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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328A36 it is the complementary color #CD75C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328A36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328A36 shade: #378A31, #489C44, #59AE57, #6AC06A and #7BD27D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328A36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328A36 shade: #328A36, #217823, #106610, #005400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328A36 shade: #328A36, #458A32, #5D8A32, #758A32 and #8A8732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328A36 shade: #328A36, #328A4D, #328A65, #328A7D and #327F8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328A36 shade matches the following richer shades: #328A36, #229928, #13A91A and #04B80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328A36 shade: #328A36, #417B43, #506C51, #5F5C5F and #6F4D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328A36 shade: #5E8A32, #468A32, #328A34, #328A4C and #328A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328A36 shade: #1C4E1E, #276C2A, #328A36, #3CA941 and #4FBF54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328A36 shade: #328A36, #32768A and #8A3252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328A36 shade: #328A36, #34328A and #8A3432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328A36 shade: #328A36, #32768A, #8A3287 and #8A4632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328A36 shade: #328A36, #325B8A, #8A3287 and #8A6132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

Complementary color

CMYK 0 / 43 / 2 / 20

HEX #CD75C9

RGB 205 117 201

HSL 302.73, 0.47%, 0.63%

LAB 61.58, 46.67, -29.12

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 54 / 0 / 56 / 39

HEX #489C44

RGB 72 156 68

HSL 117.27, 0.39%, 0.44%

LAB 57.63, -43.58, 37.98

 

CMYK 49 / 0 / 50 / 32

HEX #59AE57

RGB 89 174 87

HSL 118.62, 0.35%, 0.51%

LAB 64.23, -43.66, 36.67

 

CMYK 45 / 0 / 45 / 25

HEX #6AC06A

RGB 106 192 106

HSL 120, 0.41%, 0.58%

LAB 70.74, -43.58, 35.36

 

CMYK 41 / 0 / 40 / 18

HEX #7BD27D

RGB 123 210 125

HSL 121.38, 0.49%, 0.65%

LAB 77.15, -43.42, 34.1

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 73 / 0 / 71 / 53

HEX #217823

RGB 33 120 35

HSL 121.38, 0.57%, 0.3%

LAB 44.06, -43.01, 37.81

 

CMYK 84 / 0 / 84 / 60

HEX #106610

RGB 16 102 16

HSL 120, 0.73%, 0.23%

LAB 37.21, -41.27, 38.22

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 50 / 0 / 64 / 46

HEX #458A32

RGB 69 138 50

HSL 107.05, 0.47%, 0.37%

LAB 51.46, -39.14, 39.47

 

CMYK 33 / 0 / 64 / 46

HEX #5D8A32

RGB 93 138 50

HSL 90.68, 0.47%, 0.37%

LAB 52.66, -30.76, 41.13

 

CMYK 15 / 0 / 64 / 46

HEX #758A32

RGB 117 138 50

HSL 74.32, 0.47%, 0.37%

LAB 54.23, -20.99, 43.3

 

CMYK 0 / 2 / 64 / 46

HEX #8A8732

RGB 138 135 50

HSL 57.95, 0.47%, 0.37%

LAB 55.03, -10.17, 44.67

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 0 / 44 / 46

HEX #328A4D

RGB 50 138 77

HSL 138.41, 0.47%, 0.37%

LAB 51.14, -40.37, 25.09

 

CMYK 64 / 0 / 27 / 46

HEX #328A65

RGB 50 138 101

HSL 154.77, 0.47%, 0.37%

LAB 51.6, -35.43, 12.22

 

CMYK 64 / 0 / 9 / 46

HEX #328A7D

RGB 50 138 125

HSL 171.14, 0.47%, 0.37%

LAB 52.21, -29.31, -0.78

 

CMYK 64 / 8 / 0 / 46

HEX #327F8A

RGB 50 127 138

HSL 187.5, 0.47%, 0.37%

LAB 49.12, -19.86, -12.98

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 78 / 0 / 74 / 40

HEX #229928

RGB 34 153 40

HSL 123.03, 0.64%, 0.37%

LAB 55.36, -53.75, 47.58

 

CMYK 89 / 0 / 85 / 34

HEX #13A91A

RGB 19 169 26

HSL 122.8, 0.8%, 0.37%

LAB 60.42, -61.34, 56.83

 

CMYK 98 / 0 / 93 / 28

HEX #04B80C

RGB 4 184 12

HSL 122.67, 0.96%, 0.37%

LAB 65.23, -66.99, 63.66

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 47 / 0 / 46 / 52

HEX #417B43

RGB 65 123 67

HSL 122.07, 0.31%, 0.37%

LAB 46.57, -31.51, 24.83

 

