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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #329932 it is the complementary color #CD66CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #329932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #329932 shade: #37992D, #48AB40, #59BD53, #6ACF66 and #7BE179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #329932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #329932 shade: #329932, #21871F, #10750C, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #329932 shade: #319A31, #4E9A31, #6A9A31, #869A31 and #9A9131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #329932 shade: #319A31, #319A4E, #319A6A, #319A86 and #31919A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #329932 shade matches the following richer shades: #319A31, #21AA21, #10BB10 and #00CB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #329932 shade: #319A31, #428942, #527952, #636863 and #735873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #329932 shade: #699A31, #4D9A31, #319A31, #319A4D and #319A69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #329932 shade: #1D5B1D, #277A27, #319A31, #3CB93C and #56C856

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #329932 shade: #329932, #31859A and #9A315B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #329932 shade: #329932, #31319A and #9A3131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #329932 shade: #329932, #31859A, #9A319A and #9A4631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #329932 shade: #329932, #31669A, #9A319A and #9A6631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

Complementary color

CMYK 0 / 50 / 0 / 20

HEX #CD66CD

RGB 205 102 205

HSL 300, 0.51%, 0.6%

LAB 58.87, 54.91, -35.59

 

CMYK 64 / 0 / 71 / 40

HEX #37992D

RGB 55 153 45

HSL 114.44, 0.55%, 0.39%

LAB 55.87, -49.3, 46.29

 

CMYK 58 / 0 / 63 / 33

HEX #48AB40

RGB 72 171 64

HSL 115.51, 0.46%, 0.46%

LAB 62.4, -49.95, 45.38

 

CMYK 53 / 0 / 56 / 26

HEX #59BD53

RGB 89 189 83

HSL 116.6, 0.45%, 0.53%

LAB 68.86, -50.26, 44.21

 

CMYK 49 / 0 / 51 / 19

HEX #6ACF66

RGB 106 207 102

HSL 117.71, 0.52%, 0.61%

LAB 75.23, -50.35, 42.96

 

CMYK 45 / 0 / 46 / 12

HEX #7BE179

RGB 123 225 121

HSL 118.85, 0.63%, 0.68%

LAB 81.53, -50.31, 41.69

 

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

CMYK 76 / 0 / 77 / 47

HEX #21871F

RGB 33 135 31

HSL 118.85, 0.63%, 0.33%

LAB 49.19, -48.64, 44.72

 

CMYK 86 / 0 / 90 / 54

HEX #10750C

RGB 16 117 12

HSL 117.71, 0.81%, 0.25%

LAB 42.55, -46.43, 44.26

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 49 / 0 / 68 / 40

HEX #4E9A31

RGB 78 154 49

HSL 103.43, 0.52%, 0.4%

LAB 57.03, -43.08, 46.11

 

CMYK 31 / 0 / 68 / 40

HEX #6A9A31

RGB 106 154 49

HSL 87.43, 0.52%, 0.4%

LAB 58.41, -33.32, 47.99

 

CMYK 13 / 0 / 68 / 40

HEX #869A31

RGB 134 154 49

HSL 71.43, 0.52%, 0.4%

LAB 60.25, -21.94, 50.47

 

CMYK 0 / 6 / 68 / 40

HEX #9A9131

RGB 154 145 49

HSL 54.86, 0.52%, 0.4%

LAB 59.29, -8.47, 50

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 68 / 0 / 49 / 40

HEX #319A4E

RGB 49 154 78

HSL 136.57, 0.52%, 0.4%

LAB 56.4, -46.78, 31.25

 

CMYK 68 / 0 / 31 / 40

HEX #319A6A

RGB 49 154 106

HSL 152.57, 0.52%, 0.4%

LAB 56.88, -41.44, 16.69

 

CMYK 68 / 0 / 13 / 40

HEX #319A86

RGB 49 154 134

HSL 168.57, 0.52%, 0.4%

LAB 57.55, -34.6, 1.82

 

CMYK 68 / 6 / 0 / 40

HEX #31919A

RGB 49 145 154

HSL 185.14, 0.52%, 0.4%

LAB 55.32, -24.45, -12.93

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 81 / 0 / 81 / 33

HEX #21AA21

RGB 33 170 33

HSL 120, 0.67%, 0.4%

LAB 60.94, -59.8, 55.44

 

CMYK 91 / 0 / 91 / 27

HEX #10BB10

RGB 16 187 16

HSL 120, 0.84%, 0.4%

LAB 66.28, -67.12, 64

 

