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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328F6F it is the complementary color #CD7090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328F6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328F6F shade: #378F6A, #48A17D, #59B390, #6AC5A3 and #7BD7B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328F6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328F6F shade: #328F6F, #217D5C, #106B49, #005936 and #004723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328F6F shade: #328F6F, #328F56, #328F3D, #408F32 and #598F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328F6F shade: #328F6F, #328F88, #327D8F, #32648F and #324B8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328F6F shade matches the following richer shades: #328F6F, #229F74, #13AE79 and #03BE7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328F6F shade: #328F6F, #427F6A, #517065, #616060 and #71505B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328F6F shade: #328F3D, #328F56, #328F6E, #328F87 and #327E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328F6F shade: #1C523F, #277057, #328F6F, #3DAD87 and #52C29B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328F6F shade: #328F6F, #32408F and #8F4932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328F6F shade: #328F6F, #6E328F and #8F6E32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328F6F shade: #328F6F, #32408F, #8F3252 and #8F8132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328F6F shade: #328F6F, #40328F, #8F3252 and #818F32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

Complementary color

CMYK 0 / 45 / 30 / 20

HEX #CD7090

RGB 205 112 144

HSL 339.35, 0.48%, 0.62%

LAB 58.58, 40.3, -0.99

 

CMYK 62 / 0 / 26 / 44

HEX #378F6A

RGB 55 143 106

HSL 154.77, 0.44%, 0.39%

LAB 53.49, -35.47, 12.02

 

CMYK 55 / 0 / 22 / 37

HEX #48A17D

RGB 72 161 125

HSL 155.73, 0.38%, 0.46%

LAB 60.2, -35.49, 10.79

 

CMYK 50 / 0 / 20 / 30

HEX #59B390

RGB 89 179 144

HSL 156.67, 0.37%, 0.53%

LAB 66.81, -35.4, 9.7

 

CMYK 46 / 0 / 17 / 23

HEX #6AC5A3

RGB 106 197 163

HSL 157.58, 0.44%, 0.59%

LAB 73.31, -35.25, 8.69

 

CMYK 43 / 0 / 15 / 16

HEX #7BD7B6

RGB 123 215 182

HSL 158.48, 0.53%, 0.66%

LAB 79.72, -35.07, 7.76

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 74 / 0 / 26 / 51

HEX #217D5C

RGB 33 125 92

HSL 158.48, 0.58%, 0.31%

LAB 46.66, -34.9, 10.46

 

CMYK 85 / 0 / 32 / 58

HEX #106B49

RGB 16 107 73

HSL 157.58, 0.74%, 0.24%

LAB 39.76, -34.06, 12.04

 

CMYK 100 / 0 / 39 / 65

HEX #005936

RGB 0 89 54

HSL 156.4, 1%, 0.17%

LAB 32.73, -32.72, 13.87

 

CMYK 100 / 0 / 51 / 72

HEX #004723

RGB 0 71 35

HSL 149.58, 1%, 0.14%

LAB 25.65, -29.7, 16.13

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 65 / 0 / 40 / 44

HEX #328F56

RGB 50 143 86

HSL 143.23, 0.48%, 0.38%

LAB 52.94, -40.77, 22.5

 

CMYK 65 / 0 / 57 / 44

HEX #328F3D

RGB 50 143 61

HSL 127.1, 0.48%, 0.38%

LAB 52.58, -44.89, 35.27

 

CMYK 55 / 0 / 65 / 44

HEX #408F32

RGB 64 143 50

HSL 110.97, 0.48%, 0.38%

LAB 52.91, -42.68, 41.03

 

CMYK 38 / 0 / 65 / 44

HEX #598F32

RGB 89 143 50

HSL 94.84, 0.48%, 0.38%

LAB 54.03, -34.56, 42.57

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 65 / 0 / 5 / 44

HEX #328F88

RGB 50 143 136

HSL 175.48, 0.48%, 0.38%

LAB 54.13, -28.65, -4.32

 

CMYK 65 / 13 / 0 / 44

HEX #327D8F

RGB 50 125 143

HSL 191.61, 0.48%, 0.38%

LAB 48.67, -17.19, -16.6

 

CMYK 65 / 30 / 0 / 44

HEX #32648F

RGB 50 100 143

HSL 207.74, 0.48%, 0.38%

LAB 40.86, -2.67, -28.68

 

CMYK 65 / 48 / 0 / 44

HEX #324B8F

RGB 50 75 143

HSL 223.87, 0.48%, 0.38%

LAB 33.34, 13.45, -40.6

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 79 / 0 / 27 / 38

HEX #229F74

RGB 34 159 116

HSL 159.36, 0.65%, 0.38%

LAB 58.41, -43.46, 13.18

 

CMYK 89 / 0 / 30 / 32

HEX #13AE79

RGB 19 174 121

HSL 159.48, 0.8%, 0.38%

LAB 63.17, -49.64, 16.99

 

