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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328F3B it is the complementary color #CD70C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328F3B shade: #378F36, #48A149, #59B35C, #6AC56F and #7BD782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328F3B shade: #328F3B, #217D28, #106B15, #005902 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328F3B shade: #328F3B, #428F32, #5B8F32, #748F32 and #8D8F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328F3B shade: #328F3B, #328F54, #328F6D, #328F86 and #327F8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328F3B shade matches the following richer shades: #328F3B, #229F2E, #13AE22 and #03BE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328F3B shade: #328F3B, #427F48, #517054, #616061 and #71506D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328F3B shade: #5C8F32, #438F32, #328F3A, #328F52 and #328F6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328F3B shade: #1C5222, #27702E, #328F3B, #3DAD48 and #52C25C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328F3B shade: #328F3B, #32758F and #8F324F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328F3B shade: #328F3B, #3A328F and #8F3A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328F3B shade: #328F3B, #32758F, #8F3287 and #8F4C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328F3B shade: #328F3B, #32598F, #8F3287 and #8F6832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

Complementary color

CMYK 0 / 45 / 4 / 20

HEX #CD70C4

RGB 205 112 196

HSL 305.81, 0.48%, 0.62%

LAB 60.39, 48.34, -28.14

 

CMYK 62 / 0 / 62 / 44

HEX #378F36

RGB 55 143 54

HSL 119.33, 0.45%, 0.39%

LAB 52.65, -44.61, 38.79

 

CMYK 55 / 0 / 55 / 37

HEX #48A149

RGB 72 161 73

HSL 120.67, 0.38%, 0.46%

LAB 59.3, -44.95, 37.51

 

CMYK 50 / 0 / 49 / 30

HEX #59B35C

RGB 89 179 92

HSL 122, 0.37%, 0.53%

LAB 65.85, -45.03, 36.17

 

CMYK 46 / 0 / 44 / 23

HEX #6AC56F

RGB 106 197 111

HSL 123.3, 0.44%, 0.59%

LAB 72.32, -44.96, 34.85

 

CMYK 43 / 0 / 40 / 16

HEX #7BD782

RGB 123 215 130

HSL 124.57, 0.53%, 0.66%

LAB 78.71, -44.8, 33.58

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 74 / 0 / 68 / 51

HEX #217D28

RGB 33 125 40

HSL 124.57, 0.58%, 0.31%

LAB 45.83, -44.29, 37.5

 

CMYK 85 / 0 / 80 / 58

HEX #106B15

RGB 16 107 21

HSL 123.3, 0.74%, 0.24%

LAB 39.04, -42.58, 38.23

 

CMYK 100 / 0 / 98 / 65

HEX #005902

RGB 0 89 2

HSL 121.35, 1%, 0.17%

LAB 32.14, -39.86, 37.91

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 54 / 0 / 65 / 44

HEX #428F32

RGB 66 143 50

HSL 109.68, 0.48%, 0.38%

LAB 52.99, -42.11, 41.13

 

CMYK 36 / 0 / 65 / 44

HEX #5B8F32

RGB 91 143 50

HSL 93.55, 0.48%, 0.38%

LAB 54.13, -33.83, 42.72

 

CMYK 19 / 0 / 65 / 44

HEX #748F32

RGB 116 143 50

HSL 77.42, 0.48%, 0.38%

LAB 55.67, -23.94, 44.84

 

CMYK 1 / 0 / 65 / 44

HEX #8D8F32

RGB 141 143 50

HSL 61.29, 0.48%, 0.38%

LAB 57.6, -13.13, 47.46

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 65 / 0 / 41 / 44

HEX #328F54

RGB 50 143 84

HSL 141.94, 0.48%, 0.38%

LAB 52.91, -41.15, 23.56

 

CMYK 65 / 0 / 24 / 44

HEX #328F6D

RGB 50 143 109

HSL 158.06, 0.48%, 0.38%

LAB 53.41, -35.78, 10.18

 

CMYK 65 / 0 / 6 / 44

HEX #328F86

RGB 50 143 134

HSL 174.19, 0.48%, 0.38%

LAB 54.07, -29.22, -3.26

 

CMYK 65 / 11 / 0 / 44

HEX #327F8F

RGB 50 127 143

HSL 190.32, 0.48%, 0.38%

LAB 49.3, -18.28, -15.64

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 79 / 0 / 71 / 38

HEX #229F2E

RGB 34 159 46

HSL 125.76, 0.65%, 0.38%

LAB 57.4, -55.17, 47.35

 

CMYK 89 / 0 / 80 / 32

HEX #13AE22

RGB 19 174 34

HSL 125.81, 0.8%, 0.38%

LAB 62.11, -62.36, 56.19

 

