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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328ECC it is the complementary color #CD7133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328ECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328ECC shade: #378EC7, #48A0DA, #59B2ED, #6AC4FF and #7BD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328ECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328ECC shade: #328ECC, #217CB9, #106AA6, #005893 and #004680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328ECC shade: #318ECD, #3164CD, #313ACD, #5231CD and #7C31CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328ECC shade: #318ECD, #3164CD, #313ACD and #3131CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328ECC shade matches the following richer shades: #318ECD, #1D92E1 and #0896F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328ECC shade: #318ECD, #468AB8, #5A86A4, #6F828F and #847E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328ECC shade: #31CDB8, #31B8CD, #318FCD, #3165CD and #313CCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328ECC shade: #21608A, #2977AC, #318ECD, #52A0D5 and #74B2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328ECC shade: #328ECC, #8F31CD and #CDCD31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328ECC shade: #328ECC, #CD318F and #8FCD31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328ECC shade: #328ECC, #8F31CD, #CD6F31 and #6FCD31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328ECC shade: #328ECC, #BD31CD, #CD6F31 and #41CD31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

Complementary color

CMYK 0 / 45 / 75 / 20

HEX #CD7133

RGB 205 113 51

HSL 24.16, 0.61%, 0.5%

LAB 57.1, 31.57, 48.71

 

CMYK 72 / 29 / 0 / 22

HEX #378EC7

RGB 55 142 199

HSL 203.75, 0.57%, 0.5%

LAB 56.37, -7.01, -36.96

 

CMYK 67 / 27 / 0 / 15

HEX #48A0DA

RGB 72 160 218

HSL 203.84, 0.66%, 0.57%

LAB 63, -8.21, -37.2

 

CMYK 62 / 25 / 0 / 7

HEX #59B2ED

RGB 89 178 237

HSL 203.92, 0.8%, 0.64%

LAB 69.53, -9.15, -37.41

 

CMYK 58 / 23 / 0 / 0

HEX #6AC4FF

RGB 106 196 255

HSL 203.76, 1%, 0.71%

LAB 75.92, -10.22, -37.14

 

CMYK 52 / 16 / 0 / 0

HEX #7BD6FF

RGB 123 214 255

HSL 198.64, 1%, 0.74%

LAB 81.58, -16.26, -28.38

 

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

CMYK 82 / 33 / 0 / 27

HEX #217CB9

RGB 33 124 185

HSL 204.08, 0.7%, 0.43%

LAB 49.79, -4.13, -39.36

 

CMYK 90 / 36 / 0 / 35

HEX #106AA6

RGB 16 106 166

HSL 204, 0.82%, 0.36%

LAB 43.02, -1.83, -39.02

 

CMYK 100 / 40 / 0 / 42

HEX #005893

RGB 0 88 147

HSL 204.08, 1%, 0.29%

LAB 36.15, 1.04, -38.61

 

CMYK 100 / 45 / 0 / 50

HEX #004680

RGB 0 70 128

HSL 207.19, 1%, 0.25%

LAB 29.26, 4.96, -37.98

 

CMYK 76 / 31 / 0 / 20

HEX #318ECD

RGB 49 142 205

HSL 204.23, 0.61%, 0.5%

LAB 56.49, -5.66, -40.17

 

CMYK 76 / 51 / 0 / 20

HEX #3164CD

RGB 49 100 205

HSL 220.38, 0.61%, 0.5%

LAB 44.48, 20.14, -59.33

 

CMYK 76 / 72 / 0 / 20

HEX #313ACD

RGB 49 58 205

HSL 236.54, 0.61%, 0.5%

LAB 34.16, 46.57, -76.19

 

CMYK 60 / 76 / 0 / 20

HEX #5231CD

RGB 82 49 205

HSL 252.69, 0.61%, 0.5%

LAB 34.8, 54.78, -75.06

 

CMYK 40 / 76 / 0 / 20

HEX #7C31CD

RGB 124 49 205

HSL 268.85, 0.61%, 0.5%

LAB 39.39, 60.75, -67.35

 

CMYK 76 / 31 / 0 / 20

HEX #318ECD

RGB 49 142 205

HSL 204.23, 0.61%, 0.5%

LAB 56.49, -5.66, -40.17

 

CMYK 76 / 51 / 0 / 20

HEX #3164CD

RGB 49 100 205

HSL 220.38, 0.61%, 0.5%

LAB 44.48, 20.14, -59.33

 

CMYK 76 / 72 / 0 / 20

HEX #313ACD

RGB 49 58 205

HSL 236.54, 0.61%, 0.5%

LAB 34.16, 46.57, -76.19

 

CMYK 76 / 76 / 0 / 20

HEX #3131CD

RGB 49 49 205

HSL 240, 0.61%, 0.5%

LAB 32.39, 51.57, -79.12

 

CMYK 76 / 31 / 0 / 20

HEX #318ECD

RGB 49 142 205

HSL 204.23, 0.61%, 0.5%

LAB 56.49, -5.66, -40.17

 

CMYK 87 / 35 / 0 / 12

HEX #1D92E1

RGB 29 146 225

HSL 204.18, 0.77%, 0.5%

LAB 58.28, -2.49, -48.58

 

CMYK 97 / 39 / 0 / 4

HEX #0896F6

RGB 8 150 246

HSL 204.2, 0.94%, 0.5%

LAB 60.35, 2.15, -56.91

 