CMYK 98 / 0 / 34 / 25

HEX #03BE7E

RGB 3 190 126

HSL 159.47, 0.97%, 0.38%

LAB 68.28, -55.27, 21.28

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 48 / 0 / 17 / 50

HEX #427F6A

RGB 66 127 106

HSL 159.34, 0.32%, 0.38%

LAB 48.73, -25.17, 5.34

 

CMYK 28 / 0 / 10 / 56

HEX #517065

RGB 81 112 101

HSL 158.71, 0.16%, 0.38%

LAB 44.63, -13.77, 2.49

 

CMYK 0 / 1 / 1 / 62

HEX #616060

RGB 97 96 96

HSL 0, 0.01%, 0.38%

LAB 40.82, 0.4, 0.13

 

CMYK 0 / 29 / 19 / 56

HEX #71505B

RGB 113 80 91

HSL 340, 0.17%, 0.38%

LAB 37.85, 15.67, -0.92

 

CMYK 65 / 0 / 57 / 44

HEX #328F3D

RGB 50 143 61

HSL 127.1, 0.48%, 0.38%

LAB 52.58, -44.89, 35.27

 

CMYK 65 / 0 / 40 / 44

HEX #328F56

RGB 50 143 86

HSL 143.23, 0.48%, 0.38%

LAB 52.94, -40.77, 22.5

 

CMYK 65 / 0 / 23 / 44

HEX #328F6E

RGB 50 143 110

HSL 158.71, 0.48%, 0.38%

LAB 53.44, -35.54, 9.64

 

CMYK 65 / 0 / 6 / 44

HEX #328F87

RGB 50 143 135

HSL 174.84, 0.48%, 0.38%

LAB 54.1, -28.94, -3.79

 

CMYK 65 / 12 / 0 / 44

HEX #327E8F

RGB 50 126 143

HSL 190.97, 0.48%, 0.38%

LAB 48.99, -17.74, -16.12

 

CMYK 66 / 0 / 23 / 68

HEX #1C523F

RGB 28 82 63

HSL 158.89, 0.49%, 0.22%

LAB 30.97, -23.03, 5.94

 

CMYK 65 / 0 / 22 / 56

HEX #277057

RGB 39 112 87

HSL 159.45, 0.48%, 0.3%

LAB 42.32, -29.09, 7.32

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 65 / 0 / 22 / 32

HEX #3DAD87

RGB 61 173 135

HSL 159.64, 0.48%, 0.46%

LAB 63.86, -40.8, 10.35

 

CMYK 58 / 0 / 20 / 24

HEX #52C29B

RGB 82 194 155

HSL 159.11, 0.48%, 0.54%

LAB 71.38, -41.25, 10.16

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 65 / 55 / 0 / 44

HEX #32408F

RGB 50 64 143

HSL 230.97, 0.48%, 0.38%

LAB 30.23, 20.84, -45.61

 

CMYK 0 / 49 / 65 / 44

HEX #8F4932

RGB 143 73 50

HSL 14.84, 0.48%, 0.38%

LAB 39.3, 27.48, 26.94

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 23 / 65 / 0 / 44

HEX #6E328F

RGB 110 50 143

HSL 278.71, 0.48%, 0.38%

LAB 33.09, 42.87, -40.68

 

CMYK 0 / 23 / 65 / 44

HEX #8F6E32

RGB 143 110 50

HSL 38.71, 0.48%, 0.38%

LAB 48.54, 6.15, 37.7

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 65 / 55 / 0 / 44

HEX #32408F

RGB 50 64 143

HSL 230.97, 0.48%, 0.38%

LAB 30.23, 20.84, -45.61

 

CMYK 0 / 65 / 43 / 44

HEX #8F3252

RGB 143 50 82

HSL 339.35, 0.48%, 0.38%

LAB 35.46, 42.2, 1.83

 

CMYK 0 / 10 / 65 / 44

HEX #8F8132

RGB 143 129 50

HSL 50.97, 0.48%, 0.38%

LAB 53.78, -4.62, 43.46

 

CMYK 65 / 0 / 22 / 44

HEX #328F6F

RGB 50 143 111

HSL 159.35, 0.48%, 0.38%

LAB 53.46, -35.3, 9.1

 

CMYK 55 / 65 / 0 / 44

HEX #40328F

RGB 64 50 143

HSL 249.03, 0.48%, 0.38%

LAB 27.72, 32.59, -49.63

 

CMYK 0 / 65 / 43 / 44

HEX #8F3252

RGB 143 50 82

HSL 339.35, 0.48%, 0.38%

LAB 35.46, 42.2, 1.83

 

CMYK 10 / 0 / 65 / 44

HEX #818F32

RGB 129 143 50

HSL 69.03, 0.48%, 0.38%

LAB 56.63, -18.4, 46.14

 

Description

Color code: HEX #328F6F | qconv.com Color code: HEX #328F6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 143 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 143 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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