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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328145 it is the complementary color #CD7EBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328145 shade: #378140, #489353, #59A566, #6AB779 and #7BC98C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328145 shade: #328145, #216F32, #105D1F, #004B0C and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328145 shade: #318044, #348031, #498031, #5E8031 and #738031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328145 shade: #318044, #31805A, #31806F, #317C80 and #316780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328145 shade matches the following richer shades: #318044, #238E3D, #159D35 and #06AB2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328145 shade: #318044, #40724C, #4E6353, #5D555B and #6B4662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328145 shade: #498031, #348031, #318044, #318059 and #31806E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328145 shade: #1A4525, #266234, #318044, #3D9E54 and #4BB966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328145 shade: #328145, #315E80 and #80313F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328145 shade: #328145, #443180 and #804431

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328145 shade: #328145, #315E80, #80316E and #805431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328145 shade: #328145, #314680, #80316E and #806B31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

Complementary color

CMYK 0 / 39 / 9 / 20

HEX #CD7EBA

RGB 205 126 186

HSL 314.43, 0.44%, 0.65%

LAB 62.88, 39.31, -18.64

 

CMYK 57 / 0 / 50 / 49

HEX #378140

RGB 55 129 64

HSL 127.3, 0.4%, 0.36%

LAB 48.11, -37.57, 28.32

 

CMYK 51 / 0 / 44 / 42

HEX #489353

RGB 72 147 83

HSL 128.8, 0.34%, 0.43%

LAB 54.94, -37.58, 26.89

 

CMYK 46 / 0 / 38 / 35

HEX #59A566

RGB 89 165 102

HSL 130.26, 0.3%, 0.5%

LAB 61.65, -37.43, 25.54

 

CMYK 42 / 0 / 34 / 28

HEX #6AB779

RGB 106 183 121

HSL 131.69, 0.35%, 0.57%

LAB 68.25, -37.21, 24.28

 

CMYK 39 / 0 / 30 / 21

HEX #7BC98C

RGB 123 201 140

HSL 133.08, 0.42%, 0.64%

LAB 74.75, -36.95, 23.11

 

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

CMYK 70 / 0 / 55 / 56

HEX #216F32

RGB 33 111 50

HSL 133.08, 0.54%, 0.28%

LAB 41.09, -37.64, 27.03

 

CMYK 83 / 0 / 67 / 64

HEX #105D1F

RGB 16 93 31

HSL 131.69, 0.71%, 0.21%

LAB 34.06, -36.59, 28.59

 

CMYK 100 / 0 / 84 / 71

HEX #004B0C

RGB 0 75 12

HSL 129.6, 1%, 0.15%

LAB 26.9, -34.61, 29.61

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 59 / 0 / 62 / 50

HEX #348031

RGB 52 128 49

HSL 117.72, 0.45%, 0.35%

LAB 47.48, -40.05, 35.26

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 27 / 0 / 62 / 50

HEX #5E8031

RGB 94 128 49

HSL 85.82, 0.45%, 0.35%

LAB 49.54, -25.63, 38.15

 

CMYK 10 / 0 / 62 / 50

HEX #738031

RGB 115 128 49

HSL 69.87, 0.45%, 0.35%

LAB 51.04, -16.72, 40.24

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 62 / 0 / 30 / 50

HEX #31805A

RGB 49 128 90

HSL 151.14, 0.45%, 0.35%

LAB 48.04, -33.64, 13.61

 

CMYK 62 / 0 / 13 / 50

HEX #31806F

RGB 49 128 111

HSL 167.09, 0.45%, 0.35%

LAB 48.56, -28.46, 2.07

 

CMYK 62 / 3 / 0 / 50

HEX #317C80

RGB 49 124 128

HSL 183.04, 0.45%, 0.35%

LAB 47.79, -21.55, -9.1

 

CMYK 62 / 20 / 0 / 50

HEX #316780

RGB 49 103 128

HSL 198.99, 0.45%, 0.35%

LAB 41.08, -9.87, -19.3

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 75 / 0 / 57 / 44

HEX #238E3D

RGB 35 142 61

HSL 134.58, 0.6%, 0.35%

LAB 51.88, -47.41, 34.36

 

CMYK 87 / 0 / 66 / 38

HEX #159D35

RGB 21 157 53

HSL 134.12, 0.76%, 0.35%

LAB 56.61, -55.32, 43.52

 

CMYK 96 / 0 / 73 / 33

HEX #06AB2E

RGB 6 171 46

HSL 134.55, 0.93%, 0.35%

LAB 61.1, -61.34, 51.11

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 44 / 0 / 33 / 55

HEX #40724C

RGB 64 114 76

HSL 134.4, 0.28%, 0.35%

LAB 43.72, -25.9, 15.93

 

