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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32A87A it is the complementary color #CD5785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32A87A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32A87A shade: #37A875, #48BA88, #59CC9B, #6ADEAE and #7BF0C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32A87A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32A87A shade: #32A87A, #219667, #108454, #007241 and #00602E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32A87A shade: #32A87A, #32A85A, #32A83A, #49A832 and #69A832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32A87A shade: #32A87A, #32A89A, #3297A8, #3277A8 and #3257A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32A87A shade matches the following richer shades: #32A87A, #20BA7E and #0ECC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32A87A shade: #32A87A, #449776, #558572, #67736E and #79616B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32A87A shade: #32A83A, #32A859, #32A879, #32A899 and #3299A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32A87A shade: #1F694C, #288963, #32A87A, #3EC591 and #5ECFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32A87A shade: #32A87A, #324AA8 and #A84A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32A87A shade: #32A87A, #7932A8 and #A87932

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32A87A shade: #32A87A, #324AA8, #A83261 and #A89132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32A87A shade: #32A87A, #3E32A8, #A83261 and #9DA832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

Complementary color

CMYK 0 / 58 / 35 / 20

HEX #CD5785

RGB 205 87 133

HSL 336.61, 0.54%, 0.57%

LAB 53.48, 51.29, -2.03

 

CMYK 67 / 0 / 30 / 34

HEX #37A875

RGB 55 168 117

HSL 152.92, 0.51%, 0.44%

LAB 61.74, -43.83, 17.31

 

CMYK 61 / 0 / 27 / 27

HEX #48BA88

RGB 72 186 136

HSL 153.68, 0.45%, 0.51%

LAB 68.22, -44.06, 15.97

 

CMYK 56 / 0 / 24 / 20

HEX #59CC9B

RGB 89 204 155

HSL 154.43, 0.53%, 0.57%

LAB 74.62, -44.12, 14.76

 

CMYK 52 / 0 / 22 / 13

HEX #6ADEAE

RGB 106 222 174

HSL 155.17, 0.64%, 0.64%

LAB 80.94, -44.07, 13.65

 

CMYK 49 / 0 / 20 / 6

HEX #7BF0C1

RGB 123 240 193

HSL 155.9, 0.8%, 0.71%

LAB 87.18, -43.96, 12.62

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 78 / 0 / 31 / 41

HEX #219667

RGB 33 150 103

HSL 155.9, 0.64%, 0.36%

LAB 55.19, -42.91, 15.99

 

CMYK 88 / 0 / 36 / 48

HEX #108454

RGB 16 132 84

HSL 155.17, 0.78%, 0.29%

LAB 48.58, -41.79, 17.67

 

CMYK 100 / 0 / 43 / 55

HEX #007241

RGB 0 114 65

HSL 154.21, 1%, 0.22%

LAB 41.87, -40.14, 19.54

 

CMYK 100 / 0 / 52 / 62

HEX #00602E

RGB 0 96 46

HSL 148.75, 1%, 0.19%

LAB 35.13, -37.17, 21.72

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 70 / 0 / 46 / 34

HEX #32A85A

RGB 50 168 90

HSL 140.34, 0.54%, 0.43%

LAB 61.15, -49.94, 31.01

 

CMYK 70 / 0 / 65 / 34

HEX #32A83A

RGB 50 168 58

HSL 124.07, 0.54%, 0.43%

LAB 60.77, -54.37, 46.06

 

CMYK 57 / 0 / 70 / 34

HEX #49A832

RGB 73 168 50

HSL 108.31, 0.54%, 0.43%

LAB 61.35, -49.91, 50.21

 

CMYK 38 / 0 / 70 / 34

HEX #69A832

RGB 105 168 50

HSL 92.03, 0.54%, 0.43%

LAB 62.71, -39.88, 52.04

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 70 / 0 / 8 / 34

HEX #32A89A

RGB 50 168 154

HSL 172.88, 0.54%, 0.43%

LAB 62.52, -35.46, -2.2

 

CMYK 70 / 10 / 0 / 34

HEX #3297A8

RGB 50 151 168

HSL 188.64, 0.54%, 0.43%

LAB 57.69, -23, -17.33

 

CMYK 70 / 29 / 0 / 34

HEX #3277A8

RGB 50 119 168

HSL 204.92, 0.54%, 0.43%

LAB 47.88, -5.26, -32.48

 

CMYK 70 / 48 / 0 / 34

HEX #3257A8

RGB 50 87 168

HSL 221.19, 0.54%, 0.43%

LAB 38.41, 14.83, -47.51

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 83 / 0 / 32 / 27

HEX #20BA7E

RGB 32 186 126

HSL 156.62, 0.71%, 0.43%

LAB 67.23, -52.11, 19.87

 

