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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32C8D2 it is the complementary color #CD372D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32C8D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32C8D2 shade: #37C8CD, #48DAE0, #59ECF3, #6AFEFF and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32C8D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32C8D2 shade: #32C8D2, #21B6BF, #10A4AC, #009299 and #008086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32C8D2 shade: #32C8D2, #329CD2, #3271D2, #3246D2 and #4832D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32C8D2 shade: #32C8D2, #329CD2, #3271D2, #3246D2 and #3232D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32C8D2 shade matches the following richer shades: #32C8D2, #1DD9E6 and #09EBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32C8D2 shade: #32C8D2, #46B6BD, #5AA4A9, #6E9295 and #828181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32C8D2 shade: #32D284, #32D2AF, #32CAD2, #329FD2 and #3274D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32C8D2 shade: #1F8A91, #27AAB3, #32C8D2, #53D1D9 and #75DAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32C8D2 shade: #32C8D2, #5A32D2 and #D29A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32C8D2 shade: #32C8D2, #D232CA and #CAD232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32C8D2 shade: #32C8D2, #5A32D2, #D23A32 and #AAD232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32C8D2 shade: #32C8D2, #8A32D2, #D23A32 and #7AD232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

Complementary color

CMYK 0 / 73 / 78 / 20

HEX #CD372D

RGB 205 55 45

HSL 3.75, 0.64%, 0.49%

LAB 46.84, 57.87, 41.17

 

CMYK 73 / 2 / 0 / 20

HEX #37C8CD

RGB 55 200 205

HSL 182, 0.6%, 0.51%

LAB 73.89, -35.14, -13.41

 

CMYK 68 / 3 / 0 / 12

HEX #48DAE0

RGB 72 218 224

HSL 182.37, 0.71%, 0.58%

LAB 80.12, -35.93, -14.24

 

CMYK 63 / 3 / 0 / 5

HEX #59ECF3

RGB 89 236 243

HSL 182.73, 0.87%, 0.65%

LAB 86.3, -36.53, -14.99

 

CMYK 58 / 0 / 0 / 0

HEX #6AFEFF

RGB 106 254 255

HSL 180.4, 1%, 0.71%

LAB 92.21, -38.84, -12.37

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 83 / 5 / 0 / 25

HEX #21B6BF

RGB 33 182 191

HSL 183.42, 0.71%, 0.44%

LAB 67.68, -32.99, -15.13

 

CMYK 91 / 5 / 0 / 33

HEX #10A4AC

RGB 16 164 172

HSL 183.08, 0.83%, 0.37%

LAB 61.34, -31.41, -14.12

 

CMYK 100 / 5 / 0 / 40

HEX #009299

RGB 0 146 153

HSL 182.75, 1%, 0.3%

LAB 54.93, -29.47, -13.01

 

CMYK 100 / 4 / 0 / 47

HEX #008086

RGB 0 128 134

HSL 182.69, 1%, 0.26%

LAB 48.46, -26.86, -11.71

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 76 / 26 / 0 / 18

HEX #329CD2

RGB 50 156 210

HSL 200.25, 0.64%, 0.51%

LAB 60.88, -11.71, -36.1

 

CMYK 76 / 46 / 0 / 18

HEX #3271D2

RGB 50 113 210

HSL 216.38, 0.64%, 0.51%

LAB 48.44, 13.85, -55.81

 

CMYK 76 / 67 / 0 / 18

HEX #3246D2

RGB 50 70 210

HSL 232.5, 0.64%, 0.51%

LAB 37.32, 41.2, -73.88

 

CMYK 66 / 76 / 0 / 18

HEX #4832D2

RGB 72 50 210

HSL 248.25, 0.64%, 0.51%

LAB 34.62, 54.64, -78.28

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 76 / 26 / 0 / 18

HEX #329CD2

RGB 50 156 210

HSL 200.25, 0.64%, 0.51%

LAB 60.88, -11.71, -36.1

 

CMYK 76 / 46 / 0 / 18

HEX #3271D2

RGB 50 113 210

HSL 216.38, 0.64%, 0.51%

LAB 48.44, 13.85, -55.81

 

CMYK 76 / 67 / 0 / 18

HEX #3246D2

RGB 50 70 210

HSL 232.5, 0.64%, 0.51%

LAB 37.32, 41.2, -73.88

 

CMYK 76 / 76 / 0 / 18

HEX #3232D2

RGB 50 50 210

HSL 240, 0.64%, 0.51%

LAB 33.16, 52.71, -80.74

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 87 / 6 / 0 / 10

HEX #1DD9E6

RGB 29 217 230

HSL 183.88, 0.8%, 0.51%

LAB 79.39, -37.7, -18.61

 