CMYK 26 / 0 / 25 / 58

HEX #506C51

RGB 80 108 81

HSL 122.14, 0.15%, 0.37%

LAB 42.8, -16.19, 11.86

 

CMYK 0 / 3 / 0 / 63

HEX #5F5C5F

RGB 95 92 95

HSL 300, 0.02%, 0.37%

LAB 39.43, 1.82, -1.3

 

CMYK 0 / 31 / 2 / 56

HEX #6F4D6D

RGB 111 77 109

HSL 303.53, 0.18%, 0.37%

LAB 37.47, 20.17, -12.75

 

CMYK 32 / 0 / 64 / 46

HEX #5E8A32

RGB 94 138 50

HSL 90, 0.47%, 0.37%

LAB 52.72, -30.38, 41.21

 

CMYK 49 / 0 / 64 / 46

HEX #468A32

RGB 70 138 50

HSL 106.36, 0.47%, 0.37%

LAB 51.51, -38.83, 39.53

 

CMYK 64 / 0 / 62 / 46

HEX #328A34

RGB 50 138 52

HSL 121.36, 0.47%, 0.37%

LAB 50.81, -44.13, 37.61

 

CMYK 64 / 0 / 45 / 46

HEX #328A4C

RGB 50 138 76

HSL 137.73, 0.47%, 0.37%

LAB 51.13, -40.55, 25.62

 

CMYK 64 / 0 / 28 / 46

HEX #328A64

RGB 50 138 100

HSL 154.09, 0.47%, 0.37%

LAB 51.58, -35.66, 12.76

 

CMYK 64 / 0 / 62 / 69

HEX #1C4E1E

RGB 28 78 30

HSL 122.4, 0.47%, 0.21%

LAB 28.87, -28.07, 23.19

 

CMYK 64 / 0 / 61 / 58

HEX #276C2A

RGB 39 108 42

HSL 122.61, 0.47%, 0.29%

LAB 40.12, -36.21, 30.12

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 0 / 62 / 34

HEX #3CA941

RGB 60 169 65

HSL 122.75, 0.48%, 0.45%

LAB 61.41, -51.92, 43.71

 

CMYK 59 / 0 / 56 / 25

HEX #4FBF54

RGB 79 191 84

HSL 122.68, 0.47%, 0.53%

LAB 69.16, -53.44, 44.02

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 14 / 0 / 46

HEX #32768A

RGB 50 118 138

HSL 193.64, 0.47%, 0.37%

LAB 46.27, -14.95, -17.31

 

CMYK 0 / 64 / 41 / 46

HEX #8A3252

RGB 138 50 82

HSL 338.18, 0.47%, 0.37%

LAB 34.59, 40.52, 0.45

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 62 / 64 / 0 / 46

HEX #34328A

RGB 52 50 138

HSL 241.36, 0.47%, 0.37%

LAB 26.29, 28.72, -48.9

 

CMYK 0 / 62 / 64 / 46

HEX #8A3432

RGB 138 52 50

HSL 1.36, 0.47%, 0.37%

LAB 34.17, 36.56, 20.39

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 14 / 0 / 46

HEX #32768A

RGB 50 118 138

HSL 193.64, 0.47%, 0.37%

LAB 46.27, -14.95, -17.31

 

CMYK 0 / 64 / 2 / 46

HEX #8A3287

RGB 138 50 135

HSL 302.05, 0.47%, 0.37%

LAB 36.81, 48.43, -29.6

 

CMYK 0 / 49 / 64 / 46

HEX #8A4632

RGB 138 70 50

HSL 13.64, 0.47%, 0.37%

LAB 37.87, 27.05, 25.02

 

CMYK 64 / 0 / 61 / 46

HEX #328A36

RGB 50 138 54

HSL 122.73, 0.47%, 0.37%

LAB 50.83, -43.88, 36.67

 

CMYK 64 / 34 / 0 / 46

HEX #325B8A

RGB 50 91 138

HSL 212.05, 0.47%, 0.37%

LAB 37.83, 1.16, -30.41

 

CMYK 0 / 64 / 2 / 46

HEX #8A3287

RGB 138 50 135

HSL 302.05, 0.47%, 0.37%

LAB 36.81, 48.43, -29.6

 

CMYK 0 / 30 / 64 / 46

HEX #8A6132

RGB 138 97 50

HSL 32.05, 0.47%, 0.37%

LAB 44.49, 11.43, 32.93

 

Description

Color code: HEX #328A36 | qconv.com Color code: HEX #328A36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 138 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 138 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 61 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 61% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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