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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B879 it is the complementary color #CD4786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B879 shade: #37B874, #48CA87, #59DC9A, #6AEEAD and #7BFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B879 shade: #32B879, #21A666, #109453, #008240 and #00702D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B879 shade: #32B879, #32B855, #33B832, #57B832 and #7BB832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B879 shade: #32B879, #32B89D, #32AEB8, #328AB8 and #3266B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B879 shade matches the following richer shades: #32B879, #1FCB7A and #0CDE7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B879 shade: #32B879, #45A578, #589277, #6B7F75 and #7E6C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B879 shade: #34B832, #32B853, #32B877, #32B89B and #32B1B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B879 shade: #20774E, #299763, #32B879, #47CC8D and #67D5A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B879 shade: #32B879, #3258B8 and #B84232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B879 shade: #32B879, #7732B8 and #B87732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B879 shade: #32B879, #3258B8, #B83273 and #B89232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B879 shade: #32B879, #3432B8, #B83273 and #B5B832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

Complementary color

CMYK 0 / 65 / 35 / 20

HEX #CD4786

RGB 205 71 134

HSL 331.79, 0.57%, 0.54%

LAB 50.93, 58.38, -6.4

 

CMYK 70 / 0 / 37 / 28

HEX #37B874

RGB 55 184 116

HSL 148.37, 0.54%, 0.47%

LAB 66.79, -50.47, 24.7

 

CMYK 64 / 0 / 33 / 21

HEX #48CA87

RGB 72 202 135

HSL 149.08, 0.55%, 0.54%

LAB 73.13, -50.85, 23.26

 

CMYK 60 / 0 / 30 / 14

HEX #59DC9A

RGB 89 220 154

HSL 149.77, 0.65%, 0.61%

LAB 79.41, -51.02, 21.93

 

CMYK 55 / 0 / 27 / 7

HEX #6AEEAD

RGB 106 238 173

HSL 150.45, 0.8%, 0.67%

LAB 85.62, -51.05, 20.71

 

CMYK 52 / 0 / 25 / 0

HEX #7BFFC0

RGB 123 255 192

HSL 151.36, 1%, 0.74%

LAB 91.48, -50.57, 19.17

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 80 / 0 / 39 / 35

HEX #21A666

RGB 33 166 102

HSL 151.13, 0.67%, 0.39%

LAB 60.39, -49.42, 23.58

 

CMYK 89 / 0 / 44 / 42

HEX #109453

RGB 16 148 83

HSL 150.45, 0.8%, 0.32%

LAB 53.94, -48.1, 25.33

 

CMYK 100 / 0 / 51 / 49

HEX #008240

RGB 0 130 64

HSL 149.54, 1%, 0.25%

LAB 47.41, -46.21, 27.22

 

CMYK 100 / 0 / 60 / 56

HEX #00702D

RGB 0 112 45

HSL 144.11, 1%, 0.22%

LAB 40.86, -43.08, 29.27

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 73 / 0 / 54 / 28

HEX #32B855

RGB 50 184 85

HSL 135.67, 0.57%, 0.46%

LAB 66.22, -56.55, 39.85

 

CMYK 72 / 0 / 73 / 28

HEX #33B832

RGB 51 184 50

HSL 119.55, 0.57%, 0.46%

LAB 65.92, -60.31, 54.73

 

CMYK 53 / 0 / 73 / 28

HEX #57B832

RGB 87 184 50

HSL 103.43, 0.57%, 0.46%

LAB 66.93, -52.11, 56.09

 

CMYK 33 / 0 / 73 / 28

HEX #7BB832

RGB 123 184 50

HSL 87.31, 0.57%, 0.46%

LAB 68.55, -40.34, 58.24

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 73 / 0 / 15 / 28

HEX #32B89D

RGB 50 184 157

HSL 167.91, 0.57%, 0.46%

LAB 67.57, -41.83, 3.5

 

CMYK 73 / 5 / 0 / 28

HEX #32AEB8

RGB 50 174 184

HSL 184.48, 0.57%, 0.46%

LAB 65.29, -29.58, -14.83

 

CMYK 73 / 25 / 0 / 28

HEX #328AB8

RGB 50 138 184

HSL 200.6, 0.57%, 0.46%

LAB 54.36, -10.64, -31.59

 

CMYK 73 / 45 / 0 / 28

HEX #3266B8

RGB 50 102 184

HSL 216.72, 0.57%, 0.46%

LAB 43.71, 11.11, -48.41

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 85 / 0 / 40 / 20

HEX #1FCB7A

RGB 31 203 122

HSL 151.74, 0.74%, 0.46%

LAB 72.5, -59.27, 29.08

 