CMYK 96 / 6 / 0 / 2

HEX #09EBFA

RGB 9 235 250

HSL 183.73, 0.96%, 0.51%

LAB 85.19, -40.55, -20.44

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 63 / 4 / 0 / 26

HEX #46B6BD

RGB 70 182 189

HSL 183.53, 0.47%, 0.51%

LAB 68.34, -29.1, -12.96

 

CMYK 47 / 3 / 0 / 34

HEX #5AA4A9

RGB 90 164 169

HSL 183.8, 0.31%, 0.51%

LAB 63, -21.65, -9.76

 

CMYK 26 / 2 / 0 / 42

HEX #6E9295

RGB 110 146 149

HSL 184.62, 0.16%, 0.51%

LAB 58.08, -11.68, -5.66

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 76 / 0 / 37 / 18

HEX #32D284

RGB 50 210 132

HSL 150.75, 0.64%, 0.51%

LAB 75.1, -57.91, 27.4

 

CMYK 76 / 0 / 17 / 18

HEX #32D2AF

RGB 50 210 175

HSL 166.88, 0.64%, 0.51%

LAB 75.99, -48.3, 5.87

 

CMYK 76 / 4 / 0 / 18

HEX #32CAD2

RGB 50 202 210

HSL 183, 0.64%, 0.51%

LAB 74.55, -35.15, -15.13

 

CMYK 76 / 24 / 0 / 18

HEX #329FD2

RGB 50 159 210

HSL 199.13, 0.64%, 0.51%

LAB 61.76, -13.36, -34.72

 

CMYK 76 / 45 / 0 / 18

HEX #3274D2

RGB 50 116 210

HSL 215.25, 0.64%, 0.51%

LAB 49.28, 11.97, -54.46

 

CMYK 79 / 5 / 0 / 43

HEX #1F8A91

RGB 31 138 145

HSL 183.68, 0.65%, 0.35%

LAB 52.41, -26.1, -12.15

 

CMYK 78 / 5 / 0 / 30

HEX #27AAB3

RGB 39 170 179

HSL 183.86, 0.64%, 0.43%

LAB 63.7, -30.4, -14.46

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 62 / 4 / 0 / 15

HEX #53D1D9

RGB 83 209 217

HSL 183.58, 0.64%, 0.59%

LAB 77.55, -32.03, -14.33

 

CMYK 48 / 3 / 0 / 12

HEX #75DAE0

RGB 117 218 224

HSL 183.36, 0.63%, 0.67%

LAB 81.46, -27.91, -12.1

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 57 / 76 / 0 / 18

HEX #5A32D2

RGB 90 50 210

HSL 255, 0.64%, 0.51%

LAB 36.19, 56.69, -75.64

 

CMYK 0 / 27 / 76 / 18

HEX #D29A32

RGB 210 154 50

HSL 39, 0.64%, 0.51%

LAB 67.31, 11.53, 59.43

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 0 / 76 / 4 / 18

HEX #D232CA

RGB 210 50 202

HSL 303, 0.64%, 0.51%

LAB 52.12, 75.96, -44.46

 

CMYK 4 / 0 / 76 / 18

HEX #CAD232

RGB 202 210 50

HSL 63, 0.64%, 0.51%

LAB 81.23, -20.96, 72.13

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 57 / 76 / 0 / 18

HEX #5A32D2

RGB 90 50 210

HSL 255, 0.64%, 0.51%

LAB 36.19, 56.69, -75.64

 

CMYK 0 / 72 / 76 / 18

HEX #D23A32

RGB 210 58 50

HSL 3, 0.64%, 0.51%

LAB 48.21, 58.56, 40.15

 

CMYK 19 / 0 / 76 / 18

HEX #AAD232

RGB 170 210 50

HSL 75, 0.64%, 0.51%

LAB 78.97, -34.02, 69.22

 

CMYK 76 / 5 / 0 / 18

HEX #32C8D2

RGB 50 200 210

HSL 183.75, 0.64%, 0.51%

LAB 73.96, -34.21, -16.02

 

CMYK 34 / 76 / 0 / 18

HEX #8A32D2

RGB 138 50 210

HSL 273, 0.64%, 0.51%

LAB 41.75, 63.81, -66.32

 

CMYK 0 / 72 / 76 / 18

HEX #D23A32

RGB 210 58 50

HSL 3, 0.64%, 0.51%

LAB 48.21, 58.56, 40.15

 

CMYK 42 / 0 / 76 / 18

HEX #7AD232

RGB 122 210 50

HSL 93, 0.64%, 0.51%

LAB 76.35, -51.51, 65.83

 

Description

Color code: HEX #32C8D2 | qconv.com Color code: HEX #32C8D2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 200 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 200 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 5 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 5% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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