CMYK 21 / 0 / 16 / 61

HEX #4E6353

RGB 78 99 83

HSL 134.29, 0.12%, 0.35%

LAB 39.86, -11.5, 6.51

 

CMYK 0 / 9 / 2 / 64

HEX #5D555B

RGB 93 85 91

HSL 315, 0.04%, 0.35%

LAB 37.08, 4.48, -2.3

 

CMYK 0 / 35 / 8 / 58

HEX #6B4662

RGB 107 70 98

HSL 314.59, 0.21%, 0.35%

LAB 34.78, 20.72, -9.97

 

CMYK 43 / 0 / 62 / 50

HEX #498031

RGB 73 128 49

HSL 101.77, 0.45%, 0.35%

LAB 48.36, -33.58, 36.49

 

CMYK 59 / 0 / 62 / 50

HEX #348031

RGB 52 128 49

HSL 117.72, 0.45%, 0.35%

LAB 47.48, -40.05, 35.26

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 62 / 0 / 30 / 50

HEX #318059

RGB 49 128 89

HSL 150.38, 0.45%, 0.35%

LAB 48.02, -33.87, 14.16

 

CMYK 62 / 0 / 14 / 50

HEX #31806E

RGB 49 128 110

HSL 166.33, 0.45%, 0.35%

LAB 48.53, -28.72, 2.62

 

CMYK 62 / 0 / 46 / 73

HEX #1A4525

RGB 26 69 37

HSL 135.35, 0.45%, 0.19%

LAB 25.59, -23.25, 14.96

 

CMYK 61 / 0 / 47 / 62

HEX #266234

RGB 38 98 52

HSL 134, 0.44%, 0.27%

LAB 36.73, -30.6, 20.48

 

CMYK 62 / 0 / 47 / 50

HEX #318044

RGB 49 128 68

HSL 134.43, 0.45%, 0.35%

LAB 47.63, -38.02, 25.51

 

CMYK 61 / 0 / 47 / 38

HEX #3D9E54

RGB 61 158 84

HSL 134.23, 0.44%, 0.43%

LAB 58.12, -44.84, 30.35

 

CMYK 59 / 0 / 45 / 27

HEX #4BB966

RGB 75 185 102

HSL 134.73, 0.44%, 0.51%

LAB 67.39, -49.46, 32.91

 

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

CMYK 62 / 27 / 0 / 50

HEX #315E80

RGB 49 94 128

HSL 205.82, 0.45%, 0.35%

LAB 38.23, -4.46, -23.7

 

CMYK 0 / 62 / 51 / 50

HEX #80313F

RGB 128 49 63

HSL 349.37, 0.45%, 0.35%

LAB 32.13, 35.43, 9.03

 

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

CMYK 47 / 62 / 0 / 50

HEX #443180

RGB 68 49 128

HSL 254.43, 0.45%, 0.35%

LAB 26.69, 29.29, -41.94

 

CMYK 0 / 47 / 62 / 50

HEX #804431

RGB 128 68 49

HSL 14.43, 0.45%, 0.35%

LAB 35.88, 23.85, 22.82

 

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

CMYK 62 / 27 / 0 / 50

HEX #315E80

RGB 49 94 128

HSL 205.82, 0.45%, 0.35%

LAB 38.23, -4.46, -23.7

 

CMYK 0 / 62 / 14 / 50

HEX #80316E

RGB 128 49 110

HSL 313.67, 0.45%, 0.35%

LAB 33.8, 41.74, -18.8

 

CMYK 0 / 34 / 62 / 50

HEX #805431

RGB 128 84 49

HSL 26.58, 0.45%, 0.35%

LAB 39.83, 14.46, 27.67

 

CMYK 61 / 0 / 47 / 49

HEX #328145

RGB 50 129 69

HSL 134.43, 0.44%, 0.35%

LAB 48.02, -38.02, 25.46

 

CMYK 62 / 45 / 0 / 50

HEX #314680

RGB 49 70 128

HSL 224.05, 0.45%, 0.35%

LAB 30.86, 11.07, -35.32

 

CMYK 0 / 62 / 14 / 50

HEX #80316E

RGB 128 49 110

HSL 313.67, 0.45%, 0.35%

LAB 33.8, 41.74, -18.8

 

CMYK 0 / 16 / 62 / 50

HEX #806B31

RGB 128 107 49

HSL 44.05, 0.45%, 0.35%

LAB 46.08, 0.9, 34.99

 

Description

Color code: HEX #328145 | qconv.com Color code: HEX #328145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 129 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 129 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 47 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 47% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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