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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B1DC it is the complementary color #CD4E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B1DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B1DC shade: #37B1D7, #48C3EA, #59D5FD, #6AE7FF and #7BF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B1DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B1DC shade: #32B1DC, #219FC9, #108DB6, #007BA3 and #006990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B1DC shade: #32B1DC, #3283DC, #3255DC, #3C32DC and #6A32DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B1DC shade: #32B1DC, #3283DC, #3255DC and #3232DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B1DC shade matches the following richer shades: #32B1DC and #1EBAEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B1DC shade: #32B1DC, #45A7C8, #589EB5, #6C94A2 and #7F8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B1DC shade: #32DCAC, #32DCD9, #32B1DC, #3284DC and #3256DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B1DC shade: #1B7EA0, #219AC3, #32B1DC, #55BEE2 and #78CBE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B1DC shade: #32B1DC, #7E32DC and #DCC232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B1DC shade: #32B1DC, #DC32B1 and #B1DC32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B1DC shade: #32B1DC, #7E32DC, #DC5C32 and #8FDC32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B1DC shade: #32B1DC, #B132DC, #DC5C32 and #5CDC32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

Complementary color

CMYK 0 / 62 / 83 / 20

HEX #CD4E23

RGB 205 78 35

HSL 15.18, 0.71%, 0.47%

LAB 50.16, 48.35, 49.37

 

CMYK 74 / 18 / 0 / 16

HEX #37B1D7

RGB 55 177 215

HSL 194.25, 0.67%, 0.53%

LAB 67.4, -20.71, -28.74

 

CMYK 69 / 17 / 0 / 8

HEX #48C3EA

RGB 72 195 234

HSL 194.44, 0.79%, 0.6%

LAB 73.77, -21.73, -29.26

 

CMYK 65 / 16 / 0 / 1

HEX #59D5FD

RGB 89 213 253

HSL 194.63, 0.98%, 0.67%

LAB 80.07, -22.54, -29.73

 

CMYK 58 / 9 / 0 / 0

HEX #6AE7FF

RGB 106 231 255

HSL 189.66, 1%, 0.71%

LAB 85.72, -28.04, -22.12

 

CMYK 52 / 2 / 0 / 0

HEX #7BF9FF

RGB 123 249 255

HSL 182.73, 1%, 0.74%

LAB 91.32, -33.43, -13.64

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 84 / 21 / 0 / 21

HEX #219FC9

RGB 33 159 201

HSL 195, 0.72%, 0.46%

LAB 61.08, -18.11, -30.78

 

CMYK 91 / 23 / 0 / 29

HEX #108DB6

RGB 16 141 182

HSL 194.82, 0.84%, 0.39%

LAB 54.59, -16.18, -30.13

 

CMYK 100 / 25 / 0 / 36

HEX #007BA3

RGB 0 123 163

HSL 194.72, 1%, 0.32%

LAB 48.02, -13.83, -29.4

 

CMYK 100 / 27 / 0 / 44

HEX #006990

RGB 0 105 144

HSL 196.25, 1%, 0.28%

LAB 41.4, -10.7, -28.51

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 77 / 40 / 0 / 14

HEX #3283DC

RGB 50 131 220

HSL 211.41, 0.71%, 0.53%

LAB 54.11, 6.42, -52.39

 

CMYK 77 / 61 / 0 / 14

HEX #3255DC

RGB 50 85 220

HSL 227.65, 0.71%, 0.53%

LAB 41.76, 35.41, -72.35

 

CMYK 73 / 77 / 0 / 14

HEX #3C32DC

RGB 60 50 220

HSL 243.53, 0.71%, 0.53%

LAB 34.82, 56.57, -83.74

 

CMYK 52 / 77 / 0 / 14

HEX #6A32DC

RGB 106 50 220

HSL 259.76, 0.71%, 0.53%

LAB 38.75, 61.43, -77.13

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 77 / 40 / 0 / 14

HEX #3283DC

RGB 50 131 220

HSL 211.41, 0.71%, 0.53%

LAB 54.11, 6.42, -52.39

 

CMYK 77 / 61 / 0 / 14

HEX #3255DC

RGB 50 85 220

HSL 227.65, 0.71%, 0.53%

LAB 41.76, 35.41, -72.35

 

CMYK 77 / 77 / 0 / 14

HEX #3232DC

RGB 50 50 220

HSL 240, 0.71%, 0.53%

LAB 34.25, 55.86, -84.72

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 87 / 22 / 0 / 6

HEX #1EBAEF

RGB 30 186 239

HSL 195.22, 0.87%, 0.53%

LAB 70.61, -19.53, -36.91

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 66 / 17 / 0 / 22

HEX #45A7C8

RGB 69 167 200

HSL 195.11, 0.54%, 0.53%

LAB 64.22, -18.32, -25.31

 