CMYK 76 / 31 / 0 / 20

HEX #318ECD

RGB 49 142 205

HSL 204.23, 0.61%, 0.5%

LAB 56.49, -5.66, -40.17

 

CMYK 62 / 25 / 0 / 28

HEX #468AB8

RGB 70 138 184

HSL 204.21, 0.45%, 0.5%

LAB 55.01, -7.37, -30.53

 

CMYK 45 / 18 / 0 / 36

HEX #5A86A4

RGB 90 134 164

HSL 204.32, 0.29%, 0.5%

LAB 53.93, -6.8, -20.65

 

CMYK 22 / 9 / 0 / 44

HEX #6F828F

RGB 111 130 143

HSL 204.38, 0.13%, 0.5%

LAB 53.31, -3.86, -9.3

 

CMYK 0 / 5 / 8 / 48

HEX #847E7A

RGB 132 126 122

HSL 24, 0.04%, 0.5%

LAB 53.2, 1.51, 2.98

 

CMYK 76 / 0 / 10 / 20

HEX #31CDB8

RGB 49 205 184

HSL 171.92, 0.61%, 0.5%

LAB 74.68, -43.95, -0.87

 

CMYK 76 / 10 / 0 / 20

HEX #31B8CD

RGB 49 184 205

HSL 188.08, 0.61%, 0.5%

LAB 69, -28.12, -20.81

 

CMYK 76 / 30 / 0 / 20

HEX #318FCD

RGB 49 143 205

HSL 203.85, 0.61%, 0.5%

LAB 56.79, -6.24, -39.7

 

CMYK 76 / 51 / 0 / 20

HEX #3165CD

RGB 49 101 205

HSL 220, 0.61%, 0.5%

LAB 44.76, 19.5, -58.89

 

CMYK 76 / 71 / 0 / 20

HEX #313CCD

RGB 49 60 205

HSL 235.77, 0.61%, 0.5%

LAB 34.58, 45.4, -75.49

 

CMYK 76 / 30 / 0 / 46

HEX #21608A

RGB 33 96 138

HSL 204, 0.61%, 0.34%

LAB 38.77, -4.86, -28.98

 

CMYK 76 / 31 / 0 / 33

HEX #2977AC

RGB 41 119 172

HSL 204.27, 0.62%, 0.42%

LAB 47.81, -5.09, -34.94

 

CMYK 76 / 31 / 0 / 20

HEX #318ECD

RGB 49 142 205

HSL 204.23, 0.61%, 0.5%

LAB 56.49, -5.66, -40.17

 

CMYK 62 / 25 / 0 / 16

HEX #52A0D5

RGB 82 160 213

HSL 204.27, 0.61%, 0.58%

LAB 63.13, -8.13, -34.19

 

CMYK 48 / 19 / 0 / 13

HEX #74B2DD

RGB 116 178 221

HSL 204.57, 0.61%, 0.66%

LAB 70.02, -8.42, -27.83

 

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

CMYK 30 / 76 / 0 / 20

HEX #8F31CD

RGB 143 49 205

HSL 276.15, 0.61%, 0.5%

LAB 41.91, 63.95, -63.13

 

CMYK 0 / 0 / 76 / 20

HEX #CDCD31

RGB 205 205 49

HSL 60, 0.61%, 0.5%

LAB 80.1, -17.28, 71.5

 

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

CMYK 0 / 76 / 30 / 20

HEX #CD318F

RGB 205 49 143

HSL 323.85, 0.61%, 0.5%

LAB 48.46, 67.19, -15.52

 

CMYK 30 / 0 / 76 / 20

HEX #8FCD31

RGB 143 205 49

HSL 83.85, 0.61%, 0.5%

LAB 75.9, -42.18, 66.08

 

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

CMYK 30 / 76 / 0 / 20

HEX #8F31CD

RGB 143 49 205

HSL 276.15, 0.61%, 0.5%

LAB 41.91, 63.95, -63.13

 

CMYK 0 / 46 / 76 / 20

HEX #CD6F31

RGB 205 111 49

HSL 23.85, 0.61%, 0.5%

LAB 56.65, 32.54, 49.19

 

CMYK 46 / 0 / 76 / 20

HEX #6FCD31

RGB 111 205 49

HSL 96.15, 0.61%, 0.5%

LAB 74.36, -53.1, 64.07

 

CMYK 75 / 30 / 0 / 20

HEX #328ECC

RGB 50 142 204

HSL 204.16, 0.61%, 0.5%

LAB 56.47, -5.9, -39.64

 

CMYK 8 / 76 / 0 / 20

HEX #BD31CD

RGB 189 49 205

HSL 293.85, 0.61%, 0.5%

LAB 48.79, 72.53, -51.69

 

CMYK 0 / 46 / 76 / 20

HEX #CD6F31

RGB 205 111 49

HSL 23.85, 0.61%, 0.5%

LAB 56.65, 32.54, 49.19

 

CMYK 68 / 0 / 76 / 20

HEX #41CD31

RGB 65 205 49

HSL 113.85, 0.61%, 0.5%

LAB 72.9, -64.68, 62.15

 

Description

Color code: HEX #328ECC | qconv.com Color code: HEX #328ECC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 142 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 142 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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