CMYK 100 / 0 / 100 / 20

HEX #00CB00

RGB 0 203 0

HSL 120, 1%, 0.4%

LAB 71.36, -72.58, 70.05

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 52 / 0 / 52 / 46

HEX #428942

RGB 66 137 66

HSL 120, 0.35%, 0.4%

LAB 51.2, -37.61, 31.18

 

CMYK 32 / 0 / 32 / 53

HEX #527952

RGB 82 121 82

HSL 120, 0.19%, 0.4%

LAB 47.08, -22.17, 17.15

 

CMYK 5 / 0 / 5 / 59

HEX #636863

RGB 99 104 99

HSL 120, 0.02%, 0.4%

LAB 43.44, -2.97, 2.14

 

CMYK 0 / 23 / 0 / 55

HEX #735873

RGB 115 88 115

HSL 300, 0.13%, 0.4%

LAB 41, 16.2, -11.07

 

CMYK 32 / 0 / 68 / 40

HEX #699A31

RGB 105 154 49

HSL 88, 0.52%, 0.4%

LAB 58.35, -33.71, 47.91

 

CMYK 50 / 0 / 68 / 40

HEX #4D9A31

RGB 77 154 49

HSL 104, 0.52%, 0.4%

LAB 56.99, -43.38, 46.05

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 68 / 0 / 50 / 40

HEX #319A4D

RGB 49 154 77

HSL 136, 0.52%, 0.4%

LAB 56.39, -46.94, 31.76

 

CMYK 68 / 0 / 32 / 40

HEX #319A69

RGB 49 154 105

HSL 152, 0.52%, 0.4%

LAB 56.86, -41.65, 17.22

 

CMYK 68 / 0 / 68 / 64

HEX #1D5B1D

RGB 29 91 29

HSL 120, 0.52%, 0.24%

LAB 33.63, -33.45, 29.19

 

CMYK 68 / 0 / 68 / 52

HEX #277A27

RGB 39 122 39

HSL 120, 0.52%, 0.32%

LAB 44.94, -42.06, 37.02

 

CMYK 68 / 0 / 68 / 40

HEX #319A31

RGB 49 154 49

HSL 120, 0.52%, 0.4%

LAB 56.07, -50.58, 44.8

 

CMYK 68 / 0 / 68 / 27

HEX #3CB93C

RGB 60 185 60

HSL 120, 0.51%, 0.48%

LAB 66.51, -58.11, 51.53

 

CMYK 57 / 0 / 57 / 22

HEX #56C856

RGB 86 200 86

HSL 120, 0.51%, 0.56%

LAB 72.2, -54.89, 46.73

 

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

CMYK 68 / 14 / 0 / 40

HEX #31859A

RGB 49 133 154

HSL 192, 0.52%, 0.4%

LAB 51.57, -18.14, -18.62

 

CMYK 0 / 68 / 41 / 40

HEX #9A315B

RGB 154 49 91

HSL 336, 0.52%, 0.4%

LAB 37.52, 47.17, -0.68

 

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

CMYK 68 / 68 / 0 / 40

HEX #31319A

RGB 49 49 154

HSL 240, 0.52%, 0.4%

LAB 27.25, 34.49, -57.2

 

CMYK 0 / 68 / 68 / 40

HEX #9A3131

RGB 154 49 49

HSL 0, 0.52%, 0.4%

LAB 36.53, 43.64, 24.6

 

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

CMYK 68 / 14 / 0 / 40

HEX #31859A

RGB 49 133 154

HSL 192, 0.52%, 0.4%

LAB 51.57, -18.14, -18.62

 

CMYK 0 / 68 / 0 / 40

HEX #9A319A

RGB 154 49 154

HSL 300, 0.52%, 0.4%

LAB 40.25, 56.23, -35.59

 

CMYK 0 / 55 / 68 / 40

HEX #9A4631

RGB 154 70 49

HSL 12, 0.52%, 0.4%

LAB 40.36, 33.53, 29.21

 

CMYK 67 / 0 / 67 / 40

HEX #329932

RGB 50 153 50

HSL 120, 0.51%, 0.4%

LAB 55.78, -49.92, 44.05

 

CMYK 68 / 34 / 0 / 40

HEX #31669A

RGB 49 102 154

HSL 209.71, 0.52%, 0.4%

LAB 41.98, -0.14, -33.5

 

CMYK 0 / 68 / 0 / 40

HEX #9A319A

RGB 154 49 154

HSL 300, 0.52%, 0.4%

LAB 40.25, 56.23, -35.59

 

CMYK 0 / 34 / 68 / 40

HEX #9A6631

RGB 154 102 49

HSL 30.29, 0.52%, 0.4%

LAB 47.75, 15.69, 37.69

 

Description

Color code: HEX #329932 | qconv.com Color code: HEX #329932 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 153 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 153 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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