CMYK 51 / 13 / 0 / 29

HEX #589EB5

RGB 88 158 181

HSL 194.84, 0.39%, 0.53%

LAB 61.54, -15.61, -18.72

 

CMYK 33 / 9 / 0 / 36

HEX #6C94A2

RGB 108 148 162

HSL 195.56, 0.23%, 0.53%

LAB 58.95, -10.16, -11.78

 

CMYK 11 / 3 / 0 / 44

HEX #7F8A8E

RGB 127 138 142

HSL 196, 0.06%, 0.53%

LAB 56.72, -3.15, -3.51

 

CMYK 77 / 0 / 22 / 14

HEX #32DCAC

RGB 50 220 172

HSL 163.06, 0.71%, 0.53%

LAB 78.95, -53.1, 11.7

 

CMYK 77 / 0 / 1 / 14

HEX #32DCD9

RGB 50 220 217

HSL 178.94, 0.71%, 0.53%

LAB 80.11, -41.35, -10.57

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 77 / 40 / 0 / 14

HEX #3284DC

RGB 50 132 220

HSL 211.06, 0.71%, 0.53%

LAB 54.39, 5.81, -51.93

 

CMYK 77 / 61 / 0 / 14

HEX #3256DC

RGB 50 86 220

HSL 227.29, 0.71%, 0.53%

LAB 42, 34.77, -71.95

 

CMYK 83 / 21 / 0 / 37

HEX #1B7EA0

RGB 27 126 160

HSL 195.34, 0.71%, 0.37%

LAB 49.12, -15.02, -25.92

 

CMYK 83 / 21 / 0 / 24

HEX #219AC3

RGB 33 154 195

HSL 195.19, 0.71%, 0.45%

LAB 59.32, -17.5, -30.14

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 62 / 16 / 0 / 11

HEX #55BEE2

RGB 85 190 226

HSL 195.32, 0.71%, 0.61%

LAB 72.39, -19.63, -27.01

 

CMYK 48 / 13 / 0 / 9

HEX #78CBE8

RGB 120 203 232

HSL 195.54, 0.71%, 0.69%

LAB 77.6, -17.63, -22.19

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 43 / 77 / 0 / 14

HEX #7E32DC

RGB 126 50 220

HSL 266.82, 0.71%, 0.53%

LAB 41.03, 64.22, -73.3

 

CMYK 0 / 12 / 77 / 14

HEX #DCC232

RGB 220 194 50

HSL 50.82, 0.71%, 0.53%

LAB 78.48, -5.28, 70.19

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 0 / 77 / 20 / 14

HEX #DC32B1

RGB 220 50 177

HSL 315.18, 0.71%, 0.53%

LAB 52.59, 74.61, -29.1

 

CMYK 20 / 0 / 77 / 14

HEX #B1DC32

RGB 177 220 50

HSL 75.18, 0.71%, 0.53%

LAB 82.25, -35.83, 72.43

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 43 / 77 / 0 / 14

HEX #7E32DC

RGB 126 50 220

HSL 266.82, 0.71%, 0.53%

LAB 41.03, 64.22, -73.3

 

CMYK 0 / 58 / 77 / 14

HEX #DC5C32

RGB 220 92 50

HSL 14.82, 0.71%, 0.53%

LAB 55.18, 47.86, 47.95

 

CMYK 35 / 0 / 77 / 14

HEX #8FDC32

RGB 143 220 50

HSL 87.18, 0.71%, 0.53%

LAB 80.32, -48.48, 69.94

 

CMYK 77 / 20 / 0 / 14

HEX #32B1DC

RGB 50 177 220

HSL 195.18, 0.71%, 0.53%

LAB 67.49, -19.62, -31.35

 

CMYK 20 / 77 / 0 / 14

HEX #B132DC

RGB 177 50 220

HSL 284.82, 0.71%, 0.53%

LAB 48, 72.66, -61.65

 

CMYK 0 / 58 / 77 / 14

HEX #DC5C32

RGB 220 92 50

HSL 14.82, 0.71%, 0.53%

LAB 55.18, 47.86, 47.95

 

CMYK 58 / 0 / 77 / 14

HEX #5CDC32

RGB 92 220 50

HSL 105.18, 0.71%, 0.53%

LAB 78.28, -63.77, 67.28

 

Description

Color code: HEX #32B1DC | qconv.com Color code: HEX #32B1DC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 177 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 177 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 20 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 20% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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