43%

LAB 33.77, 26.29, -55.62

 

CMYK 64 / 71 / 0 / 34

HEX #3D31A9

RGB 61 49 169

HSL 246, 0.55%, 0.43%

LAB 29.55, 41.16, -62.49

 

CMYK 45 / 71 / 0 / 34

HEX #5D31A9

RGB 93 49 169

HSL 262, 0.55%, 0.43%

LAB 32.68, 46.31, -57.24

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 71 / 40 / 0 / 34

HEX #3166A9

RGB 49 102 169

HSL 213.5, 0.55%, 0.43%

LAB 42.79, 5.37, -41.1

 

CMYK 71 / 59 / 0 / 34

HEX #3146A9

RGB 49 70 169

HSL 229.5, 0.55%, 0.43%

LAB 33.77, 26.29, -55.62

 

CMYK 71 / 71 / 0 / 34

HEX #3131A9

RGB 49 49 169

HSL 240, 0.55%, 0.43%

LAB 28.68, 39.67, -63.95

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 83 / 24 / 0 / 27

HEX #1F8EBB

RGB 31 142 187

HSL 197.31, 0.72%, 0.43%

LAB 55.3, -13.93, -31.86

 

CMYK 94 / 27 / 0 / 20

HEX #0D96CD

RGB 13 150 205

HSL 197.19, 0.88%, 0.43%

LAB 58.33, -12.95, -37.33

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 56 / 16 / 0 / 40

HEX #437F98

RGB 67 127 152

HSL 197.65, 0.39%, 0.43%

LAB 50.26, -12.02, -19.39

 

CMYK 37 / 10 / 0 / 47

HEX #547886

RGB 84 120 134

HSL 196.8, 0.23%, 0.43%

LAB 48.31, -8.95, -11.7

 

CMYK 12 / 3 / 0 / 55

HEX #667074

RGB 102 112 116

HSL 197.14, 0.06%, 0.43%

LAB 46.54, -2.88, -3.51

 

CMYK 0 / 13 / 18 / 53

HEX #786962

RGB 120 105 98

HSL 19.09, 0.1%, 0.43%

LAB 45.6, 4.68, 6.1

 

CMYK 71 / 0 / 18 / 34

HEX #31A98B

RGB 49 169 139

HSL 165, 0.55%, 0.43%

LAB 62.42, -40.04, 6.04

 

CMYK 71 / 1 / 0 / 34

HEX #31A7A9

RGB 49 167 169

HSL 181, 0.55%, 0.43%

LAB 62.64, -30.82, -10.44

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 71 / 39 / 0 / 34

HEX #3167A9

RGB 49 103 169

HSL 213, 0.55%, 0.43%

LAB 43.09, 4.74, -40.63

 

CMYK 71 / 58 / 0 / 34

HEX #3147A9

RGB 49 71 169

HSL 229, 0.55%, 0.43%

LAB 34.03, 25.63, -55.19

 

CMYK 72 / 21 / 0 / 58

HEX #1E546A

RGB 30 84 106

HSL 197.37, 0.56%, 0.27%

LAB 33.26, -9.89, -17.86

 

CMYK 71 / 20 / 0 / 46

HEX #286D89

RGB 40 109 137

HSL 197.32, 0.55%, 0.35%

LAB 43.05, -11.93, -21.69

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 69 / 20 / 0 / 22

HEX #3D9FC6

RGB 61 159 198

HSL 197.08, 0.55%, 0.51%

LAB 61.54, -15.94, -28.35

 

CMYK 55 / 16 / 0 / 18

HEX #5DAFD0

RGB 93 175 208

HSL 197.22, 0.55%, 0.59%

LAB 67.68, -15.67, -24.36

 

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

CMYK 37 / 71 / 0 / 34

HEX #6B31A9

RGB 107 49 169

HSL 269, 0.55%, 0.43%

LAB 34.37, 48.97, -54.41

 

CMYK 0 / 8 / 71 / 34

HEX #A99B31

RGB 169 155 49

HSL 53, 0.55%, 0.43%

LAB 63.42, -7.15, 54.62

 

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

CMYK 0 / 71 / 20 / 34

HEX #A93187

RGB 169 49 135

HSL 317, 0.55%, 0.43%

LAB 41.82, 57.02, -21.4

 

CMYK 20 / 0 / 71 / 34

HEX #87A931

RGB 135 169 49

HSL 77, 0.55%, 0.43%

LAB 64.76, -28.9, 55.07

 

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

CMYK 37 / 71 / 0 / 34

HEX #6B31A9

RGB 107 49 169

HSL 269, 0.55%, 0.43%

LAB 34.37, 48.97, -54.41

 

CMYK 0 / 51 / 71 / 34

HEX #A95331

RGB 169 83 49

HSL 17, 0.55%, 0.43%

LAB 45.42, 32.71, 35.66

 

CMYK 34 / 0 / 71 / 34

HEX #6FA931

RGB 111 169 49

HSL 89, 0.55%, 0.43%

LAB 63.32, -38.22, 53.15

 

CMYK 71 / 20 / 0 / 33

HEX #3288AB

RGB 50 136 171

HSL 197.36, 0.55%, 0.43%

LAB 53.2, -13.97, -25.94

 

CMYK 15 / 71 / 0 / 34

HEX #8F31A9

RGB 143 49 169

HSL 287, 0.55%, 0.43%

LAB 39.41, 56.49, -46.02

 

CMYK 0 / 51 / 71 / 34

HEX #A95331

RGB 169 83 49

HSL 17, 0.55%, 0.43%

LAB 45.42, 32.71, 35.66

 

CMYK 56 / 0 / 71 / 34

HEX #4BA931

RGB 75 169 49

HSL 107, 0.55%, 0.43%

LAB 61.73, -49.84, 51.02

 

Description

Color code: HEX #3288AB | qconv.com Color code: HEX #3288AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 136 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 136 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 20 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 20% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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