CMYK 93 / 0 / 36 / 20

HEX #0ECC82

RGB 14 204 130

HSL 156.63, 0.87%, 0.43%

LAB 72.82, -59.09, 25.32

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 55 / 0 / 22 / 41

HEX #449776

RGB 68 151 118

HSL 156.14, 0.38%, 0.43%

LAB 56.75, -33.43, 9.85

 

CMYK 36 / 0 / 14 / 48

HEX #558572

RGB 85 133 114

HSL 156.25, 0.22%, 0.43%

LAB 51.75, -20.79, 5.11

 

CMYK 10 / 0 / 4 / 55

HEX #67736E

RGB 103 115 110

HSL 155, 0.06%, 0.43%

LAB 47.33, -5.56, 1.23

 

CMYK 0 / 20 / 12 / 53

HEX #79616B

RGB 121 97 107

HSL 335, 0.11%, 0.43%

LAB 43.76, 11.47, -1.99

 

CMYK 70 / 0 / 65 / 34

HEX #32A83A

RGB 50 168 58

HSL 124.07, 0.54%, 0.43%

LAB 60.77, -54.37, 46.06

 

CMYK 70 / 0 / 47 / 34

HEX #32A859

RGB 50 168 89

HSL 139.83, 0.54%, 0.43%

LAB 61.14, -50.11, 31.51

 

CMYK 70 / 0 / 28 / 34

HEX #32A879

RGB 50 168 121

HSL 156.1, 0.54%, 0.43%

LAB 61.71, -43.79, 15.04

 

CMYK 70 / 0 / 9 / 34

HEX #32A899

RGB 50 168 153

HSL 172.37, 0.54%, 0.43%

LAB 62.49, -35.74, -1.68

 

CMYK 70 / 9 / 0 / 34

HEX #3299A8

RGB 50 153 168

HSL 187.63, 0.54%, 0.43%

LAB 58.31, -24.02, -16.4

 

CMYK 70 / 0 / 28 / 59

HEX #1F694C

RGB 31 105 76

HSL 156.49, 0.54%, 0.27%

LAB 39.44, -30.17, 9.84

 

CMYK 71 / 0 / 28 / 46

HEX #288963

RGB 40 137 99

HSL 156.49, 0.55%, 0.35%

LAB 50.97, -37.33, 12.44

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 69 / 0 / 26 / 23

HEX #3EC591

RGB 62 197 145

HSL 156.89, 0.54%, 0.51%

LAB 71.56, -48.45, 15.72

 

CMYK 55 / 0 / 21 / 19

HEX #5ECFA3

RGB 94 207 163

HSL 156.64, 0.54%, 0.59%

LAB 75.85, -42.59, 12.24

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 70 / 56 / 0 / 34

HEX #324AA8

RGB 50 74 168

HSL 227.8, 0.54%, 0.43%

LAB 34.81, 23.42, -53.33

 

CMYK 0 / 56 / 70 / 34

HEX #A84A32

RGB 168 74 50

HSL 12.2, 0.54%, 0.43%

LAB 43.44, 37.04, 32.8

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 28 / 70 / 0 / 34

HEX #7932A8

RGB 121 50 168

HSL 276.1, 0.54%, 0.43%

LAB 36.32, 51.12, -50.57

 

CMYK 0 / 28 / 70 / 34

HEX #A87932

RGB 168 121 50

HSL 36.1, 0.54%, 0.43%

LAB 54.27, 11.2, 44.77

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 70 / 56 / 0 / 34

HEX #324AA8

RGB 50 74 168

HSL 227.8, 0.54%, 0.43%

LAB 34.81, 23.42, -53.33

 

CMYK 0 / 70 / 42 / 34

HEX #A83261

RGB 168 50 97

HSL 336.1, 0.54%, 0.43%

LAB 40.36, 51.7, -0.03

 

CMYK 0 / 14 / 70 / 34

HEX #A89132

RGB 168 145 50

HSL 48.31, 0.54%, 0.43%

LAB 60.61, -2.14, 51.35

 

CMYK 70 / 0 / 27 / 34

HEX #32A87A

RGB 50 168 122

HSL 156.61, 0.54%, 0.43%

LAB 61.73, -43.56, 14.52

 

CMYK 63 / 70 / 0 / 34

HEX #3E32A8

RGB 62 50 168

HSL 246.1, 0.54%, 0.43%

LAB 29.74, 40.39, -61.56

 

CMYK 0 / 70 / 42 / 34

HEX #A83261

RGB 168 50 97

HSL 336.1, 0.54%, 0.43%

LAB 40.36, 51.7, -0.03

 

CMYK 7 / 0 / 70 / 34

HEX #9DA832

RGB 157 168 50

HSL 65.59, 0.54%, 0.43%

LAB 66.06, -19.12, 56.51

 

Description

Color code: HEX #32A87A | qconv.com Color code: HEX #32A87A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 168 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 168 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 27 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 27% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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