CMYK 98 / 0 / 89 / 25

HEX #03BE15

RGB 3 190 21

HSL 125.78, 0.97%, 0.38%

LAB 67.2, -68.41, 63.9

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 48 / 0 / 43 / 50

HEX #427F48

RGB 66 127 72

HSL 125.9, 0.32%, 0.38%

LAB 48.01, -32.21, 23.91

 

CMYK 28 / 0 / 25 / 56

HEX #517054

RGB 81 112 84

HSL 125.81, 0.16%, 0.38%

LAB 44.2, -17.4, 12.03

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 0 / 29 / 4 / 56

HEX #71506D

RGB 113 80 109

HSL 307.27, 0.17%, 0.38%

LAB 38.47, 19.08, -11.21

 

CMYK 36 / 0 / 65 / 44

HEX #5C8F32

RGB 92 143 50

HSL 92.9, 0.48%, 0.38%

LAB 54.19, -33.46, 42.8

 

CMYK 53 / 0 / 65 / 44

HEX #438F32

RGB 67 143 50

HSL 109.03, 0.48%, 0.38%

LAB 53.02, -41.81, 41.19

 

CMYK 65 / 0 / 59 / 44

HEX #328F3A

RGB 50 143 58

HSL 125.16, 0.48%, 0.38%

LAB 52.54, -45.29, 36.71

 

CMYK 65 / 0 / 43 / 44

HEX #328F52

RGB 50 143 82

HSL 140.65, 0.48%, 0.38%

LAB 52.88, -41.52, 24.61

 

CMYK 65 / 0 / 25 / 44

HEX #328F6B

RGB 50 143 107

HSL 156.77, 0.48%, 0.38%

LAB 53.37, -36.26, 11.25

 

CMYK 66 / 0 / 59 / 68

HEX #1C5222

RGB 28 82 34

HSL 126.67, 0.49%, 0.22%

LAB 30.39, -29.23, 22.78

 

CMYK 65 / 0 / 59 / 56

HEX #27702E

RGB 39 112 46

HSL 125.75, 0.48%, 0.3%

LAB 41.56, -37.28, 29.75

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 65 / 0 / 58 / 32

HEX #3DAD48

RGB 61 173 72

HSL 125.89, 0.48%, 0.46%

LAB 62.8, -52.32, 42.07

 

CMYK 58 / 0 / 53 / 24

HEX #52C25C

RGB 82 194 92

HSL 125.36, 0.48%, 0.54%

LAB 70.28, -52.81, 41.56

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 65 / 18 / 0 / 44

HEX #32758F

RGB 50 117 143

HSL 196.77, 0.48%, 0.38%

LAB 46.16, -12.73, -20.46

 

CMYK 0 / 65 / 45 / 44

HEX #8F324F

RGB 143 50 79

HSL 341.29, 0.48%, 0.38%

LAB 35.37, 41.87, 3.63

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 59 / 65 / 0 / 44

HEX #3A328F

RGB 58 50 143

HSL 245.16, 0.48%, 0.38%

LAB 27.2, 31.49, -50.5

 

CMYK 0 / 59 / 65 / 44

HEX #8F3A32

RGB 143 58 50

HSL 5.16, 0.48%, 0.38%

LAB 36.17, 35.47, 23.1

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 65 / 18 / 0 / 44

HEX #32758F

RGB 50 117 143

HSL 196.77, 0.48%, 0.38%

LAB 46.16, -12.73, -20.46

 

CMYK 0 / 65 / 6 / 44

HEX #8F3287

RGB 143 50 135

HSL 305.16, 0.48%, 0.38%

LAB 37.61, 49.76, -28.28

 

CMYK 0 / 47 / 65 / 44

HEX #8F4C32

RGB 143 76 50

HSL 16.77, 0.48%, 0.38%

LAB 39.98, 25.8, 27.76

 

CMYK 65 / 0 / 59 / 44

HEX #328F3B

RGB 50 143 59

HSL 125.81, 0.48%, 0.38%

LAB 52.55, -45.16, 36.24

 

CMYK 65 / 38 / 0 / 44

HEX #32598F

RGB 50 89 143

HSL 214.84, 0.48%, 0.38%

LAB 37.49, 4.25, -33.98

 

CMYK 0 / 65 / 6 / 44

HEX #8F3287

RGB 143 50 135

HSL 305.16, 0.48%, 0.38%

LAB 37.61, 49.76, -28.28

 

CMYK 0 / 27 / 65 / 44

HEX #8F6832

RGB 143 104 50

HSL 34.84, 0.48%, 0.38%

LAB 46.94, 9.63, 35.89

 

Description

Color code: HEX #328F3B | qconv.com Color code: HEX #328F3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 143 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 143 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 59 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 59% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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