CMYK 95 / 0 / 45 / 13

HEX #0CDE7B

RGB 12 222 123

HSL 151.71, 0.9%, 0.46%

LAB 78.32, -66.68, 36.13

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 58 / 0 / 27 / 35

HEX #45A578

RGB 69 165 120

HSL 151.88, 0.41%, 0.46%

LAB 61.25, -39.08, 15.03

 

CMYK 40 / 0 / 18 / 43

HEX #589277

RGB 88 146 119

HSL 152.07, 0.25%, 0.46%

LAB 56.05, -25.4, 8.4

 

CMYK 16 / 0 / 8 / 50

HEX #6B7F75

RGB 107 127 117

HSL 150, 0.09%, 0.46%

LAB 51.37, -9.43, 2.99

 

CMYK 0 / 14 / 8 / 51

HEX #7E6C74

RGB 126 108 116

HSL 333.33, 0.08%, 0.46%

LAB 47.52, 8.56, -1.83

 

CMYK 72 / 0 / 73 / 28

HEX #34B832

RGB 52 184 50

HSL 119.1, 0.57%, 0.46%

LAB 65.94, -60.14, 54.76

 

CMYK 73 / 0 / 55 / 28

HEX #32B853

RGB 50 184 83

HSL 134.78, 0.57%, 0.46%

LAB 66.2, -56.83, 40.79

 

CMYK 73 / 0 / 35 / 28

HEX #32B877

RGB 50 184 119

HSL 150.9, 0.57%, 0.46%

LAB 66.74, -50.65, 23.02

 

CMYK 73 / 0 / 16 / 28

HEX #32B89B

RGB 50 184 155

HSL 167.01, 0.57%, 0.46%

LAB 67.52, -42.35, 4.52

 

CMYK 73 / 4 / 0 / 28

HEX #32B1B8

RGB 50 177 184

HSL 183.13, 0.57%, 0.46%

LAB 66.2, -31.03, -13.46

 

CMYK 73 / 0 / 34 / 53

HEX #20774E

RGB 32 119 78

HSL 151.72, 0.58%, 0.3%

LAB 44.31, -35.75, 15.37

 

CMYK 73 / 0 / 34 / 41

HEX #299763

RGB 41 151 99

HSL 151.64, 0.57%, 0.38%

LAB 55.59, -43.06, 18.8

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 65 / 0 / 31 / 20

HEX #47CC8D

RGB 71 204 141

HSL 151.58, 0.57%, 0.54%

LAB 73.84, -50.62, 21.04

 

CMYK 52 / 0 / 24 / 16

HEX #67D5A1

RGB 103 213 161

HSL 151.64, 0.57%, 0.62%

LAB 77.9, -43.59, 16.23

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 73 / 52 / 0 / 28

HEX #3258B8

RGB 50 88 184

HSL 222.99, 0.57%, 0.46%

LAB 39.78, 20.17, -54.75

 

CMYK 0 / 64 / 73 / 28

HEX #B84232

RGB 184 66 50

HSL 7.16, 0.57%, 0.46%

LAB 44.68, 46.77, 34.94

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 35 / 73 / 0 / 28

HEX #7732B8

RGB 119 50 184

HSL 270.9, 0.57%, 0.46%

LAB 37.23, 54.46, -58.61

 

CMYK 0 / 35 / 73 / 28

HEX #B87732

RGB 184 119 50

HSL 30.9, 0.57%, 0.46%

LAB 55.7, 19.39, 46.86

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 73 / 52 / 0 / 28

HEX #3258B8

RGB 50 88 184

HSL 222.99, 0.57%, 0.46%

LAB 39.78, 20.17, -54.75

 

CMYK 0 / 73 / 38 / 28

HEX #B83273

RGB 184 50 115

HSL 330.9, 0.57%, 0.46%

LAB 43.81, 58.22, -5.82

 

CMYK 0 / 21 / 73 / 28

HEX #B89232

RGB 184 146 50

HSL 42.99, 0.57%, 0.46%

LAB 62.49, 4.45, 53.77

 

CMYK 73 / 0 / 34 / 28

HEX #32B879

RGB 50 184 121

HSL 151.79, 0.57%, 0.46%

LAB 66.78, -50.24, 21.99

 

CMYK 72 / 73 / 0 / 28

HEX #3432B8

RGB 52 50 184

HSL 240.9, 0.57%, 0.46%

LAB 30.57, 44.45, -69.78

 

CMYK 0 / 73 / 38 / 28

HEX #B83273

RGB 184 50 115

HSL 330.9, 0.57%, 0.46%

LAB 43.81, 58.22, -5.82

 

CMYK 2 / 0 / 73 / 28

HEX #B5B832

RGB 181 184 50

HSL 61.34, 0.57%, 0.46%

LAB 72.45, -16.93, 63.37

 

Description

Color code: HEX #32B879 | qconv.com Color code: HEX #32B879 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 184 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 184 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 34 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 34% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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